Brown Is The New Black
Whether it’s covering walls or adorning accent pillows, the colour is popping up everywhere.
Whether it’s covering walls or adorning accent pillows, the colour is popping up everywhere.
Brown can range from a soft beige to rich amber to deep cocoa. The colour might lean purple, grey, or green; it may be subtle, inviting or intense. No matter the shade, brown can be comforting, sophisticated, chic and fit into any décor style. These days, designers are incorporating the classic colour more and more, sometimes even replacing black with brown.
“A chocolate brown has much more depth than black; it is a colour versus a shade,” said Cindy Rinfret, a designer based in Greenwich, Connecticut. “While black can help create contrast in a space, using a chocolate brown can give you the same effect but in a much richer and layered way.”
We asked a group of design pros about the relevance of brown in interior design and how to use this classic colour successfully. Here’s what they recommend.
Go for Contrast
“Brown is coming back into favour, we are seeing shades of browns with other tones that can read aubergine or grey, and they are handsome colours.
“I like to use very dark shades of brown, and those are often juxtaposed to a shade of white to give it a pop. My personal favourites are chocolate browns and the more purple tones of brown. Pinks, purples and some shades of orange and yellow work well with browns. A Hermes orange shade against a chocolate brown looks incredible. It’s all about contrast and introducing a splash of colour against it. Brown is a backdrop but put a magenta pillow against it, or a perfect shade of yellow, and it can come alive.”
— Christopher Peacock, founder and CEO of Christopher Peacock Cabinetry in New York City
Vary Tone and Texture
“Brown is a great way to make a space more dynamic as layering intensity of colour allows the whole design to pop. Brown is very versatile and can be used with a myriad of other colours. It is a timeless classic.
“Choosing the right brown can be tricky. You should identify your goal first and then go from there. For example, is it being used as piping to highlight a pillow fabric, or are the walls lacquered in chocolate brown to create a sexy space? Either way, if you are planning on using a lot of browns, make sure to vary the tone and texture of its use throughout.”
— Designer Cindy Rinfret in Greenwich, Connecticut
Hang Abstract Art on Brown Walls
“Brown gives all the richness and depth without the harshness given with black. It is also easier to mix brown with other colours than black.
“I prefer cooler browns with hints of green and gray. ‘Salon Drab’ by Farrow & Ball is my preferred shade. In some light, it can almost look olive. I also love a palette of cognac and tobacco for a room with a masculine feel.
“When using brown on the walls, I don’t like to use white as a contrasting colour––it is too harsh. Instead, use olive green or French gray. Brown walls look great when you hang vibrant abstract art on them. Or add wall-to-wall carpet in beige or orange.”
— Designer Alexander Doherty in New York
Use Pattern to Bring Brown to Life
“Browns should be a little complex, in my opinion, and not like the brown crayon in the crayon packet. They should lean in a direction that has depth and mystery. I prefer browns that do not have red undertones but are more like a mink or a seal––it’s like they are on the verge of becoming something else.Our favourite browns are:
‘Tanner’sBrown’ by Farrow & Ball, ‘Rural Brown”’ by Benjamin Moore, and Sherwin Williams’s ‘Sealskin.’
“To make brown feel fresh and alive, I rely on pattern, unexpected colours and contrast. For example, for a space with light floors and a brown wall, add a touch of red or even lilac to add interest and excitement. Lavenders and lilacs are really pretty when paired with brown. We just did a Florida house in deep brown, light greys and lavender. We used white plaster accents, a touch of black, and lots of rattan and sisal. It felt fresh and comfortable, not so seaside-obvious.
“Nina Campbell has the greatest wallpaper with a brown ground and grey, stone and white accents. It’s dramatic yet somehow understated and really highlights the staying power of brown.”
— Designer Liz Caan in Newton, Massachusetts
Reprinted by permission of Mansion Global. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: May 11, 2022
This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.
You don’t need to be a golfer to enjoy the benefits of living adjacent to a golf course in Australia
From the Spring 2024 issue of Kanebridge Quarterly. Order your copy here.
