Social-Media Influencers Aren’t Getting Rich—They’re Barely Getting By
Platforms are paying less for popular posts, brands are pickier about partnerships and a possible TikTok ban looms
9 min
Many people dream of becoming social-media stars like YouTube’s MrBeast or TikTok’s Charli D’Amelio . But for most who pursue careers as content creators, just making ends meet is a lofty goal.
Clint Brantley has been a full-time creator for three years, posting videos on TikTok, YouTube and Twitch where he comments on news and trends related to the online game “ Fortnite .” Despite having more than 400,000 followers, and posts that average 100,000 views, his income last year was less than the median annual pay for full-time U.S. workers in 2023—$58,084, based on Bureau of Labor Statistics data .
The 29-year-old is hesitant to commit to an apartment lease because the money he gets, mainly from online tips and sponsorship deals, arrives randomly and could vanish at any moment. For now, he’s living with his mom in Washington state.
“I’m vulnerable,” he says.
Earning a decent, reliable income as a social-media creator is a slog—and it’s getting harder. Platforms are doling out less money for popular posts and brands are being pickier about what they want out of sponsorship deals. The real possibility of TikTok potentially shutting down in 2025 is adding to creators’ anxiety over whether they can afford to stick with the job for the long haul.
Few overnight sensations
Hundreds of millions of people around the globe regularly post videos and photos to entertain or educate social-media users. About 50 million earn money from it, according to a 2023 report from Goldman Sachs . The investment bank expects the number of creator-earners to grow at an annual rate of 10% to 20% through 2028, crowding the field even further. The Labor Department doesn’t track wages for these creators, also known as influencers.
It can take months or years to earn money as a creator, often through a combination of direct revenue from social-media platforms, sponsorship deals, merchandise sales and affiliate links. But those who stick with it eventually see some returns, surveys show. Creators say that’s because you can learn what kind of posts most resonate with an audience, which can lead to more followers and, in turn, more moneymaking opportunities.
But money doesn’t mean big bucks . Last year, 48% of creator-earners made $15,000 or less, according to NeoReach, an influencer marketing agency. Only 13% made more than $100,000.
The gap reflects multiple factors, including whether creators work full- or part-time, the kind of content they put out and when they started. People who jumped into the space during the height of Covid-19 lockdowns—and who focused on a niche such as fashion, investing or lifestyle hacks—say they benefited from the surge in social-media use during that time.
A small number of creators shot to fame, propelling the occupation to the top of career wish lists for many teens (and adults). But behind the scenes, creators say the job is gruelling. They need to constantly produce compelling posts or risk losing momentum. They spend their days planning, filming and editing posts while also working to make inroads with advertisers and interacting with fans.
“It is a lot more work than most people realise,” says Emarketer analyst Jasmine Enberg. “Creators who make a living doing it have been at it for many years. Most are not overnight sensations.”
Like other self-employed professionals, creators don’t get paid time off, healthcare benefits, retirement contributions and other perks that companies typically provide for their workers. That reality, coupled with stubbornly high inflation and mortgage rates , is making it more difficult to get by as a creator.
“Everything is more expensive, especially groceries,” says Jason Cooper of Mobile, Ala.
A few years ago, Cooper dreamed up a sassy sock puppet named Sock Cop, who cracks dad jokes in live and recorded videos for TikTok and Twitch . He currently makes $500 to $600 a month, almost entirely from tips.
He thinks he could probably haul in a lot more if he went full-time. But with no guarantee, the 37-year-old father doesn’t want to quit his marketing job and risk losing health coverage. He now spends a few hours in the evening and on weekends on Sock Cop. If he had more time, he would feel the need to constantly make videos.
“You’ve got to feed the beast,” says Cooper.
