The Top 9 Interior Design Trends for 2023
We canvassed hundreds of professionals to predict the next waves in décor.
We canvassed hundreds of professionals to predict the next waves in décor.
IMPERFECTIONISTS, REJOICE. Sean Scherer and other professionals in the realm of aesthetics see interior design embracing flaws in 2022. The founder of curiosity shop Kabinett & Kammer, in Franklin, N.Y., cites a surging interest in chipped and crazed ironstone china as an example. “In the past, people wanted pure white and pristine,” he said. Now his customers are hankering for the opposite—a “timeworn and cozy feel.” Sleek, mass-made items and chilly finishes like glass are being ghosted. Instead, people are gravitating toward handmade finishes, plantlike paint colours and friendly architectural curves. “We are dying for warmth, coziness and colouurs that make us feel grounded,” said Los Angeles designer Peti Lau, who observes cool tones’ fading fast. Here, the incoming trends that were highlighted most often by the hundreds of designers we polled—as well as those they believe are bowing out.
While hand-painted floor tiles seemed charming not so long ago, the colourful quadrilaterals won’t be a big part of the finishes arsenal in 2022, predicted Charlotte, N.C., interior designer Gray Walker. “The line between indoors and outdoors will continue blurring,” and such ornamentation is too busy to jibe with the simplicity of the natural world, she said. Mosaic floors, too, had their moment, said Brooklyn-based architect Adam Meshberg, “until people started spending more time at home and opted for serene spaces that were easy on the eyes.”
Classic, ornamental herringbone wood floors are zigzagging into interiors, even contemporary ones. The look “adds a timeless, textural touch in modern rooms,” said Sara Cukerbaum, principal designer at Austin, Texas, firm SLIC Design, who has recently employed herringbone in white oak and ebony-stained oak. Ms. Walker appreciates herringbone’s twofer contribution: “You get the beauty of a pattern and the warmth of wood.”
Those throws wrought of extremely thick yarn are so commonplace they’ve become aesthetically smothering. “The machine-made, chunky-yarn blankets are more suited for a football stadium than someone’s home,” said Washington, D.C., designer Josh Hildreth, who adds that mass-produced items make a space feel staged rather than lived in.
“Hand-loomed blankets are in because of their organic, natural imperfections,” Mr. Hildreth said. “The yarns are typically hand dyed and also have a richness of colour.” And those tossed-on coverlets make an impact. “When you think of a room in layers, the outermost layers are what you see first, creating an immediate impression,” he added. Los Angeles design pro Susan Taylor, of Davis Taylor Design, often reaches for the Scottish lamb’s wool weaves of Paulette Rollo (shown), “because they look more artisan and handmade.”
Little dangling lights, even multiples of them, in large rooms have lost their lustre for Newport Beach, Calif., designer Raili Clasen. “In spaces with voluminous ceilings, small light fixtures get swallowed up,” she said. Ms. Clasen clusters wee pendants in powder rooms, but in most spaces, fixtures under 36 inches no longer appeal to her. Interior designer Shannon Palmer, in Rancho Mirage, Calif., noted that he still welcomes small pendants made of interestingly blown glass or even rope or raffia, but “clients are leaving the simple, ‘techy’ frosted glass and cable pendants behind.”
Illumination is no longer a chandelier’s sole reason for being. Designers bring the drama with pieces like the Moooi Random Light II (shown), a fiberglass orb available in diameters up to 41.3 inches. “[Oversized fixtures] become a major art piece and define the personality of the space,” said Ms. Clasen. In the room with which this story begins, Kyiv, Ukraine, architect Serhii Makhno grouped the Khmara ceramic pendants he designed. Besides the direct function of the fixtures, the largest of which is nearly 50 inches across, he said, they create “a wow factor in any interior.”
In 2021’s trend report, we confidently sent the modern farmhouse style, with its white clapboard and dark window frames, out to pasture. Its trademark blackened-steel details have nevertheless persisted in many forms of design, but Kim Armstrong, a designer in Rockwall, Texas, predicts their inappropriate application will wane. “In my area of Dallas I see so many people with 1960s-1980s brick homes installing windows with black frames,” she said. “It shouldn’t be used in every renovation or new build on the block.”