W hile water views are usually considered most desirable for property buyers, golf course vistas are snapping at their proverbial heels. This past quarter century has witnessed a golden age in Australian golf course living, with dozens — if not hundreds— of residential courses built around our major cities and tourist towns. These days, there’s a buoyant market for established large golf homes alongside off-the-plan apartments being retro built to take advantage of existing golf course views. So what’s the appeal?
Barbara Wolveridge is a director at Sotheby’s International Realty. She has worked with many of Australia’s most prestigious golf course developments including The National in Cape Schanck Vic, Moonah Links on the Mornington Peninsula, Macquarie Links International Golf Club in Sydney’s West and the Mirage Country Club in Port Douglas where she currently lives. (She was also married to the late renowned golf course designer and former US Tour player Michael Wolveridge.)
“People like to live on golf courses,” she says. “You can walk out of your house onto a beautiful course. But what you’re really buying is the extended view. You have acres and acres in front of you, but you’re paying for a small block of land.”
And while you can’t run across the greens in your bare feet, as soon as the golf is finished for the day, there are tracks and cart paths where you can walk and bike, enjoying the natural surrounds of lush greenery and wildlife.
“Some courses are a haven for wallabies and kangaroos,” says Wolveridge. “Here in Port Douglas the pristine ponds attract the magpie geese. There are the most beautiful birds everywhere — and the odd croc as well.”
While you might expect golfing real estate to be the exclusive domain of well-heeled golf-mad retirees, that’s only a part of the story. Golfing homes appeal to a broad section of the community, especially in the post-COVID era, when home often also serves as an office.
“Probably 50 to 60 percent of my buyers are golfers,” says Wolveridge. “But in some areas people skew younger, in their 40s — not necessarily golfers, but those who want that lovely view. A lot of people like to come up here for the winter and when they’re not here, they rent out their properties.
“My very wealthy clients don’t do that, but the middle bracket come and use it when they like, and then it goes into the letting pool for the rest of the year.”
For most golf course adjacent dwellers, the only potential negative is the odd Titleist Pro V1 ball shattering the serenity as it sails through the bedroom window. But that’s not the worst thing that can happen.
Built in 1990 on the edge of the Great Dividing Range, Paradise Palms in Cairns lived up to its name with pristine rainforest providing a backdrop to rolling fairways and man-made lakes. Home to professional events including the Skins Game and Ladies’ Masters, it climbed to number nine ranking in Golf Magazine’s list of the nation’s Best Public Access Courses.
In 2016, the signature 7th hole was sacrificed to make way for an access road into a residential development of 585 luxury units. Then, horror. The course declined under new owners, was sold again, and a multimillion-dollar redevelopment plan was revealed that would close the 18-hole course and transform it into a new housing estate.
Those who dreamed of seeing out their days overlooking manicured greens are now facing the prospect of a sea of roofs.
“Once a development is established, it has to make money,” says Wolveridge. “The developer has to put in somebody who knows how to run a golf course — and that is the hard part.
“If the developer isn’t making any money, it won’t necessarily devalue the properties, but if the course does so badly it goes broke, that is the danger.”
Happily, cases like Paradise Palms are few and far between.
“I can think of so many golf course developments in Australia that are very successful, and probably only three or four that aren’t,” says Wolveridge.
As always with property, to avoid a triple bogey, it’s a case of buyer beware.
A commonly held belief is that golf courses use vast amounts of water, chemical pesticides and fertilisers to keep those greens pristine. In reality, golf course management in Australia claims to be at the forefront of environmental sustainability, pioneering the use of grey water and efficient irrigation techniques as well as new drought- and disease-resistant grasses.
Following the release of the landmark GC2030 report by The Royal and Ancient Golf Club (R&A) in Scotland in 2018, Australia has joined a dozen or so other countries globally answering the call to action on topics such as climate change, resources, water conservation, pesticides, labour and land.
While golf courses have historically relied on a cocktail of pesticides and herbicides, many are today transitioning to organic maintenance practices, using natural means to control pests and promote healthy turf.
KDV Sport golf course (12 holes) on the Gold Coast and Kabi Organic Golf Club (27 holes) at Boreen Point in the Sunshine Coast hinterland are Australia’s only two organic golf courses to date. But there is no accommodation — yet — at either.
This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.