To Find Your Next Job, Ditch the Online Resume Portal
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    HOUSE MEDIAN ASKING PRICES AND WEEKLY CHANGE     Sydney $1,619,543 (+1.02%)       Melbourne $993,415 (+0.43%)       Brisbane $975,058 (+1.20%)       Adelaide $879,284 (+0.61%)       Perth $852,259 (+2.21%)       Hobart $758,052 (+0.47%)       Darwin $664,462 (-0.58%)       Canberra $1,008,338 (+1.48%)       National $1,044,192 (+1.00%)                UNIT MEDIAN ASKING PRICES AND WEEKLY CHANGE     Sydney $750,850 (+0.34%)       Melbourne $495,457 (-0.48%)       Brisbane $530,547 (-1.93%)       Adelaide $452,618 (+2.41%)       Perth $435,880 (-1.44%)       Hobart $520,910 (-0.84%)       Darwin $351,137 (+1.16%)       Canberra $486,921 (-1.93%)       National $526,132 (-0.40%)                HOUSES FOR SALE AND WEEKLY CHANGE     Sydney 10,060 (-129)       Melbourne 14,838 (+125)       Brisbane 7,930 (-41)       Adelaide 2,474 (+54)       Perth 6,387 (+4)       Hobart 1,349 (+13)       Darwin 237 (+9)       Canberra 988 (-41)       National 44,263 (-6)                UNITS FOR SALE AND WEEKLY CHANGE     Sydney 8,768 (-27)       Melbourne 8,244 (+37)       Brisbane 1,610 (-26)       Adelaide 427 (+6)       Perth 1,632 (-32)       Hobart 199 (-5)       Darwin 399 (-5)       Canberra 989 (+1)       National 22,268 (-51)                HOUSE MEDIAN ASKING RENTS AND WEEKLY CHANGE     Sydney $800 ($0)       Melbourne $600 ($0)       Brisbane $640 ($0)       Adelaide $600 ($0)       Perth $650 (-$10)       Hobart $550 ($0)       Darwin $700 ($0)       Canberra $680 (-$10)       National $660 (-$3)                UNIT MEDIAN ASKING RENTS AND WEEKLY CHANGE     Sydney $750 ($0)       Melbourne $585 (-$5)       Brisbane $635 (+$5)       Adelaide $495 (+$5)       Perth $600 ($0)       Hobart $450 (-$25)       Darwin $550 ($0)       Canberra $570 ($0)       National $592 (-$1)                HOUSES FOR RENT AND WEEKLY CHANGE     Sydney 5,449 (+85)       Melbourne 5,466 (+38)       Brisbane 3,843 (-159)       Adelaide 1,312 (-17)       Perth 2,155 (+42)       Hobart 398 (0)       Darwin 102 (+3)       Canberra 579 (+5)       National 19,304 (-3)                UNITS FOR RENT AND WEEKLY CHANGE     Sydney 7,769 (+82)       Melbourne 4,815 (+22)       Brisbane 2,071 (-27)       Adelaide 356 (+2)       Perth 644 (-6)       Hobart 137 (+2)       Darwin 172 (-4)       Canberra 575 (+6)       National 16,539 (+77)                HOUSE ANNUAL GROSS YIELDS AND TREND         Sydney 2.57% (↓)       Melbourne 3.14% (↓)       Brisbane 3.41% (↓)       Adelaide 3.55% (↓)       Perth 3.97% (↓)       Hobart 3.77% (↓)     Darwin 5.48% (↑)        Canberra 3.51% (↓)       National 3.29% (↓)            UNIT ANNUAL GROSS YIELDS AND TREND         Sydney 5.19% (↓)       Melbourne 6.14% (↓)     Brisbane 6.22% (↑)        Adelaide 5.69% (↓)     Perth 7.16% (↑)        Hobart 4.49% (↓)       Darwin 8.14% (↓)     Canberra 6.09% (↑)      National 5.85% (↑)             HOUSE RENTAL VACANCY RATES AND TREND       Sydney 0.8% (↑)      Melbourne 0.7% (↑)      Brisbane 0.7% (↑)      Adelaide 0.4% (↑)      Perth 0.4% (↑)      Hobart 0.9% (↑)      Darwin 0.8% (↑)      Canberra 1.0% (↑)      National 0.7% (↑)             UNIT RENTAL VACANCY RATES AND TREND       Sydney 0.9% (↑)      Melbourne 1.1% (↑)      Brisbane 1.0% (↑)      Adelaide 0.5% (↑)      Perth 0.5% (↑)      Hobart 1.4% (↑)      Darwin 1.7% (↑)      Canberra 1.4% (↑)      National 1.1% (↑)             AVERAGE DAYS TO SELL HOUSES AND TREND       Sydney 30.2 (↑)      Melbourne 31.9 (↑)      Brisbane 31.5 (↑)      Adelaide 26.3 (↑)      Perth 35.7 (↑)        Hobart 32.0 (↓)     Darwin 36.4 (↑)      Canberra 30.8 (↑)      National 31.8 (↑)             AVERAGE DAYS TO SELL UNITS AND TREND       Sydney 30.8 (↑)      Melbourne 31.3 (↑)      Brisbane 30.2 (↑)        Adelaide 24.1 (↓)     Perth 39.4 (↑)      Hobart 35.1 (↑)      Darwin 47.9 (↑)      Canberra 41.7 (↑)      National 35.1 (↑)            
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To Find Your Next Job, Ditch the Online Resume Portal

Companies and candidates frustrated by online applications are reverting to in-person meetings.

