Picasso Painting of Muse Dora Maar Comes to Auction for the First Time
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Picasso Painting of Muse Dora Maar Comes to Auction for the First Time

By GEOFF NUDELMAN
Tue, Apr 30, 2024 8:38amGrey Clock 2 min

A portrait by Pablo Picasso of his lover and muse Dora Maar will be sold at auction for the first time at a Phillips evening sale in May in New York and is estimated to realize as much as US$18 million.

Buste de femme au chapeau, 1939, depicts Maar, whom Picasso met in 1935 and remained with for a decade. Buste de femme remained in Picasso’s personal collection until he died in 1973, when Galerie Beyeler in Switzerland took ownership of the piece and kept it  alongside other works from the artist’s Femmes au chapeau series, according to Phillips.

The piece has been in the same collection for the last 30 years, according to Jean-Paul Engelen, president, Americas, and worldwide co-head of modern and contemporary art for Phillips.

According to Phillips, the painting, only 24 inches by 15 inches, employs techniques from Cubism, and contains elements familiar to Picasso’s paintings of Marr, “including his distinctive rendering of her eyes, strong line of her nose, and radical combinations of frontal and profile views.”

Untitled (ELMAR), 1982, by Jean-Michel Basquiat.
Phillips

Phillips’ modern and contemporary evening sale on May 14 will also include three previously announced works by Jean-Michel Basquiat, including a large painting from the early 1980s, Untitled (ELMAR) , 1982, that could sell for more than US$60 million.

Barclay L. Hendricks’ 1977 work, Vendetta.
Phillips

Also in the sale is Barclay L. Hendricks’ 1977 work, Vendetta, with an estimate between US$2.5 million and US$3.5 million. The painting was featured in the artist’s first career retrospective, and toured across the U.S. from 2008 to 2009. Hendricks’ works rarely come to auction, and Engelen expects increased interest given a recent exhibition of the artist’s works at the Frick Collection in New York.

A 1978 Donald Judd “stacks” sculpture set in stainless steel and yellow fluorescent Plexiglas.
Phillips

Lastly, two sculpture “stacks” from Donald Judd will be sold. A 1978 set in stainless steel and yellow fluorescent Plexiglas, described as a “signature” piece by the artist completed when he was near the top of his career, is estimated to sell for between US$5.5 million and US$7.5 million. The second is a 1994 six-part set composed of Cor-ten steel and black Plexiglas finished just before the artist’s death early that year. It carries an estimate of US$2 million to US$3 million.



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Why Chasing Yield After the Budget Could Cost You Everything

The federal budget has rattled property investors. But the biggest mistake isn’t the tax changes, it’s the conclusion many are drawing from them.

By Jeni O'Dowd
Tue, Jun 30, 2026 2 min

The recent budget has forced a reckoning for property investors.

Negative gearing now restricted to new residential builds, the CGT discount gone and on paper, the numbers look different.

And many investors are responding by pivoting toward yield, prioritising cash flow over capital growth in a way that property strategists say misses the point entirely.

“The debate has shifted to yield versus growth as if they are opposing forces,” says Abdullah Nouh, founder of Melbourne-based buyers’ agency Mecca Property Group. “But that framing is itself the mistake.”

Nouh, who works with high-net-worth families and investors on long-term acquisition strategy, argues that capital growth remains the primary driver of genuine wealth creation and that the post-budget environment has made quality assets more important, not less.

The numbers make his case plainly. An additional $500 per week in rental income is welcome. A prestige asset appreciating by $1 million over a market cycle is transformative.

These are not equivalent outcomes, and portfolios built around yield at the expense of location and land value tend to generate income while wealth stands largely still.

The more nuanced shift Nouh is seeing among sophisticated investors is a move toward assets where both outcomes can be engineered simultaneously – established homes on substantial land in quality locations, where the existing dwelling can be repositioned, rental returns improved, and the underlying land value compounds independent of what sits on it.

For investors with existing equity, commercial property is also entering the conversation in a more serious way.

Prestige industrial assets, medical centres and long-leased essential retail offer income profiles that residential property in most capital city markets cannot currently match: longer lease terms, tenants covering outgoings, and greater predictability than the residential tenancy cycle.

“The investors who build lasting wealth are rarely the ones who chased yield or growth exclusively,” says Nouh.

“They are the ones who built a strategy they could sustain – one that generated enough income to hold quality assets through multiple cycles while those assets compounded in value.”

The budget has changed the settings. It has not changed the fundamentals.

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