Italian Fashion Brands Make a Novel Pitch: ‘Real Clothes’
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Italian Fashion Brands Make a Novel Pitch: ‘Real Clothes’

At men’s fashion week in Milan, straight-legged jeans and utilitarian jackets with European tailoring dominated the runways: ‘It’s not just about jersey T-shirts and sweatshirts’

By JACOB GALLAGHER
Fri, Jun 23, 2023 8:30amGrey Clock 4 min

The streets of Milan are alive with the sound of English. On baking June afternoons, American tourists in droves are ordering veal Milanese in trattorias, snapping selfies outside the Duomo and toting around bulging shopping bags from keen luxury labels like Zegna, Armani and Gucci.

This season, the Italian fashion labels are delivering a wealth of wearable fodder to feed those paper parcels: The weightiest trend on display at Milan men’s fashion week, which wrapped on Monday, was a predilection toward what could best be described as “real clothes.” Brands like Prada, Neil Barrett and even the high priests of baroque styles, Dolce & Gabbana, sent out focused collections built upon items like straight-legged jeans, pin-sharp black suits and tailored shorts.

MILAN, ITALY – JANUARY 15: A model is walking the runway at the Prada fashion show during the Milan Menswear Fall/Winter 2023/2024 on January 15, 2023 in Milan, Italy. (Photo by Daniele Venturelli/WireImage)

“The beauty of today is that people are finally looking at real clothes again, and it’s not just about jersey T-shirts and sweatshirts,” said Barrett backstage after a show of wardrobe fundamentals like graphite short-sleeve shirts, gray trousers and polished black boots from his brand, which is based in Italy. Barrett, who is British, was returning to the runway after an extended hiatus and drew inspiration from the archives of his own brand and his many years working at another Milan-based label, Prada. “There’s real people out there with real businesses,” who need real clothes, he said.

Raf Simons, co-creative director of Prada, also gave a shout-out backstage to the “real man” and the uncomplicated things he wears: “jeans, pants, a white shirt, utilitarian photographer’s jacket.” Several looks in Prada’s well-received collection echoed the workmanlike style of the artist Joseph Beuys.

Simons said he and Miuccia Prada began with the elemental white shirt, sprawling out to include curt pleated shorts, straight-cut jeans and button-up-weight blazers with button cuffs as a new, very literal update on the shirt jacket.

Simons also said the pair was looking at how to “liberate” the codes of tailoring from as far back as the 1940s to plumb a fresh form of sartorial ease. Those featherweight, lapelled shackets had removable shoulder pads. “Every piece is actually really constructed like a shirt, there’s nothing inside, whether it was shirt material or wool,” he said.

Overall, the wares at Milan fashion week conveyed cultivated European luxury. Americans “want a taste of culture, they want a taste of connoisseurship, they want a taste of elegance, old money is in style, and more than that, quality is in fashion,” said the content creator known as Gstaad Guy, a British-raised, U.S.-educated 20-something whose droll Instagram videos wryly lampoon old-money culture. He was speaking after a dinner for the luxuriant Italian label Loro Piana. “The fact that the affluent of the U.S. are now very Eurocurious, vacationing more in Europe and spending more like Europeans, is not a coincidence,” he said.

He shrewdly drew a comparison between the traditional old-money labels in America and abroad. While the gold-buttons-and-popped-collars preppy look of entrenched U.S.-founded brands Brooks Brothers and Vineyard Vines has been mothballed for years, the allure of more aspirational, easy-wearing European luxury brands is only surging.

“I’ve always found European style just more tailored and stylish,” said Andrew Weitz, a Los Angeles-based style consultant to entertainment and finance executives. “That’s what I try to bring to all my clients at home. It’s how we should all be dressing.”

Weitz was pleased then by the sea of Americans he saw frequenting Milan’s tony shopping promenades. “You can see the influx when you walk around in Milan on Via Monte Napoleone, like how many people actually are here, how many people are actually purchasing,” he said. Their presence reflects a broader trend: According to a report from travel-insurance company Allianz Partners, travel to Europe from the U.S. is up 55% over the last year.

Throughout Milan men’s week, designers offered options in ease-stoking staples that felt as carefree as an afternoon in the Lombardy sun.

1017 ALYX 9SM., known for its hard-edge, heavily-treated creations, showed a capried gray sweatsuit and a serene matching pant set that looked like something plucked from a karate dojo. Valentino presented a medley of swoopy off-the-calf shorts and past-the-elbow T-shirts; and Giorgio Armani dove in with prodigious pleated linen trousers and buoyant double-breasted suits.

