It’s an offer fans of The Godfather can’t refuse: The tuxedo Marlon Brando wore in Francis Ford Coppola’s 1972 masterpiece will be heading to auction for the first time in September.
Carrying a pre-sale estimate of US$200,000, the complete formal tuxedo—which previously had been held in a private collection—was worn by Brando in the opening wedding scenes of his Academy Award-winning role as “Vito Corleone.” (According to Hollywood lore, Brando wore his own personal tuxedo in the film as he refused to have a fitting for a new one.) It’s just one of several Brando items scheduled to be sold by Studio Auctions; also going up for grabs will be his filming script (no estimate provided) from The Godfather , as well as his personal Rolodex containing the names and phone numbers of Hollywood’s elite. (Pre-sale estimate: US$40,000).
The three-day event—titled “From Bombshells to Blasters: An Auction You Can’t Refuse” —will be held from Sept. 20-22 at the auction house’s headquarters in Burbank, Calif.

Thann Clarke
“Each item tells a unique story and holds a piece of cinematic history that has left a major impact on American culture,”says Brad Teplitsky, co-founder at Studio Auctions.
“These pieces span generations and ensure there’s something for everyone, from Star Wars fans to admirers of Hollywood’s Golden Age.”
Collectors of Hollywood memorabilia will get the chance to own authenticated items from icons like Marilyn Monroe and James Dean, as well as collectibles from classics such as The Wizard of Oz, Iron Man, and Alien . The auction will also feature the artwork collection of Academy Award-winning production designer/art director Rick Carter, which spans several films Steven Spielberg had a role in creating, including Back to the Future and Jurassic Park , as well as Avatar and Star Wars.

Thann Clarke
Among the instantly recognisable props never before seen at auction is the rare appearance of a screen-used character suit from the Marvel Cinematic Universe: Iron Man’s “Mark 46 TA Hero Suit Torso,” worn by Robert Downey Jr. in Iron Man: Civil War (2020). Constructed of cast fibreglass, resin, and mixed-media components, the electrically wired torso is expected to sell for upward of US$200,000.
Bidders will also have the chance to own the hero wand prop used on screen by Billie Burke as Glinda the “Good Witch of the South” in The Wizard of Oz (1939), which carries a pre-sale estimate of US$100,000.
“These are extremely rare items, and the fact that none of the mentioned pieces have ever been to auction before adds a layer of exclusivity,” says Teplitsky. “Owning something like Marlon Brando’s tuxedo from The Godfather , one of the most iconic movies of all time, is a once-in-a-lifetime opportunity to own a fragment of cinematic history.”
The live auction will be streamed for bidders worldwide, and pre-bidding will open on Aug. 20 at StudioAuctions.com.
A divide has opened in the tech job market between those with artificial-intelligence skills and everyone else.
A 30-metre masterpiece unveiled in Monaco brings Lamborghini’s supercar drama to the high seas, powered by 7,600 horsepower and unmistakable Italian design.
A divide has opened in the tech job market between those with artificial-intelligence skills and everyone else.
There has rarely, if ever, been so much tech talent available in the job market. Yet many tech companies say good help is hard to find.
What gives?
U.S. colleges more than doubled the number of computer-science degrees awarded from 2013 to 2022, according to federal data. Then came round after round of layoffs at Google, Meta, Amazon, and others.
The Bureau of Labor Statistics predicts businesses will employ 6% fewer computer programmers in 2034 than they did last year.
All of this should, in theory, mean there is an ample supply of eager, capable engineers ready for hire.
But in their feverish pursuit of artificial-intelligence supremacy, employers say there aren’t enough people with the most in-demand skills. The few perceived as AI savants can command multimillion-dollar pay packages. On a second tier of AI savvy, workers can rake in close to $1 million a year .
Landing a job is tough for most everyone else.