Shrinking platform payouts
TikTok’s $1 billion creator fund, which ran from 2020 to 2023, doled out money to eligible creators for posting to the platform. Others joined in . YouTube’s TikTok competitor, Shorts, allowed creators to earn anywhere from $100 to $10,000 a month with its temporary fund. Instagram’s Reels Play bonus program rewarded creators with fluctuating payouts. Snapchat ’s Spotlight rewards program gave $1 million a day to the platform’s top creators.
Today, the platforms have revamped or completely changed how they pay creators—doing away with their funds.
Qualifications for TikTok’s current rewards program include having an account with at least 10,000 followers with a minimum of 100,000 views in the past month. Instagram is currently testing a seasonal, invitation-only program that rewards creators for sharing Reels and photos.
YouTube debuted an ad-revenue share model last year, in which qualifying creators with more than 1,000 subscribers and 10 million public Shorts views in the past 90 days receive 45% of revenue from ads that occur between posts. Snapchat has a program that gives creators who meet certain criteria, such as having at least 50,000 followers and 25 million monthly views, a portion of the ad revenue that appears between Stories. Its Spotlight program also continues to dole out money to creators.
Creators who opt into these programs or bonuses aren’t guaranteed a significant payday.
Yuval Ben-Hayun originally became popular on TikTok in 2020 because of his posts about the word-puzzle game Wordle. The 29-year-old New Yorker eventually expanded into linguistic and other education content, and by early 2023, was able to support himself and his bills of over $4,000 a month.
TikTok had closed its fund by then but was testing its creator rewards program. Ben-Hayun said in March he received about $200 to $400 per million views, and it’s steadily declined since then—even as his follower count reached 2.9 million.
The followers are still there, but the money isn’t. He recently hit a new low, receiving only $120 for a video with 10 million views.
Danisha Carter is frustrated that TikTok and other platforms sold the idea of content creation as a job, but later withdrew the financial incentives. Thanks to creators’ efforts, she says, consumers are now hooked on social feeds, bringing the platforms billions of dollars in annual revenue.
The 26-year-old has 1.8 million TikTok followers, and her posts about beauty and exercise, along with opinions on topics ranging from dating to online bullying, regularly receive hundreds of thousands of views. TikTok has paid her a total of $12,000, Carter says. She sells merchandise for additional income, bringing in about $5,000 last year.
“Creators should be paid a fair percentage based on what the apps are making off creators,” says Carter. “There should be more transparency into how we’re paid, and it should be consistent.”
A TikTok spokeswoman declined to comment.
YouTube said it paid more than $70 billion to creators, artists and media companies in the past three years, and more than 25% of channels in the ad-revenue share model are now making money through it. “We remain committed to putting our full energy into what matters most for our creators, viewers and advertisers,” a spokeswoman said.
A future without TikTok?
Many creators and advertisers credit TikTok, which pioneered the short-form video genre, with driving stronger engagement than its industry peers. TikTok has gained more than 170 million users in the U.S. since its launch in 2016—including, Pew Research Center says, a third of American adults. They spend an average of 78 minutes a day on the app, according to market-intelligence firm Sensor Tower.
TikTok may not be available in the U.S. for much longer, at least not in its current form. In April, President Biden signed a bill into law that will force a sale or ban of the app by Jan. 19, 2025. U.S. lawmakers have expressed worries that TikTok poses a national security risk. TikTok’s parent company, Beijing-based ByteDance, has said it can’t and won’t sell its U.S. operations by the deadline.
ByteDance sued the U.S. government, alleging the new law violates its First Amendment rights. Several U.S. creators also sued. The U.S. Court of Appeals for the District of Columbia Circuit will hear arguments in September for both cases.
“To lose TikTok would be kind of devastating,” says Brandon Granberg , a 31-year-old creator from Bayville, N.J., known for interacting with strangers in public places in silly ways.
Granberg struggled for years to attract viewers on the app before one viral post two years ago took his follower count from 5,000 to more than one million. Recently he made $1,000 from a TikTok program that launched last year called TikTok Creative Challenge, which allows creators to earn money by making video ads for brands that don’t appear on their personal profiles. He also earned $2,800 for producing four TikTok videos promoting a website for people with foot fetishes. Granberg says he found it creepy, but did it because he needed the money.
