Why pyjamas are not appropriate for the office - but relaxed workwear is
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Why pyjamas are not appropriate for the office – but relaxed workwear is

COVID, cost of living and a shift towards more sustainable fashion have changed the norms around appropriate workwear

By Robyn Willis
Wed, Mar 8, 2023 7:00amGrey Clock 5 min

The past few years have seen a radical shift in what many would consider appropriate workwear. After months working from home, office workers have adapted to a hybrid model defined by ‘anchor days’ and flexible working hours. For International Women’s Day, stylist and sustainable fashion advocate Madeleine Park has partnered with Dress for Success, a not-for-profit organisation designed to empower women to gain financial independence by enabling them to face the job market with confidence. Here, Ms Park addresses the challenges of dressing for the new workplace amid cost of living pressures and hybrid work environments.

What is appropriate office wear in a hybrid workplace? How did COVID change what we wear to work?

Anything that says you’re ready for work (i.e. not your pyjamas!) is appropriate, but COVID certainly softened and eased the rules on what’s acceptable. People want a level of comfort not only in what they wear but how they interact with others and this is interfacing with how things are being designed. So whilst suiting has had a moment in fashion for some time now, it’s a deconstructed and softer version of the traditional suit. The modern suit is often seen in fashion-forward colours and in relaxed and oversized fits, carrying the ideas of comfort, ease and adaptability. There is also a trend towards the high-low. So, mixing high-impact items with low-key staples and comfort pieces. An example of this could be a very fashion-forward pink suit with pleated wide-legged pants and an oversized blazer paired back with sneakers, cotton t-shirt and a cross-body bag but this is subverted into a weekend look. Once this suit is deconstructed, the pants on their own offer a lovely sophisticated silhouette that can be paired back to a more traditional fitted business shirt providing a classic silhouette more appropriate for corporate environments.

How are we shopping for workwear now when more people are working from home at least part of the week?

From a consumer perspective, individuals are requiring more adaptability in their wardrobes as well as trying to understand their wardrobes in more sustainable ways. Their clothes need to be chic while driving more functionality across different environments, and as things get tighter financially, this will continue as individuals seek maximum cost per wear out of their garments. So, those pieces that look smart but are comfortable and can translate across different contexts e.g collared t-shirts, a knit midi skirt or tailored pants in natural fibres such as linen, or silk. Consumers are also shifting towards repurposed pieces and investment pieces so there is more longevity to their wardrobes. 

Sustainable fashion advocate and podcaster, stylist Madeleine Park

Women are now being encouraged to be more assertive in business environments, whether that’s asking for a promotion or getting their point across in meetings. How can you dress for that kind of success?

You only get one chance to make a first impression so it is important to present yourself in a way that is contextually appropriate, resonates with your audience but offers an insight into who you are. While that can feel like a lot of pressure on one outfit, finding that look that makes you feel assertive, is a great way to enter into a confident mindset. Combining that confidence with a sense of self is a very individual thing, but you can fall back on some straightforward styling principles to guide your look. For example, choosing shapes and silhouettes that provide a stronger presence, finding your look in a colour that suits you but in a shade that makes impact and, lastly, accessories – whether it’s the right shoe height, a piece of jewellery that shines a light to who you are or a belt or scarf that adds interest to an otherwise straightforward suit – accessories are a great way to add individuality and lift your look. 

Is it possible for women to look professional and feel comfortable in the workplace?

Absolutely! As there is a shift in the fashion industry to design with purpose, we are seeing more and more styles that are adaptable to various environments. As a result, more traditional workwear pieces are being produced in softer, more free-flowing fabrics and in more relaxed silhouettes. Not only is this a more modern way to conceive of workwear, considering the various hybrid work environments a lot of people are operating in, but generally, this translates to looks that offer style and comfort whilst having multiple purposes.

Does the ‘dress for the job you want, not the one you have’ rule still have relevance?

You can think about using your wardrobe as one of the tools in your kit to give you impact. However, as we see more inclusivity across job roles and changing work environments, the rules around dressing for the job you want have changed. Just take the example of Melanie Perkins, the CEO of Canva and billionaire – she has broken the mould in so many ways, not only with a female-founded start-up but she presents as approachable and relatively casual and is fairly vocal about anti-materialist sentiments. So we are seeing a shift in the expectations of appearance and relying more on a focus of an entrepreneurial spirit. Across the board, that sense of entrepreneurialism is associated with more casual looks that wouldn’t have traditionally been associated with negotiating multi-million dollar deals. 

Are there different rules around work wear for women and men? What are they?

