The Top 9 Interior Design Trends for 2023
We canvassed hundreds of professionals to predict the next waves in décor.
We canvassed hundreds of professionals to predict the next waves in décor.
IMPERFECTIONISTS, REJOICE. Sean Scherer and other professionals in the realm of aesthetics see interior design embracing flaws in 2022. The founder of curiosity shop Kabinett & Kammer, in Franklin, N.Y., cites a surging interest in chipped and crazed ironstone china as an example. “In the past, people wanted pure white and pristine,” he said. Now his customers are hankering for the opposite—a “timeworn and cozy feel.” Sleek, mass-made items and chilly finishes like glass are being ghosted. Instead, people are gravitating toward handmade finishes, plantlike paint colours and friendly architectural curves. “We are dying for warmth, coziness and colouurs that make us feel grounded,” said Los Angeles designer Peti Lau, who observes cool tones’ fading fast. Here, the incoming trends that were highlighted most often by the hundreds of designers we polled—as well as those they believe are bowing out.
While hand-painted floor tiles seemed charming not so long ago, the colourful quadrilaterals won’t be a big part of the finishes arsenal in 2022, predicted Charlotte, N.C., interior designer Gray Walker. “The line between indoors and outdoors will continue blurring,” and such ornamentation is too busy to jibe with the simplicity of the natural world, she said. Mosaic floors, too, had their moment, said Brooklyn-based architect Adam Meshberg, “until people started spending more time at home and opted for serene spaces that were easy on the eyes.”
Classic, ornamental herringbone wood floors are zigzagging into interiors, even contemporary ones. The look “adds a timeless, textural touch in modern rooms,” said Sara Cukerbaum, principal designer at Austin, Texas, firm SLIC Design, who has recently employed herringbone in white oak and ebony-stained oak. Ms. Walker appreciates herringbone’s twofer contribution: “You get the beauty of a pattern and the warmth of wood.”
Those throws wrought of extremely thick yarn are so commonplace they’ve become aesthetically smothering. “The machine-made, chunky-yarn blankets are more suited for a football stadium than someone’s home,” said Washington, D.C., designer Josh Hildreth, who adds that mass-produced items make a space feel staged rather than lived in.
“Hand-loomed blankets are in because of their organic, natural imperfections,” Mr. Hildreth said. “The yarns are typically hand dyed and also have a richness of colour.” And those tossed-on coverlets make an impact. “When you think of a room in layers, the outermost layers are what you see first, creating an immediate impression,” he added. Los Angeles design pro Susan Taylor, of Davis Taylor Design, often reaches for the Scottish lamb’s wool weaves of Paulette Rollo (shown), “because they look more artisan and handmade.”
Little dangling lights, even multiples of them, in large rooms have lost their lustre for Newport Beach, Calif., designer Raili Clasen. “In spaces with voluminous ceilings, small light fixtures get swallowed up,” she said. Ms. Clasen clusters wee pendants in powder rooms, but in most spaces, fixtures under 36 inches no longer appeal to her. Interior designer Shannon Palmer, in Rancho Mirage, Calif., noted that he still welcomes small pendants made of interestingly blown glass or even rope or raffia, but “clients are leaving the simple, ‘techy’ frosted glass and cable pendants behind.”
Illumination is no longer a chandelier’s sole reason for being. Designers bring the drama with pieces like the Moooi Random Light II (shown), a fiberglass orb available in diameters up to 41.3 inches. “[Oversized fixtures] become a major art piece and define the personality of the space,” said Ms. Clasen. In the room with which this story begins, Kyiv, Ukraine, architect Serhii Makhno grouped the Khmara ceramic pendants he designed. Besides the direct function of the fixtures, the largest of which is nearly 50 inches across, he said, they create “a wow factor in any interior.”
In 2021’s trend report, we confidently sent the modern farmhouse style, with its white clapboard and dark window frames, out to pasture. Its trademark blackened-steel details have nevertheless persisted in many forms of design, but Kim Armstrong, a designer in Rockwall, Texas, predicts their inappropriate application will wane. “In my area of Dallas I see so many people with 1960s-1980s brick homes installing windows with black frames,” she said. “It shouldn’t be used in every renovation or new build on the block.”