While he hasn’t landed many other sponsored posts, he’s grown his income significantly by making marketing videos for small businesses over the past year. Most clients find Granberg on TikTok. “If it gets banned, it will definitely hurt me,” he says.
Changing tastes and algorithms
This year, U.S. social-media creators as a whole are expected to make $13.7 billion, according to Emarketer. The research firm projects the majority of that—$8.14 billion, or 59%—will come from brand sponsorships.
Advertisers have always led in compensating creators, paying out far more money than the social-media platforms and fans who buy merchandise or dole out tips. But these days, advertisers expect more from creators than just large followings, according to agency and talent representatives. They want to see evidence of strong engagement in the form of saved and shared posts, plus the demographics of creators’ audiences.
“Brands are looking at metrics that are far less predictable for creators and also very difficult to price yourself on,” says Sarah Peretz, a business-strategy consultant in Los Angeles who helps creators negotiate partnerships and deals with advertisers.
Some brands are more controlling than in the past, says Sarah Steele, a 34-year-old creator in Tulsa, Okla., who started making TikTok videos about being a working mom in 2020. “Now it’s, ‘We’re paying you and this is what we want you to say.’ ”
Earlier this year, Steele says an advertiser insisted she cite legal disclaimers in a series of sponsored Instagram posts. “It felt like I was reading off a teleprompter,” she says. “As a consumer it even turned me off to the brand a little bit.”
Creators, meanwhile, are having a tougher time attracting viewers, thanks to algorithm changes and other factors beyond their control. And while more advertisers are looking to partner with creators than in the past, “increased activity leads to increased competition,” says Peretz.
Another change is that advertisers now prefer to work with just a handful of creators on long-lasting deals rather than experiment with several on one-off projects, says Jess Hunichen, of Shine Talent Group.
Hunichen co-founded the talent-management agency in 2015, when TikTok didn’t exist and influencer marketing was still relatively new. Back then, an average deal size between an influencer and brand was usually below $1,000. Now, the average deal per campaign is around $10,000, she says.
Worth the hustle
Ronit Halmos of Los Angeles began making TikTok videos earlier this year that she describes as quick-reviews of restaurants, bars and more “with some sass and attitude.”
The 27-year-old, a full-time technology recruiter, recently landed her first advertiser deal. A kombucha brand asked her to make a 30-second post featuring her take on a line of flavours. Though it ended up getting less attention from viewers than her usual fare, she made $1,500 from about 30 minutes of work.
Tyler Haven , a 27-year-old traveling around the Pacific Northwest, charges $250 to $300 to make promotional videos that brands can post to their own social channels, and around $1,200 for posts that appear on either his Instagram account with more than 41,000 followers or his TikTok account with more than 10,000 followers.
Since January, he’s been posting videos documenting his “van-life” with his wife, Oak Haven: Their primary residence is a fully paid, fully decked-out 2004 Mercedes Sprinter T1N.
Haven said it’s been easy to grow his following organically. He believes it’s because his posts don’t depict some unattainable, picture-perfect life.
He quit his job in June to pursue full-time content creation.
“Even if I were to make $2,000 a month, which is absolutely nothing—that’s less than most people’s rent—I could live on that,” Haven says.
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The lunar flyby would be the deepest humans have traveled in space in decades.
4 min
It’s go time for the highest-stakes mission at NASA in more than 50 years.
On April 1, the agency is set to launch four astronauts around the moon, the deepest human spaceflight since the final Apollo lunar landing in 1972.
The launch window for Artemis II , as the mission is called, opens at 6:24 p.m. ET.
National Aeronautics and Space Administration teams have been preparing the vehicles to depart from Florida’s Kennedy Space Center on the planned roughly 10-day trip. Crew members have trained for years for this moment.
Reid Wiseman, the NASA astronaut serving as mission commander, said he doesn’t fear taking the voyage. A widower, he does worry at times about what he is putting his daughters through.