There are definitely still environments that lend themselves to more traditional gender rules for corporate dressing like a suit and tie for men, blouse, skirt and blazer for women, however these protocols are specific to the individual workplace. As concepts of gender become less polarised and we embrace more size inclusivity, the way fashion is constructed, and trends are evolving, we see more styles designed to fit any body shape. The world is changing so whilst this sentiment might not be as overt in more traditional environments, there are definitely signs that what men and women wear to work is not necessarily defined by gender. 

Is it still worthwhile for men to invest in a suit? What about investment clothing for women?

Investing in classic items that stand the test of the time is always worthwhile, whether it be a tailored suit or a classic cut blazer. Made-to-measure pieces tend not to be transient pieces in your wardrobe, they feel better to wear, and they stand the test of time. Interestingly, there has been a surge in women’s bespoke suiting services and I think this is because women are seeking out that same tailored service that traditionally has been the placeholder for men. Corporate environments are shifting in terms of formality around workwear but suiting shapes are also softening and becoming more relaxed to adapt to the changing work trends. 

If you had to name one failsafe work wear outfit for women, what would it look like?

As a general rule, something that is a classic style, well constructed and made from natural fibres is always going to be a winner in terms of feeling good and carrying you through your day. As we are all different body shapes, express ourselves differently and have different priorities, I can only speak to my one failsafe look, which would be a waisted midi dress in cotton or silk. The conservative but fashionable length carries me into various contexts and the natural fibres are breathable and comfortable. By changing shoes and adding/taking off an unstructured blazer, I can easily get myself from school drop-off to work meetings (on or offline) to, if I’m lucky, a date night with my partner!



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ITALY’S FINE WINES GAIN GROUND AS VALUE PLAY FOR COLLECTORS

Italian wines are emerging as a serious contender for Australian collectors, offering depth, rarity and value as French benchmarks continue to climb.

By Jeni O'Dowd
Tue, May 5, 2026 2 min

Italian fine wines are gaining momentum among Australian collectors and drinkers, with new data from showing a surge in interest driven by value, versatility and a new generation of producers.

Long dominated by France, the premium wine conversation is beginning to shift, with Italy increasingly positioned as a compelling alternative for both drinking and collecting.

According to Langtons, the category is benefiting from a combination of factors, including its breadth of styles, strong food affinity and more accessible price points compared to traditional European benchmarks.

“Italy has always offered fine wine fans an incredible range of wines with finesse, nuance, expression of terroir, ageability, rarity, and heritage,” said Langtons General Manager Tamara Grischy.

“There’s no doubt the Italian wine category is gaining momentum in 2026… While the French have long dominated the fine wine space in Australia, we’re seeing Italy become a strong contender as the go-to for both drinking and collecting.”

The shift is being reinforced by changing consumer preferences, with Langtons reporting increased demand for indigenous Italian varieties and lighter, food-first styles such as Nerello Mascalese from Etna and modern Chianti Classico.

This aligns with the broader rise of Mediterranean-style dining in Australia, where wines are expected to complement a wider range of dishes rather than dominate them.

Langtons buyer Zach Nelson said the category’s versatility is central to its appeal.

“Italian wines often have a distinct, savoury edge making them an ideal pairing for a variety of cuisines,” he said.

The move towards Italian wines also comes as prices for traditional French regions continue to climb, particularly in Burgundy, prompting collectors to look elsewhere for value without compromising on quality.

Italy’s key regions, including Piedmont and Etna, are increasingly seen as offering that balance, with premium wines available at comparatively accessible price points.

Nelson said value is now a defining factor for buyers in 2026.

“Value is the key driver for Australian fine wine consumers… Italian wines are offering exactly that at an impressive array of price points to suit any budget,” he said.

The category is also proving attractive for newer collectors, offering what Langtons describes as “accessible prestige” and a more open entry point compared to the exclusivity often associated with Bordeaux.

Wines such as Brunello di Montalcino and Nebbiolo-based expressions are increasingly being positioned as entry points into cellar-worthy collections, combining ageability with relative affordability.

At the same time, a new generation of Italian producers is reshaping the category, moving away from heavier, oak-driven styles towards wines that emphasise site expression and vibrancy.

“There’s definitely a ‘new guard’ of Italian winemaking… stripping away the makeup… to let the raw, vibrating energy of the site speak,” Nelson said.

Langtons is also expanding its offering in the category, including exclusive access to wines from family-owned producer Boroli, alongside a broader selection spanning Piedmont, Veneto, Sicily and Tuscany.

The company will showcase the category further at its upcoming Italian Collection Masterclass and Tasting in Sydney, featuring more than 50 wines from 23 producers across four key regions.

For collectors and drinkers alike, the message is clear: Italy may have been overlooked, but it is no longer under the radar.

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