By CALLUM BORCHERS
Fri, Jul 22, 2022 11:54amGrey Clock 4 min

The job market is confounding. Managers say they’re still struggling to find good people to hire, while job seekers say that applying online can feel like shooting their résumés into outer space. Why bother?

I hear from a lot of bosses who say the software they use to screen job candidates is failing them. A lot of good-on-paper job candidates fall short during the interview process because they are lacking in the soft-skills department.

At the same time, people who want new jobs are telling me they’d make great employees if only they could talk with the person who’d be their boss.

There’s an idea: Human connection. A foot in the door, a shake of the hand and a face-to-face conversation could be a way to fix this disconnect, according to companies and candidates who are refocusing on in-person recruiting and pitching.

The walk-in strategy that landed your first job bagging groceries or scooping ice cream just might help secure your next one. Taped-up invitations to “apply within”—rendered obsolete by digital HR portals and impractical during the pandemic—are reappearing on office doors and storefronts for white-collar and skilled trade jobs from Reno, Nev., to Cincinnati to Hyannis, Mass., business groups say.

“Are you awesome? Because we’re NOW HIRING,” read a sign this month on the door of the Classic Arcade Pinball Museum in Chattanooga, Tenn., which was in need of an assistant manager. “Apply inside!”

Owner Dave Alverson told me the role isn’t complicated and pays a modest wage but requires strong interpersonal skills—and he’d grown frustrated with online application systems that couldn’t vet people’s ability to make conversation and create a welcoming atmosphere. So, he went old school in search of someone who’s passionate about games from the ’70s and ’80s. He hung a sign to solicit walk-ins, interviewed several promising candidates, and last week filled the position with someone he thinks will connect with customers.

An in-person introduction helps judge qualities that don’t show up on a résumé, bosses say—like whether an applicant seems reliable, or someone apt to “ghost” the company after a few days. Tom Sullivan, vice president of small business policy at the U.S. Chamber of Commerce, says members’ top concern is finding people who will show up for the second week of work, instead of quitting soon after starting.

Worker flakiness is rampant and reflects a sense that another job is easy to come by, although fears of a recession are beginning to shake some employees’ confidence. Some others are discovering job searches are tougher than they expected.

Nicolle Allred says she has struck out on about 100 online applications for remote project-management positions. The trouble, she suspects, is that her experience as an Air Force reservist and stay-at-home mother for the past six years doesn’t translate well to the software that is scanning forms and winnowing pools of candidates.

The 36-year-old from Utah says her next move might be walking into local companies, résumé in hand.

“You really just need to be given that chance to reflect your passion and your ability to learn,” she says. “I think that’s all it takes: just put me in front of somebody instead of online.”

As some companies cut back on hiring, job seekers who take the initiative to apply in person could have an advantage over those who hit an online “submit” button. Several managers seeking workers in fields such as education, carpentry, retail and hospitality told me they consider walk-in applicants who impress them, even if those candidates don’t satisfy every requirement and would be screened out by software.

At a new Wyndham Destinations resort in Atlanta, recruiter David Cohn has been trying for four months to fill 120 full-time positions in sales, marketing and operations. Typical compensation is about $75,000, and good sales professionals could earn six figures with commissions, he says. Though the company uses digital applications, “I would be more than happy to talk with anyone coming in off the street,” he adds.

Ohio Living Llanfair, an eldercare facility in Cincinnati, started “walk-in Wednesdays” earlier this year because digital job boards weren’t producing enough qualified candidates and some new hires were leaving almost as soon as they started, says executive director Ann Roller. The move has attracted new staff, she says—some of whom were offered jobs on the spot, pending background checks.

Some companies are experimenting with versions of drop-in hiring for more advanced positions, like software developers.

Intel plans to simulate this kind of old-fashioned hiring by hosting a job fair in the metaverse early next year. Tech workers—or people who want to be tech workers but have unconventional backgrounds—will strap on virtual-reality headsets, select avatars and pitch themselves to Intel.

“We’re still working through the details, but I’m assuming people will look like aliens or something,” says Intel spokeswoman Chelsea Hughes, adding that the goal is to prevent imperfect algorithms and unconscious biases from filtering out good candidates.

The company will use a voice changer in interviews, too—one that hopefully won’t make every applicant sound like a kidnapper in an action movie.

“I wonder if I could be Deadpool,” aspiring software developer Kenny Hazlett said when I told him about Intel’s idea to represent candidates as avatars. The South Carolina man figures he might have better luck as a Marvel Comics character.