Arches—in both cabinetry and architecture—are rounding the corner to sate our need for “softer lines and more comforting designs,” said Ms. Armstrong. In the Winnetka, Ill., house shown above, designer Mark Lavender emphasized broad hallway arches, which he said give a “great sense of space,” by adorning the surrounding walls in a strict, contrasting grid of plaid. Even in a comparatively calm and simple interior, arches make a statement, said designer Lindye Galloway, of Costa Mesa, Calif., who recently tucked a vaulted niche into a client’s tiled shower wall.
Although Ms. Taylor loves the lightness of the handwoven cabinet-fronts occasionally found on vintage furniture, the island-time material “crescendoed during the pandemic by appearing everywhere.” A little goes a long way. Erin Gates, in Wellesley, Mass., still likes a traditional rattan accent piece here and there but finds the boho “all rattan all the time” approach as faded as an old Hawaiian shirt. “It’s also kind of uncomfortable,” she said of caned seating, “and 2022 is all about finding the blend between comfort and fashion.”
Those professionals designing luxury residences are adding ribbed-wood detailing to walls, kitchen cabinetry, bathrooms and more, said Mr. Meshberg. (File under “and more” the slatted-beechwood credenza above, by Mexican studio Peca, available at 1stdibs.com. ) Also having a revival: similarly linear fluting, a descendant of the vertical grooves that characterized columns in the better homes and gardens of ancient Rome. Today, fluting introduces visual intrigue “without adding true pattern,” said designer Laetitia Laurent, of Laure Nell Interiors in Boca Raton, Fla. It “strikes that balance of simple yet interesting.”
While design experts largely agreed that wallcoverings are still salable, papering rooms with generic “fast fashion” iterations—especially soulless graphic patterns—won’t turn any heads, said designer Kristen Peña, of K Interiors in San Francisco. “Wallpaper isn’t just a substitute for paint anymore,” said Batya Stepelman, a consultant and owner of WallTawk in Denver. “Many people I work with see it as large-format art, and they don’t want the same piece as their neighbour.”
Our yen for contact and cocooning has got tactility climbing the walls. Plastered surfaces, like those in the Spanish colonial living room above, which Los Angeles designer Jake Arnold recently revamped, straddles two seemingly opposing aesthetics: Plaster is “very organic, yet rich,” he said. New York designer Lauren Behfarin predicts we’ll see lots of chalky lime wash, with its subtle texture and intrigue. Plaster paint can supply the blotchy optics without the expense of the real trowel-it-on stuff, said Ms. Galloway.
Supply-chain snarls are causing exasperating delays when it comes to having anything but in-stock merchandise delivered. “Larger furniture pieces in general seem to have the longest lead times,” said San Antonio, Texas, designer Alison Giese, who has encountered 28-week lead times when ordering upholstered sofas and chairs for clients. “I personally ordered some patio chairs last April, and I just received word that the new expected delivery date is March 2022.”
“Antiques are available and sold right off the floor,” enthused Sheldon Harte, of interior design firm Harte Brownlee in Laguna Beach, Calif., one of the many design pros we polled who said that shipping woes associated with new furniture have bolstered their appreciation of vintage pieces. Attic finds qualify, too. “Many clients are digging up family heirlooms and opting to use these in interesting ways,” said New York City designer Tina Ramchandani. “People are craving connections and history.” Alessandra Wood, design historian and VP of style at online design firm Modsy, called out early-American examples and their simple forms as particularly resurgent.
The calming colour found in dentists’ reception rooms everywhere is “no longer our clients’ go-to,” said Ms. Ramchandani. “Many of my clients have been nervous about using colour and were leaning into blues as their way of adding interest to spaces,” she said of the sometimes melancholy, now overly pervasive colour. Designers are also moving away from blue-based greys and whites.
“The one colour our clients are asking for lately is green,” said Betty Brandolino of Fresh Twist Studio in Elmhurst, Ill. Warmer greens like olive won slots in our recent trend reports, but the palette has expanded to include emerald, eucalyptus, jade and teal. “Rich mid-spectrum shades of green bring the outdoors inside,” said Dennese Guadeloupe Rojas, of Interiors by Design in Silver Spring, Md., who singled out colours such as Benjamin Moore’s October Mist [shown above], Valspar’s Garden Flower and Behr’s Sage. How to further intertwine nature and design? “Not just more indoor plants but larger windows and plant-inspired prints,” said New York City designer Laurence Carr.
