Two landscapes by Lucian Freud previously in the collection of British businessman and philanthropist Simon Sainsbury will be offered next month at Christie’s in London, the auction house announced Friday.
Separately, Sotheby’s released additional highlights of its upcoming Masters Week in New York, including an over 400-year-old Anthony Van Dyke painting, A Sketch for Saint Jerome, that was found in a farm shed in the late 20th century in New York. The auction house expects to bring in more than US$100 million from across nine sales running now until early February.
Christie’s sale of the two Freud landscapes will take place on the evening of Feb. 28 in London. Offered by the same private collector, both paintings were formerly in the collection of Sainsbury, whose family founded Sainsbury’s, the second largest chain of supermarkets in the U.K. Upon his death in 2006 at the age of 76, Sainsbury bequeathed the majority of his art collection, estimated to be worth £100 million at the time, to the National Gallery and the Tate Gallery in London.
One of the paintings, Scillonian Beachscape from 1945-46, will make its first public appearance on the market since 1974 and has a presale estimate of between £3.5 million and £5.5 million (US$4.3 million and US$6.8 million). Depicting a dreamlike coastal scene in lush, sun-drenched color, it was inspired by Freud’s visit to the Isles of Scilly and directly based on his drawing, Untitled, which sold for £138,600 at Christie’s in London last October.

The other, Garden from the Window, depicts the artist’s garden at 138 Kensington Church Street. It was first unveiled at the Tate in London in 2002, and its debut auction at Christie’s is expected to fetch £2.5 million and £3.5 million.
“Lucian Freud, revered as one of the greatest painters of the 20th century, continually returned to the natural world as a source of rich inspiration throughout his career. This lifelong fascination is perfectly encapsulated in these two exquisite paintings which offer viewers insight into both his early and late life,” Tessa Lord, acting head of department of Post-War and contemporary art at Christie’s London, said in a news release.
The National Gallery in London has recently organized a centenary retrospective “Lucian Freud: New Perspectives,” which will move to Thyssen-Bornemisza Museo Nacional in Madrid in February.
Freud’s auction record was set by his painting large interior w11 (after watteau), 1981-83, from the collection of Paul Allen. It sold for US$86.3 million last November at Christie’s in New York.

Meanshile, t Sotheby’s, its first major sale of the year will be its Masters Week in New York, which is expected to bring in more than US$100 million across nine sales that will run through early February.
The sales will be led by 10 Baroque masterpieces from the collection of Mark Fisch, a real estate developer and a trustee of the Metropolitan Museum of Art in New York, and his ex-wife, Rachel Davidson, a former New Jersey judge. The two filed for divorce last year. Highlighting the collection, to be auctioned next Thursday, is a 1609 Rubens masterpiece, Salome Presented with The Severed Head of Saint John the Baptist, with an estimate of between US$25 million and US$35 million.
The sales also include The One, a new format sale featuring one-of-a-kind objects throughout history. This sale will be led by Kobe Bryant’s Lakers jersey with a high estimate of US$7 million, and a Princess Diana’s dress, with a presale estimate between US$80,000 and US$120,000.
A Sketch for Saint Jerome from 1615-18 by Anthony Van Dyck that was discovered in the late 20th century in a farm shed in Kinderhook, N.Y., will be offered in the region of US$2 million and US$3 million. A portion of proceeds from the sale will benefit the Albert B. Roberts Foundation, which supports artists and other creatives.
Roberts, a collector of “lost” pieces, purchased the sketch for US$600. Soon afterwards, the sketch was recognized by art historian Susan J. Barnes as a “surprisingly well preserved” autograph work by Van Dyck, according to Sotheby’s.
He died in August 2021 at the age of 89.
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As housing drives wealth and policy debate, the real risk is an economy hooked on growth without productivity to sustain it.
As housing drives wealth and policy debate, the real risk is an economy hooked on growth without productivity to sustain it.
For decades, Australia has leaned into its reputation as the lucky country. But luck, as it turns out, is not an economic strategy.
What once looked like resilience now appears increasingly fragile. Beneath the surface of rising property values and steady headline growth, the Australian economy is showing signs of strain that can no longer be ignored.
Recent data paints a sobering picture. Australia has recorded one of the largest declines in real household disposable income per capita among advanced economies.
Wages have failed to keep pace with inflation, meaning many Australians are working harder for less. On a per capita basis, income growth has stalled and, at times, reversed.
And yet, on paper, things still look relatively solid. GDP is growing. Unemployment remains low. But that growth is increasingly being driven by population expansion rather than productivity.
More people are contributing to output, but not necessarily improving living standards.
That distinction matters.
For years, Australia’s economic success rested on a powerful combination: a once-in-a-generation mining boom, a credit-fuelled housing market, strong migration and a property sector that rarely faltered. Between 1991 and 2020, the country avoided recession entirely, building enormous wealth in the process.
But much of that wealth is tied to property. Around two-thirds of household wealth sits in real estate, inflated by leverage and sustained by demand. It has worked, until now.
The problem is the supply side of the economy has not kept up.
Housing supply is falling behind population growth. Rental vacancies are near record lows.
Construction firms are collapsing at an elevated rate. At the same time, massive infrastructure pipelines are competing with residential projects for labour and materials, pushing costs higher and delaying delivery.
The result is a system under pressure from all angles.
Despite near full employment, productivity growth has stagnated for years. In simple terms, Australians are putting in more hours without generating more output per hour. The economy is running faster, butgoing nowhere.
Meanwhile, government spending continues to expand. Public debt is approaching $1 trillion, with spending now accounting for a record share of GDP.
The gap between spending and revenue has been filled by borrowing for decades, adding further pressure to an already stretched system.
This is where the uncomfortable question emerges.
Has Australia become too reliant on a model driven by rising property values, expanding credit and population growth?
As asset prices rise, households feel wealthier and borrow more. Banks lend more. Governments collect more revenue. Migration fuels demand. The cycle reinforces itself.
But when productivity stalls and debt outpaces real income, the system begins to depend on constant expansion just to stay stable.
It is not a collapse scenario. But it is not particularly stable either.
Nowhere is this more evident than in housing.
The National Housing Accord targets 1.2 million new homes over five years, yet current completion rates are well below that pace. With approvals falling and construction costs rising, the gap between supply and demand is widening, not narrowing.
Housing is also one of the largest contributors to inflation, with costs rising sharply across rents, construction and utilities. Yet the private sector, from small investors to major developers, is struggling to make projects stack up in the current environment.
This brings the policy debate into sharper focus.
Tax settings such as negative gearing and capital gains concessions have undoubtedly boosted demand over the past two decades. But they have also supported supply. Removing them may ease prices briefly, but risks deepening the supply shortage over time.
That is the paradox.
Policies designed to make housing more affordable can, in practice, make the shortage worse if they discourage development. The optics may appeal, but the economics are far less forgiving.
It is also worth remembering that most property investors are not institutional players. The majority own just one investment property. They are, in many cases, ordinary Australians using real estate as their primary wealth-building tool.
Undermining that system without replacing it with a viable alternative risks unintended consequences, from reduced supply to higher rents and increased inflation.
So where does that leave Australia?
At a crossroads.
The country can continue to rely on population growth and rising asset prices to drive economic activity. Or it can shift towards a model built on productivity, innovation and sustainable growth.
The latter is harder. It requires structural reform, long-term thinking and political discipline.
But it is also the only path that leads to genuine, lasting prosperity.
The question is no longer whether Australia has been lucky.
It is whether it can evolve before that luck runs out.
Paul Miron is the Co-Founder & Fund Manager of Msquared Capital.
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