Are Trendy Fractured Mirrors Too ‘Psycho’ for the Home?
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Are Trendy Fractured Mirrors Too ‘Psycho’ for the Home?

Some interior designers appreciate the artful, sliced-up look of split mirrors. Others find them difficult to integrate into décor, and as creepy as the fragmented opening credits in Alfred Hitchcock’s horror classic.

By ALLISON DUNCAN
Fri, Jan 6, 2023 9:11amGrey Clock 3 min

For the recurring series That’s Debatable, we take on a contentious issue of the day and present two spirited arguments—one in favor and the other emphatically opposed.

Are fractured mirrors cool or creepy? Stylish or sinister? We asked pros for their takes on this interior design trend. Plus, five picks for split mirrors worth considering.

No, their slices and shifts make them art objects
 Kelly Wearstler  (Photo by Amy Graves/Getty Images)

FOR KELLY WEARSTLER, mirrors with intentional slices or shifts in their glass offer uninterrupted pleasure. The interior designer hung Lee Broom’s “graphic and playful” Split Long Mirror in the dining room of her Beverly Hills home (left). Large chunks of its capsule shape slip out of line, and its simple black frame follows. Ms. Wearstler said she likes how the mirror refracts light and remixes the reflection of the room and its inhabitants: “Fracturing a mirror into segments immediately alters how you perceive yourself in it, shifting its basic function into an experience.”

Any object that breaks from its traditional form adds a “cool” element of interest and texture to a room, said Suki LaBarre, vice president of merchandising and e-commerce at New York-based ABC Carpet & Home, which sells similarly constructed looking glasses. “The style transforms what is typically a utilitarian object into a statement décor piece.”

Peter Spalding, an interior designer in Portland, Ore., and co-founder of design trade marketplace Daniel House Club, points to a celebrated precedent, the “glamorous” wall of alternating angled strips of mirror in British Art Deco designer Syrie Maugham’s 1930s London apartment. It’s an idea he’d gladly borrow. “A wall of fractured mirrors behind a banquette to define a dining area would be pretty dreamy,” he said, noting that such elements of surprise “elevate [design] from the mundane.”

Instagram and Pinterest have catalyzed interest in fragmented mirrors in recent years. As Los Angeles interior designer and social media influencer Dani Dazey points out, the mirrors “make for a great outfit selfie. The more unique the photo, the more your content is going to stand out.”

Yes, it’s creepy to look at your fractured self

THE SUPERSTITIOUS among us believe broken mirrors bring bad luck—or worse. “There are stories of fractured reflections capturing your soul in very early Roman history,” said Kara Phillips, an interior designer in Fort Worth, Texas, who prefers her mirrors retiring and intact. Ominous mythology aside, these designs create an unwelcome dark and edgy mood, said New York City designer Emma Beryl Kemper, who avoids the style because of the “hardness” and “sharpness” it brings to a space. Another detractor, Sydney interior designer Kate Nixon, agrees. “I seek to create homes that feel warm and inviting, not jarring or uncomfortable,” she said.

It’s this disturbing quality that turns off many naysayers. Think of the opening credits sequence of Alfred Hitchcock’s “Psycho,” where fragmented typography portends a psychotic break. While no one is suggesting such mirrors will lead you to over-identify with your mummified mother, “it’s creepy to look at your fragmented self,” objects Steffie Oehm, an interior designer in San Francisco. They irk Toronto designer Rivki Rabinowitz for different reasons. “For something as benign as a mirror, I am inexplicably irritated by them,” she said, adding that she can’t help but feel they’re “reminiscent of a closeout sale where rows and rows of overly gilded mirrors are featured alongside…literally fractured ones.”

Others reject the specificity of the design. Said Ms. Nixon, “They’re difficult to install in a sophisticated way and to mix-and-match with other styles and eras.” But for San Francisco designer Tay BeepBoop, the bottom-line is that such mirrors can’t even perform their core function: competently reflecting one’s image. “If I need a mirror, I don’t want to look into something wonky,” she said.

IMAGE SPLITTERS

Five more mirrors that break with tradition

Massimo Mirror, $1,250, ArteriorsHome.com

John Richard A Tale of Two Exotic Gold Mirror, $2,363, GraysonLiving.com

Seletti Double Sense Mirror, $699, Lightology.com

Hidden Mirror, $7,315, PoruStudio.com

Revne Mirror, $2,530, JohnRichard.com

The Wall Street Journal is not compensated by retailers listed in its articles as outlets for products. Listed retailers frequently are not the sole retail outlets.



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Gold Dinner Raises $75.5 Million As Australia’s Philanthropy Culture Evolves

Sydney Children’s Hospitals Foundation CEO Kristina Keneally says Australia’s culture of large-scale philanthropy is becoming more sophisticated as Gold Dinner raises $75.5 million for children’s health, research and innovation.