“I could have a very comfortable life for them,” Wiseman said in an interview last September.
“But I’m also a human, and I see the spirit in their eyes that is burning in my soul too. And so we’ve just got to never stop going.”
Wiseman’s crewmates on Artemis II are NASA’s Victor Glover and Christina Koch, as well as Canadian Space Agency astronaut Jeremy Hansen.
What are the goals for Artemis II?
The biggest one: Safely fly the crew on vehicles that have never carried astronauts before.
The towering Space Launch System rocket has the job of lofting a vehicle called Orion into space and on its way to the moon.
Orion is designed to carry the crew around the moon and back. Myriad systems on the ship—life support, communications, navigation—will be tested with the astronauts on board.
SLS and Orion don’t have much flight experience. The vehicles last flew in 2022, when the agency completed its uncrewed Artemis I mission .
How is the mission expected to unfold?
Artemis II will begin when SLS takes off from a launchpad in Florida with Orion stacked on top of it.
The so-called upper stage of SLS will later separate from the main part of the rocket with Orion attached, and use its engine to set up the latter vehicle for a push to the moon.
After Orion separates from the upper stage, it will conduct what is called a translunar injection—the engine firing that commits Orion to soaring out to the moon. It will fly to the moon over the course of a few days and travel around its far side.
Orion will face a tough return home after speeding through space. As it hits Earth’s atmosphere, Orion will be flying at 25,000 miles an hour and face temperatures of 5,000 degrees as it slows down. The capsule is designed to land under parachutes in the Pacific Ocean, not far from San Diego.
Is it possible Artemis II will be delayed?
Yes.
For safety reasons, the agency won’t launch if certain tough weather conditions roll through the Cape Canaveral, Fla., area. Delays caused by technical problems are possible, too. NASA has other dates identified for the mission if it doesn’t begin April 1.
Who are the astronauts flying on Artemis II?
The crew will be led by Wiseman, a retired Navy pilot who completed military deployments before joining NASA’s astronaut corps. He traveled to the International Space Station in 2014.
Two other astronauts will represent NASA during the mission: Glover, an experienced Navy pilot, and Koch, who began her career as an electrical engineer for the agency and once spent a year at a research station in the South Pole. Both have traveled to the space station before.
Hansen is a military pilot who joined Canada’s astronaut corps in 2009. He will be making his first trip to space.
Koch’s participation in Artemis II will mark the first time a woman has flown beyond orbits near Earth. Glover and Hansen will be the first African-American and non-American astronauts, respectively, to do the same.
What will the astronauts do during the flight?
The astronauts will evaluate how Orion flies, practice emergency procedures and capture images of the far side of the moon for scientific and exploration purposes (they may become the first humans to see parts of the far side of the lunar surface). Health-tracking projects of the astronauts are designed to inform future missions.
Those efforts will play out in Orion’s crew module, which has about two minivans worth of living area.
On board, the astronauts will spend about 30 minutes a day exercising, using a device that allows them to do dead lifts, rowing and more. Sleep will come in eight-hour stretches in hammocks.
There is a custom-made warmer for meals, with beef brisket and veggie quiche on the menu.
Each astronaut is permitted two flavored beverages a day, including coffee. The crew will hold one hourlong shared meal each day.
The Universal Waste Management System—that’s the toilet—uses air flow to pull fluid and solid waste away into containers.
What happens after Artemis II?
Assuming it goes well, NASA will march on to Artemis III, scheduled for next year. During that operation, NASA plans to launch Orion with crew members on board and have the ship practice docking with lunar-lander vehicles that Elon Musk’s SpaceX and Jeff Bezos’ Blue Origin have been developing. The rendezvous operations will occur relatively close to Earth.
NASA hopes that its contractors and the agency itself are ready to attempt one or more lunar landing missions in 2028. Many current and former spaceflight officials are skeptical that timeline is feasible.
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