They were pieces that nodded reverently to Armani’s own extensive archive—a veritable Library of Alexandria of elegant ease. Many of the immense trousers looked nearly identical to the same well-aged Armani pants that 20-something shoppers are searching for on the cheap at resale sites like Depop and stores like New York’s Lara Koleji.

“I think young people are loving to be quite untouched by the clothes,” said Etro creative director Marco De Vincenzo, just before a show peppered with a bevy of barrell-size shorts and kicked-out pants that stretched into JNCO territory.

“I have to now educate all my clients that, hey, we’re not so tailored and tapered, [pants are] looser, more easy in the thigh and the bottom,” said the style consultant Weitz, just before a Zegna show brimming with roomy linen trousers and off-the-body overshirts. “You’re going to see in the next few years Americans catch up.”

First Via Monte Napoleone, then the world.



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An Unforgettable Meal Can Cost $5 at Singapore’s Hawker Centres. Can the Next Generation Save Them?

No trip to Singapore is complete without a meal (or 12) at its hawker centres, where stalls sell multicultural dishes from generations-old recipes. But rising costs and demographic change are threatening the beloved tradition.

By SEBASTIAN MODAK
Fri, Oct 18, 2024 6 min

In Singapore, it’s not unusual for total strangers to ask, “Have you eaten yet?” A greeting akin to “Good morning,” it invariably leads to follow-up questions. What did you eat? Where did you eat it? Was it good? Greeters reserve the right to judge your responses and offer advice, solicited or otherwise, on where you should eat next.

Locals will often joke that gastronomic opinions can make (and break) relationships and that eating is a national pastime. And why wouldn’t it be? In a nexus of colliding cultures—a place where Malays, Indians, Chinese and Europeans have brushed shoulders and shared meals for centuries—the mix of flavours coming out of kitchens in this country is enough to make you believe in world peace.

While Michelin stars spangle Singapore’s restaurant scene , to truly understand the city’s relationship with food, you have to venture to the hawker centres. A core aspect of daily life, hawker centres sprang up in numbers during the 1970s, built by authorities looking to sanitise and formalise the city’s street-food scene. Today, 121 government-run hawker centres feature food stalls that specialise in dishes from the country’s various ethnic groups. In one of the world’s most expensive cities, hawker dishes are shockingly cheap: A full meal can cost as little as $3.

Over the course of many visits to Singapore, I’ve fallen in love with these places—and with the scavenger hunts to find meals I’ll never forget: delicate bowls of laksa noodle soup, where brisk lashes of heat interrupt addictive swirls of umami; impossibly flaky roti prata dipped in curry; the beautiful simplicity of an immaculately roasted duck leg. In a futuristic and at times sterile city, hawker centres throw back to the past and offer a rare glimpse of something human in scale. To an outsider like me, sitting at a table amid the din of the lunch-hour rush can feel like glimpsing the city’s soul through all the concrete and glitz.

So I’ve been alarmed in recent years to hear about the supposed demise of hawker centres. Would-be hawkers have to bid for stalls from the government, and rents are climbing . An upwardly mobile generation doesn’t want to take over from their parents. On a recent trip to Singapore, I enlisted my brother, who lives there, and as we ate our way across the city, we searched for signs of life—and hopefully a peek into what the future holds.

At Amoy Street Food Centre, near the central business district, 32-year-old Kai Jin Thng has done the math. To turn a profit at his stall, Jin’s Noodle , he says, he has to churn out at least 150 $4 bowls of kolo mee , a Malaysian dish featuring savoury pork over a bed of springy noodles, in 120 minutes of lunch service. With his sister as sous-chef, he slings the bowls with frenetic focus.

Thng dropped out of school as a teenager to work in his father’s stall selling wonton mee , a staple noodle dish, and is quick to say no when I ask if he wants his daughter to take over the stall one day.

“The tradition is fading and I believe that in the next 10 or 15 years, it’s only going to get worse,” Thng said. “The new generation prefers to put on their tie and their white collar—nobody really wants to get their hands dirty.”

In 2020, the National Environment Agency , which oversees hawker centres, put the median age of hawkers at 60. When I did encounter younger people like Thng in the trade, I found they persevered out of stubbornness, a desire to innovate on a deep-seated tradition—or some combination of both.

Later that afternoon, looking for a momentary reprieve from Singapore’s crushing humidity, we ducked into Market Street Hawker Centre and bought juice made from fresh calamansi, a small citrus fruit.