We don’t usually debate architectural trends in our annual design trend report, but anyone who finds the glass-walled world of HBO’s “Succession” off-putting may be glad to hear from New Yorker David West, founding partner of Hill West Architects. “We have passed the apex of the all-glass facade,” he said. The slick glazing has become “somewhat synonymous with mass production and anonymity.” Same goes indoors, Ms. Taylor said, citing how easily glass can break or become marred. And there’s the smudge factor, as anyone with a gummy-fingered toddler or spouse will lament. “Oy,” she said.
The sandy limestone plays nicely with other, brighter hues. Using travertine, with its naturally irregular colour patterns, is also like lugging a bit of the countryside indoors, reports interior designer Lauren Lerner, founder of Living with Lolo, in Cave Creek, Ariz. The stone was a midcentury mainstay that popped up again in the 1980s, Ms. Taylor said. “Its comeback now is largely due to its creamy colour, warm feel and organic surface.” In short: It’s back to nature o’clock.
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
Americans now think they need at least $1.25 million for retirement, a 20% increase from a year ago, according to a survey by Northwestern Mutual
Philip Lowe’s comments come amid property industry concerns about pressures on mortgage holders and rising rents
Leaders in Australia’s property industry are calling on the RBA to hit the pause button on further interest rate rises following yesterday’s announcement to raise the cash rate to 4.1 percent.
CEO of the REINSW, Tim McKibbin, said it was time to let the 12 interest rate rises since May last year take effect.
“The REINSW would like to see the RBA hit pause and allow the 12 rate rises to date work their way through the economy. Property prices have rebounded because of supply and demand. I think that will continue with the rate rise,” said Mr McKibbin.
The Real Estate Institute of Australia today released its Housing Affordability Report for the March 2023 quarter which showed that in NSW, the proportion of family income required to meet the average loan repayments has risen to 55 percent, up from 44.5 percent a year ago.
Chief economist at Ray White, Nerida Conisbee, said while this latest increase would probably not push Australia into a recession, it had major implications for the housing market and the needs of ordinary Australians.
“As more countries head into recession, at this point, it does look like the RBA’s “narrow path” will get us through while taming inflation,” she said.
“In the meantime however, it is creating a headache for renters, buyers and new housing supply that is going to take many years to resolve.
“And every interest rate rise is extending that pain.”
In a speech to guests at Morgan Stanley’s Australia Summit released today, Governor Philip Lowe addressed the RBA board’s ‘narrow path’ approach, navigating continued economic growth while pushing inflation from its current level of 6.8 percent down to a more acceptable level of 2 to 3 percent.
“It is still possible to navigate this path and our ambition is to do so,” Mr Lowe said. “But it is a narrow path and likely to be a bumpy one, with risks on both sides.”
However, he said the alternative is persistent high inflation, which would do the national economy more damage in the longer term.
“If inflation stays high for too long, it will become ingrained in people’s expectations and high inflation will then be self-perpetuating,” he said. “As the historical experiences shows, the inevitable result of this would be even higher interest rates and, at some point, a larger increase in unemployment to get rid of the ingrained inflation.
“The Board’s priority is to do what it can to avoid this.”
While acknowledging that another rate rise would adversely affect many households, Mr Lowe said it was unavoidable if inflation was to be tamed.
“It is certainly true that if the Board had not lifted interest rates as it has done, some households would have avoided, for a short period, the financial pressures that come with higher mortgage rates,” he said.
“But this short-term gain would have been at a much higher medium-term cost. If we had not tightened monetary policy, the cost of living would be higher for longer. This would hurt all Australians and the functioning of our economy and would ultimately require even higher interest rates to bring inflation back down.
“So, as difficult as it is, the rise in interest rates is necessary to bring inflation back to target in a reasonable timeframe.”
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
Americans now think they need at least $1.25 million for retirement, a 20% increase from a year ago, according to a survey by Northwestern Mutual