Arches—in both cabinetry and architecture—are rounding the corner to sate our need for “softer lines and more comforting designs,” said Ms. Armstrong. In the Winnetka, Ill., house shown above, designer Mark Lavender emphasized broad hallway arches, which he said give a “great sense of space,” by adorning the surrounding walls in a strict, contrasting grid of plaid. Even in a comparatively calm and simple interior, arches make a statement, said designer Lindye Galloway, of Costa Mesa, Calif., who recently tucked a vaulted niche into a client’s tiled shower wall.
Although Ms. Taylor loves the lightness of the handwoven cabinet-fronts occasionally found on vintage furniture, the island-time material “crescendoed during the pandemic by appearing everywhere.” A little goes a long way. Erin Gates, in Wellesley, Mass., still likes a traditional rattan accent piece here and there but finds the boho “all rattan all the time” approach as faded as an old Hawaiian shirt. “It’s also kind of uncomfortable,” she said of caned seating, “and 2022 is all about finding the blend between comfort and fashion.”
Those professionals designing luxury residences are adding ribbed-wood detailing to walls, kitchen cabinetry, bathrooms and more, said Mr. Meshberg. (File under “and more” the slatted-beechwood credenza above, by Mexican studio Peca, available at 1stdibs.com. ) Also having a revival: similarly linear fluting, a descendant of the vertical grooves that characterized columns in the better homes and gardens of ancient Rome. Today, fluting introduces visual intrigue “without adding true pattern,” said designer Laetitia Laurent, of Laure Nell Interiors in Boca Raton, Fla. It “strikes that balance of simple yet interesting.”
While design experts largely agreed that wallcoverings are still salable, papering rooms with generic “fast fashion” iterations—especially soulless graphic patterns—won’t turn any heads, said designer Kristen Peña, of K Interiors in San Francisco. “Wallpaper isn’t just a substitute for paint anymore,” said Batya Stepelman, a consultant and owner of WallTawk in Denver. “Many people I work with see it as large-format art, and they don’t want the same piece as their neighbour.”
Our yen for contact and cocooning has got tactility climbing the walls. Plastered surfaces, like those in the Spanish colonial living room above, which Los Angeles designer Jake Arnold recently revamped, straddles two seemingly opposing aesthetics: Plaster is “very organic, yet rich,” he said. New York designer Lauren Behfarin predicts we’ll see lots of chalky lime wash, with its subtle texture and intrigue. Plaster paint can supply the blotchy optics without the expense of the real trowel-it-on stuff, said Ms. Galloway.
Supply-chain snarls are causing exasperating delays when it comes to having anything but in-stock merchandise delivered. “Larger furniture pieces in general seem to have the longest lead times,” said San Antonio, Texas, designer Alison Giese, who has encountered 28-week lead times when ordering upholstered sofas and chairs for clients. “I personally ordered some patio chairs last April, and I just received word that the new expected delivery date is March 2022.”
“Antiques are available and sold right off the floor,” enthused Sheldon Harte, of interior design firm Harte Brownlee in Laguna Beach, Calif., one of the many design pros we polled who said that shipping woes associated with new furniture have bolstered their appreciation of vintage pieces. Attic finds qualify, too. “Many clients are digging up family heirlooms and opting to use these in interesting ways,” said New York City designer Tina Ramchandani. “People are craving connections and history.” Alessandra Wood, design historian and VP of style at online design firm Modsy, called out early-American examples and their simple forms as particularly resurgent.
The calming colour found in dentists’ reception rooms everywhere is “no longer our clients’ go-to,” said Ms. Ramchandani. “Many of my clients have been nervous about using colour and were leaning into blues as their way of adding interest to spaces,” she said of the sometimes melancholy, now overly pervasive colour. Designers are also moving away from blue-based greys and whites.
“The one colour our clients are asking for lately is green,” said Betty Brandolino of Fresh Twist Studio in Elmhurst, Ill. Warmer greens like olive won slots in our recent trend reports, but the palette has expanded to include emerald, eucalyptus, jade and teal. “Rich mid-spectrum shades of green bring the outdoors inside,” said Dennese Guadeloupe Rojas, of Interiors by Design in Silver Spring, Md., who singled out colours such as Benjamin Moore’s October Mist [shown above], Valspar’s Garden Flower and Behr’s Sage. How to further intertwine nature and design? “Not just more indoor plants but larger windows and plant-inspired prints,” said New York City designer Laurence Carr.