Mr. Hazlett, 29, estimates he has applied unsuccessfully to 400 tech jobs, all online, since graduating from a coding boot camp in May. A former car salesman, he’s trying to make a career change and wants a chance to meet and win over a manager—whether in the metaverse or in the flesh.

It has worked before. He says he broke into car sales several years ago by donning a suit and going door to door at dealerships, asking for a job until he got one.

“I didn’t even have a car at the time,” he says. “I just walked from place to place, shaking hands.”

Some people are trying that method now, and in unconventional settings. Grace Olivia Croson was in her backyard in Virginia a couple of weeks ago, checking the progress of a patio and gazebo project, when a man wearing a polo shirt and khakis strolled onto her property.

“He just walked up to my contractor and said, ‘Hey, I saw your truck outside, and I was wondering if you’re looking for workers,’” Ms. Croson recalls. She says the contractor seemed surprised but asked about the man’s experience and took his number.

Ms. Croson, a 40-year-old education recruiter, was so struck by the man’s chutzpah that she wrote about the episode on LinkedIn and included an invitation: “If you’re a #speechlanguagepathologist #schoolpsychologist or #specialeducation #teacher please feel free to walk in my backyard and apply.”



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Original ‘Harry Potter’ Illustration Could Fetch US$600,000, the Priciest Item Ever Sold From the Hit Series
By LAUREN PEACOCK
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An original watercolour illustration for the cover of Harry Potter and the Philosopher’s Stone, 1997  the first book in J.K. Rowling’s hit series—could sell for US$600,000 at a Sotheby’s auction this summer.

The illustration is headlining a June 26 sale in New York that will also feature big-ticket items from the collection of the late Dr. Rodney P. Swantko, a surgeon and collector from Indiana, including manuscripts by poet Edgar Allan Poe and Arthur Conan Doyle, author of the Sherlock Holmes books

The Harry Potter illustration, which introduced the young wizard character to the world, is expected to sell for between US$400,000 to US$600,000, which would make it the highest-priced item ever sold related to the Harry Potter world. This is the second time the illustration has been sold, however—it was on the auction block at Sotheby’s in London in 2001, where it achieved £85,750 (US$107,316).

The artist of the illustration, Thomas Taylor, was 23 years old at the time and a graduate student working at a children’s bookshop. According to Sotheby’s, Taylor took a “professional commission from an unknown author to visualise a unique wizarding world,” Sotheby’s said in a news release. He depicted Harry Potter boarding the train to Hogwarts on platform9 ¾ platform, and the illustration became the “universal image” of the Harry Potter series, Sotheby’s said.

“It is exciting to see the painting that marks the very start of my career, decades later and as bright as ever! It takes me back to the experience of reading Harry Potter for the first time—one of the first people in the world to do so—and the process of creating what is now an iconic image,” Taylor said in the release.

Meanwhile, to commemorate the 175th anniversary of Edgar Allan Poe’s For Annie , 1849, Sotheby’s recently reunited the autographed manuscript of the poem with the author’s home, Poe Cottage, in the Bronx.

The cottage is where the author lived with his wife, Virginia, and mother-in-law, Maria Clemm, from 1846 until he died in 1849. The manuscript, also from the Swantko collection, will remain at the home until it is offered at auction at Sotheby’s on June 26 with an estimate between US$400,000 and US$600,000.

The autographed manuscript will remain at Poe Cottage until it is offered at auction at Sotheby’s on June 26.
Matthew Borowick for Sotheby’s

Poe Cottage, preserved and overseen by the Bronx County Historical Society, is home to many of the author’s famous works, including Eureka , 1948, and Annabel Lee , 1927.

“To reunite the For Annie manuscript with the Poe Cottage nearly two centuries after it was first composed brought to life literary history for a truly special and unique occasion,” Richard Austin , Sotheby’s Global Head of Books & Manuscripts, said in a news release.

For Annie was one of Poe’s most important compositions, and was addressed to Nancy “Annie” L. Richmond, one of the several women Poe pursued after his wife Viriginia’s death from tuberculosis in 1847.

In a letter to Richmond herself, Poe proclaimed For Annie was his best work: “I think the lines For Annie much the best I have ever written.”

The poem was composed in 1849, only months before Poe’s death, Sotheby’s said in the piece, Poe highlights the romantic comfort he feels from a woman named Annie while simultaneously grappling with the darkness of death, with lines like “And the fever called ‘living’ is conquered at last.”

Poe Cottage, preserved and overseen by the Bronx County Historical Society, is home to many of the author’s famous works, including Eureka, 1948, and Annabel Lee,, 1927.
Matthew Borowick for Sotheby’s

In the margins of the manuscript are the original handwritten instructions by Nathaniel P. Willis, co-editor of the New York Home Journal, where Poe published other poems such as The Raven and submitted For Annie on April 20, 1849.

Willis added Poe’s name in the top right and instructions about printing and presenting the poem on the side. The poem was also published in the Boston Weekly that same month.

Another piece of literary history included in the Swantko sale could surpass US$1 million. Conan Doyle’s autographed manuscript of the Sherlock Holmes tale The Sign of Four , 1889, is estimated to achieve between US$800,000 and US$1.2 million.

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