Jamilah Beevi, 29, was working the shop with her father, who, at 64, has been a hawker since he was 12. “I originally stepped in out of filial duty,” she said. “But I find it to be really fulfilling work…I see it as a generational shop, so I don’t want to let that die.” When I asked her father when he’d retire, he confidently said he’d hang up his apron next year. “He’s been saying that for many years,” Beevi said, laughing.

More than one Singaporean told me that to truly appreciate what’s at stake in the hawker tradition’s threatened collapse, I’d need to leave the neighbourhoods where most tourists spend their time, and venture to the Heartland, the residential communities outside the central business district. There, hawker centres, often combined with markets, are strategically located near dense housing developments, where they cater to the 77% of Singaporeans who live in government-subsidised apartments.

We ate laksa from a stall at Ghim Moh Market and Food Centre, where families enjoyed their Sunday. At Redhill Food Centre, a similar chorus of chattering voices and clattering cutlery filled the space, as diners lined up for prawn noodles and chicken rice. Near our table, a couple hungrily unwrapped a package of durian, a coveted fruit banned from public transportation and some hotels for its strong aroma. It all seemed like business as usual.

Then we went to Blackgoat . Tucked in a corner of the Jalan Batu housing development, Blackgoat doesn’t look like an average hawker operation. An unusually large staff of six swirled around a stall where Fikri Amin Bin Rohaimi, 24, presided over a fiery grill and a seriously ambitious menu. A veteran of the three-Michelin-star Zén , Rohaimi started selling burgers from his apartment kitchen in 2019, before opening a hawker stall last year. We ordered everything on the menu and enjoyed a feast that would astound had it come out of a fully equipped restaurant kitchen; that it was all made in a 130-square-foot space seemed miraculous.

Mussels swam in a mushroom broth, spiked with Thai basil and chives. Huge, tender tiger prawns were grilled to perfection and smothered in toasted garlic and olive oil. Lamb was coated in a whisper of Sichuan peppercorns; Wagyu beef, in a homemade makrut-lime sauce. Then Ethel Yam, Blackgoat’s pastry chef prepared a date pudding with a mushroom semifreddo and a panna cotta drizzled in chamomile syrup. A group of elderly residents from the nearby towers watched, while sipping tiny glasses of Tiger beer.

Since opening his stall, Rohaimi told me, he’s seen his food referred to as “restaurant-level hawker food,” a categorisation he rejects, feeling it discounts what’s possible at a hawker centre. “If you eat hawker food, you know that it can often be much better than anything at a restaurant.”

He wants to open a restaurant eventually—or, leveraging his in-progress biomedical engineering degree, a food lab. But he sees the modern hawker centre not just as a steppingstone, but a place to experiment. “Because you only have to manage so many things, unlike at a restaurant, a hawker stall right now gives us a kind of limitlessness to try new things,” he said.

Using high-grade Australian beef and employing a whole staff, Rohaimi must charge more than typical hawker stalls, though his food, around $12 per 100 grams of steak, still costs far less than high-end restaurant fare. He’s found that people will pay for quality, he says, even if he first has to convince them to try the food.

At Yishun Park Hawker Centre (now temporarily closed for renovations), Nurl Asyraffie, 33, has encountered a similar dynamic since he started Kerabu by Arang , a stall specialising in “modern Malay food.” The day we came, he was selling ayam percik , a grilled chicken leg smothered in a bewitching turmeric-based marinade. As we ate, a hawker from another stall came over to inquire how much we’d paid. When we said around $10 a plate, she looked skeptical: “At least it’s a lot of food.”

Asyraffie, who opened the stall after a spell in private dining and at big-name restaurants in the region, says he’s used to dubious reactions. “I think the way you get people’s trust is you need to deliver,” he said. “Singapore is a melting pot; we’re used to trying new things, and we will pay for food we think is worth it.” He says a lot of the same older “uncles” who gawked at his prices, are now regulars. “New hawkers like me can fill a gap in the market, slightly higher than your chicken rice, but lower than a restaurant.”

But economics is only half the battle for a new generation of hawkers, says Seng Wun Song, a 64-year-old, semiretired economist who delves into the inner workings of Singapore’s food-and-beverage industry as a hobby. He thinks locals and tourists who come to hawker centers to look for “authentic” Singaporean food need to rethink what that amorphous catchall word really means. What people consider “heritage food,” he explains, is a mix of Malay, Chinese, Indian and European dishes that emerged from the country’s founding. “But Singapore is a trading hub where people come and go, and heritage moves and changes. Hawker food isn’t dying; it’s evolving so that it doesn’t die.”

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11 ACRES ROAD, KELLYVILLE, NSW

This stylish family home combines a classic palette and finishes with a flexible floorplan

35 North Street Windsor

Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.

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