By Jeni O'Dowd
Fri, Jun 12, 2026 3 min

Australia’s wealthiest donors are becoming more strategic, more ambitious and increasingly focused on creating measurable impact, according to Sydney Children’s Hospitals Foundation chief executive Kristina Keneally.

Speaking after the 2026 Gold Dinner, held last week in Sydney, Keneally said Australia was experiencing a significant shift in how major philanthropy is viewed, with large-scale giving increasingly part of conversations about leadership, legacy and social impact.

The annual Gold Dinner, now in its 29th year, brought together some of the country’s most influential business leaders, philanthropists and cultural figures, raising $75.5 million and counting in support of the Sydney Children’s Hospitals Network.

While the event has become one of Australia’s most prestigious fundraising gatherings, Keneally said its significance extends far beyond a single evening.

“Gold Dinner, the flagship event of Sydney Children’s Hospitals Foundation, represents far more than a single evening. It is a powerful demonstration of what a committed community can achieve together over 12 months,” she said.

“The strength of that community, and the trust built over nearly three decades, means people return not just for the event, but for the impact they know it delivers.”

A NEW ERA OF PHILANTHROPY

Large-scale philanthropy has long been a feature of American society, where charitable foundations and major donors often play a prominent role in funding medical research, education and social programs.

Keneally believes Australia is moving in a similar direction.

“Australia is building a stronger culture of large-scale philanthropy, but it is still evolving compared to the United States, where giving at scale is more deeply embedded and widely recognised,” she said.

She said the country’s philanthropic landscape was becoming more sophisticated as successful business leaders increasingly sought opportunities to create meaningful change through their giving.

“In Australia, while generosity has always been strong, large-scale giving has historically been less visible, but that is changing rapidly as more leaders embrace philanthropy as a powerful way to drive meaningful outcomes.”

According to Keneally, events such as the Gold Dinner are helping reshape public perceptions of philanthropy by demonstrating the tangible outcomes that major donations can achieve.

“Gold Dinner is helping to reshape how philanthropy is perceived in Australia, making it more visible, more aspirational and more connected to real-world outcomes,” she said.

WHERE THE MONEY GOES

The funds raised through Gold Dinner support clinical care, research and innovation across the Sydney Children’s Hospitals Network.

Over the past 12 months, more than $75.5 million has been raised to help fund advanced medical equipment, innovative care models and world-leading medical research. Areas of focus include precision medicine and early diagnosis, where emerging technologies are already changing how childhood illnesses are detected and treated.

Keneally said the impact is felt directly by children and families facing some of the most difficult moments of their lives.

“For children and families, this translates into very real and immediate impact. It means faster diagnoses, earlier access to life-saving treatments, and care that is more personalised and effective,” she said.

“It also ensures hospitals are equipped not just to respond to illness, but to reimagine what care can look like, giving children the best possible chance not only to survive, but to live full, healthy lives.”

BUSINESS LEADERS BACKING CHANGE

One of the defining characteristics of Gold Dinner is the calibre of its supporters.

The event has evolved into a meeting point for influential leaders from business, culture and philanthropy, many of whom see charitable giving as an extension of their professional and personal legacy.

“It speaks to a community that is not only generous, but increasingly ambitious in how it gives, combining influence, expertise and purpose to achieve outcomes at scale,” Keneally said.

Among the major supporters of this year’s event were Presenting Partner, John-Paul Nassif Foundation; Major Partners, ABC Bullion, Shaw and Partners Financial Services and One Circular Quay by Lendlease; and Premier Partner, Range Rover, whose ongoing support reflects a shared philosophy of legacy and long-term impact.

The evening also featured performances, premium hospitality experiences and fundraising initiatives designed to encourage further support for children’s health services and research.

LOOKING BEYOND NEW HOSPITALS

With major new children’s hospital developments at Randwick and Westmead progressing, Keneally said the focus is increasingly turning towards what comes next.

“The long-term vision is to ensure every child has access to world-leading healthcare, care that continues to evolve through innovation, research and global collaboration,” she said.

The foundation’s future priorities include accelerating medical discovery, expanding access to cutting-edge treatments and helping position New South Wales as a global leader in children’s health.

Keneally said the Gold Dinner remains central to achieving those ambitions because it does more than raise money.

“Gold Dinner is critical to making that vision possible. It not only provides significant funding, but also unites a powerful network of supporters who are driving the future of philanthropy in Australia,” she said.

As Australia’s culture of philanthropy continues to mature, Keneally believes that the network will play an increasingly important role in shaping the future of healthcare for generations to come.

“The result is a community that is helping to shape the future of paediatric care, not just for today’s patients, but for generations to come.”

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