A set of 1985 Andy Warhol portraits of four female monarchs reigning at the time, alongside works by David Hockney, Picasso Pablo, Banksy, and Cecily Brown and other British contemporary artists, will highlight Phillips’ editions sale in London later this month.
Warhol created a total of 16 royal-edition screenprints of the four Queens, including Queen Elizabeth II of the U.K., Queen Beatrix of the Netherlands, Queen Margrethe II of Denmark, and Queen Ntfombi Tfwala of Swaziland. The so-called royal editions have different colour schemes, but all feature glimmering diamond dust, which accentuate the outline of the portraits.
This set of four images is being offered by a private, anonymous Dutch collector, who acquired them from Holland Art Gallery in Eindhoven in 2003, according to Phillips.
The set has an estimated total between US$260,000 and US$395,000. The highest-priced in the set is the portrait of Queen Elizabeth II, who died last September at the age of 96 after a seven-decade reign. It has a presale estimate of between £200,000 and £300,000 (US$240,000 and US$360,000)
A similar portrait from Warhols’ Reigning Queens series sold for C$1.14 million (US$855,000) last November at Canadian auction house Heffel, setting a record price for an editioned print by the American Pop artist.
Warhol’s portraits of Queen Elizabeth were based on photographs. A drawing of Queen Elizabeth said to be by Warhol was pulled 24 hours before its scheduled auction last week because of authentication doubts.
Phillips editions (prints and multiples) sale, in celebration of the 10th anniversary of the Editions Department in London, will feature 310 lots across two sessions from Jan. 18-19. Online bidding is open now and highlights will be on view to the public starting next Wednesday in Phillips’ galleries on Berkeley Square.
Another highlight of the sale is Hockney’s 1998 Dog Wall, a large-scale etching of his dachshunds, Stanley and Little Boodgie. It is expected to sell for between £200,000 and £300,000.
A selection of 15 works by Picasso, including important etchings and linocuts, will be led by Minotaure aveugle guidé par Marie-Thérèse au pigeon dans une nuit étoilée (Blind Minotaur Guided Through a Starry Night by Marie-Thérèse with a Dove). This 1934 work, depicting Marie-Thérèse Walter, his lover and muse at the time, holding a dove, has a presale estimate between £60,000 and £80,000.
In all, the January auctions will “feature some of the titans of 20th and 21st century printmaking and explore the broad spectrum of techniques that make collecting editions so enjoyable,” Rebecca Tooby-Desmond, a specialist and auctioneer at Phillips London, said in a news release.
In 2022, the auction house realised US$40 million in editions auctions globally, the highest total in its history, Tooby-Desmond said.
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As housing drives wealth and policy debate, the real risk is an economy hooked on growth without productivity to sustain it.
As housing drives wealth and policy debate, the real risk is an economy hooked on growth without productivity to sustain it.
For decades, Australia has leaned into its reputation as the lucky country. But luck, as it turns out, is not an economic strategy.
What once looked like resilience now appears increasingly fragile. Beneath the surface of rising property values and steady headline growth, the Australian economy is showing signs of strain that can no longer be ignored.
Recent data paints a sobering picture. Australia has recorded one of the largest declines in real household disposable income per capita among advanced economies.
Wages have failed to keep pace with inflation, meaning many Australians are working harder for less. On a per capita basis, income growth has stalled and, at times, reversed.
And yet, on paper, things still look relatively solid. GDP is growing. Unemployment remains low. But that growth is increasingly being driven by population expansion rather than productivity.
More people are contributing to output, but not necessarily improving living standards.
That distinction matters.
For years, Australia’s economic success rested on a powerful combination: a once-in-a-generation mining boom, a credit-fuelled housing market, strong migration and a property sector that rarely faltered. Between 1991 and 2020, the country avoided recession entirely, building enormous wealth in the process.
But much of that wealth is tied to property. Around two-thirds of household wealth sits in real estate, inflated by leverage and sustained by demand. It has worked, until now.
The problem is the supply side of the economy has not kept up.
Housing supply is falling behind population growth. Rental vacancies are near record lows.
Construction firms are collapsing at an elevated rate. At the same time, massive infrastructure pipelines are competing with residential projects for labour and materials, pushing costs higher and delaying delivery.
The result is a system under pressure from all angles.
Despite near full employment, productivity growth has stagnated for years. In simple terms, Australians are putting in more hours without generating more output per hour. The economy is running faster, butgoing nowhere.
Meanwhile, government spending continues to expand. Public debt is approaching $1 trillion, with spending now accounting for a record share of GDP.
The gap between spending and revenue has been filled by borrowing for decades, adding further pressure to an already stretched system.
This is where the uncomfortable question emerges.
Has Australia become too reliant on a model driven by rising property values, expanding credit and population growth?
As asset prices rise, households feel wealthier and borrow more. Banks lend more. Governments collect more revenue. Migration fuels demand. The cycle reinforces itself.
But when productivity stalls and debt outpaces real income, the system begins to depend on constant expansion just to stay stable.
It is not a collapse scenario. But it is not particularly stable either.
Nowhere is this more evident than in housing.
The National Housing Accord targets 1.2 million new homes over five years, yet current completion rates are well below that pace. With approvals falling and construction costs rising, the gap between supply and demand is widening, not narrowing.
Housing is also one of the largest contributors to inflation, with costs rising sharply across rents, construction and utilities. Yet the private sector, from small investors to major developers, is struggling to make projects stack up in the current environment.
This brings the policy debate into sharper focus.
Tax settings such as negative gearing and capital gains concessions have undoubtedly boosted demand over the past two decades. But they have also supported supply. Removing them may ease prices briefly, but risks deepening the supply shortage over time.
That is the paradox.
Policies designed to make housing more affordable can, in practice, make the shortage worse if they discourage development. The optics may appeal, but the economics are far less forgiving.
It is also worth remembering that most property investors are not institutional players. The majority own just one investment property. They are, in many cases, ordinary Australians using real estate as their primary wealth-building tool.
Undermining that system without replacing it with a viable alternative risks unintended consequences, from reduced supply to higher rents and increased inflation.
So where does that leave Australia?
At a crossroads.
The country can continue to rely on population growth and rising asset prices to drive economic activity. Or it can shift towards a model built on productivity, innovation and sustainable growth.
The latter is harder. It requires structural reform, long-term thinking and political discipline.
But it is also the only path that leads to genuine, lasting prosperity.
The question is no longer whether Australia has been lucky.
It is whether it can evolve before that luck runs out.
Paul Miron is the Co-Founder & Fund Manager of Msquared Capital.
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