We don’t usually debate architectural trends in our annual design trend report, but anyone who finds the glass-walled world of HBO’s “Succession” off-putting may be glad to hear from New Yorker David West, founding partner of Hill West Architects. “We have passed the apex of the all-glass facade,” he said. The slick glazing has become “somewhat synonymous with mass production and anonymity.” Same goes indoors, Ms. Taylor said, citing how easily glass can break or become marred. And there’s the smudge factor, as anyone with a gummy-fingered toddler or spouse will lament. “Oy,” she said.
The sandy limestone plays nicely with other, brighter hues. Using travertine, with its naturally irregular colour patterns, is also like lugging a bit of the countryside indoors, reports interior designer Lauren Lerner, founder of Living with Lolo, in Cave Creek, Ariz. The stone was a midcentury mainstay that popped up again in the 1980s, Ms. Taylor said. “Its comeback now is largely due to its creamy colour, warm feel and organic surface.” In short: It’s back to nature o’clock.
Americans now think they need at least $1.25 million for retirement, a 20% increase from a year ago, according to a survey by Northwestern Mutual
Property values have fallen hard and fast in this popular city, but it’s done little to dent pandemic rises
Highest property values, biggest dip the next. That’s the outcome for Australia’s northernmost capital on the east coast, with Brisbane property values recording their largest and fastest decline, data from Corelogic reveals.
The fall comes just seven months after values hit their peak after a population surge driven by the pandemic saw an increase of 43 percent. Home values hit a record high on June 19, 2022 but have since declined 10.9 percent, in parallel with eight consecutive interest rate rises since April last year.
Historically, peak-to-trough declines in Brisbane have lasted 14 months and have ranged from value drops of -2.9 percent to -10.8 percent. While the new record is just -0.1 percent compared with previous figures, that fall came over 21 months between April 2010 and January 2012. The latest decline was a much swifter seven month drop.
CoreLogic head of research Eliza Owen said it is worth putting the Brisbane figures into context with the rest of Australia’s capital cities, as well as considering the significant rise in property values in the Queensland capital over the pandemic.
“Brisbane now stands out as one of two capital city markets with record declines, the other being Hobart,” Ms Owen said. “Sydney continues to have the largest peak-to-trough falls of the capital city markets (currently at -13.8 percent), while peak-to-tough falls remain mild in some cities (such as Perth, where values are down just -1.0 percent from a recent peak in August 2022).”
“The record fall in Brisbane home values has not made much of a dent in the gains made during the upswing. The fall in the Brisbane daily HVI follows an upswing of 43.5 percent between August 2020 and 19 June 2022, which was the fastest trajectory of rising values on record. This leaves home values across Brisbane 27.9 percent higher than at the previous trough in August 2020.”
The median dwelling value in Brisbane jumped from $506,553 at the start of the pandemic in March 2020 to $707,658 by the end of last year, Ms Owen said.
“Despite the large decline from peak, Brisbane maintains the third highest gain in value of the capital cities since the start of the pandemic,” she said.
“Only Adelaide and Darwin, which are 42.8 percent and 29.6 percent higher respectively than at the onset of the pandemic, have performed stronger.
“For this reason, there is marginal risk of negative equity for Brisbane homeowners, with the exception of very recent buyers, who purchased around the peak in June 2022 with less than a 20 percent deposit.”
However, there are signs of resilience in the market. Brisbane remains a more affordable option compared with the other east coast capitals, Ms Owen said.
Although housing values remain higher than pre-COVID levels, Brisbane retains a lower price point than Sydney, with a $435,170 difference in median house values and $280,749 difference in median unit values,” she said.
“The gap between Brisbane and Melbourne housing values is also significant, with a $119,697 gap between median house values and $97,692 difference in median unit values.
“This could encourage ongoing housing demand from those willing to migrate to the state, or own an interstate investment.”
Sales volumes and median prices on the rise in the N.T