Frustrated job seekers contend businesses could expand the AI talent pipeline with a little imagination. The argument is companies should accept that relatively few people have AI-specific experience because the technology is so new. They ought to focus on identifying candidates with transferable skills and let those people learn on the job.
Often, though, companies seem to hold out for dream candidates with deep backgrounds in machine learning. Many AI-related roles go unfilled for weeks or months—or get taken off job boards only to be reposted soon after.
Playing a different game
It is difficult to define what makes an AI all-star, but I’m sorry to report that it’s probably not whatever you’re doing.
Maybe you’re learning how to work more efficiently with the aid of ChatGPT and its robotic brethren. Perhaps you’re taking one of those innumerable AI certificate courses.
You might as well be playing pickup basketball at your local YMCA in hopes of being signed by the Los Angeles Lakers. The AI minds that companies truly covet are almost as rare as professional athletes.
“We’re talking about hundreds of people in the world, at the most,” says Cristóbal Valenzuela, chief executive of Runway, which makes AI image and video tools.
He describes it like this: Picture an AI model as a machine with 1,000 dials. The goal is to train the machine to detect patterns and predict outcomes. To do this, you have to feed it reams of data and know which dials to adjust—and by how much.
The universe of people with the right touch is confined to those with uncanny intuition, genius-level smarts or the foresight (possibly luck) to go into AI many years ago, before it was all the rage.
As a venture-backed startup with about 120 employees, Runway doesn’t necessarily vie with Silicon Valley giants for the AI job market’s version of LeBron James. But when I spoke with Valenzuela recently, his company was advertising base salaries of up to $440,000 for an engineering manager and $490,000 for a director of machine learning.
A job listing like one of these might attract 2,000 applicants in a week, Valenzuela says, and there is a decent chance he won’t pick any of them. A lot of people who claim to be AI literate merely produce “workslop”—generic, low-quality material. He spends a lot of time reading academic journals and browsing GitHub portfolios, and recruiting people whose work impresses him.
In addition to an uncommon skill set, companies trying to win in the hypercompetitive AI arena are scouting for commitment bordering on fanaticism .
Daniel Park is seeking three new members for his nine-person startup. He says he will wait a year or longer if that’s what it takes to fill roles with advertised base salaries of up to $500,000.
He’s looking for “prodigies” willing to work seven days a week. Much of the team lives together in a six-bedroom house in San Francisco.
If this sounds like a lonely existence, Park’s team members may be able to solve their own problem. His company, Pickle, aims to develop personalised AI companions akin to Tony Stark’s Jarvis in “Iron Man.”
Overlooked
James Strawn wasn’t an AI early adopter, and the father of two teenagers doesn’t want to sacrifice his personal life for a job. He is beginning to wonder whether there is still a place for people like him in the tech sector.
He was laid off over the summer after 25 years at Adobe , where he was a senior software quality-assurance engineer. Strawn, 55, started as a contractor and recalls his hiring as a leap of faith by the company.
He had been an artist and graphic designer. The managers who interviewed him figured he could use that background to help make Illustrator and other Adobe software more user-friendly.
Looking for work now, he doesn’t see the same willingness by companies to take a chance on someone whose résumé isn’t a perfect match to the job description. He’s had one interview since his layoff.
“I always thought my years of experience at a high-profile company would at least be enough to get me interviews where I could explain how I could contribute,” says Strawn, who is taking foundational AI courses. “It’s just not like that.”
The trouble for people starting out in AI—whether recent grads or job switchers like Strawn—is that companies see them as a dime a dozen.
“There’s this AI arms race, and the fact of the matter is entry-level people aren’t going to help you win it,” says Matt Massucci, CEO of the tech recruiting firm Hirewell. “There’s this concept of the 10x engineer—the one engineer who can do the work of 10. That’s what companies are really leaning into and paying for.”
He adds that companies can automate some low-level engineering tasks, which frees up more money to throw at high-end talent.
It’s a dynamic that creates a few handsomely paid haves and a lot more have-nots.
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