Swapping Your Home for a Vacation? What You Need to Know
It pays to do logistical research before taking this leap of faith for your travels
4 min
Would you let a stranger vacation in your home if you got free lodging in return?
A free stay in someone else’s home, long a budget-friendly way to travel, has become more appealing as costs rise and travelers seek out local vibes.
Home-swapping platform People Like Us has more than 10,300 homes listed on its site. Chief Executive Drew Seitam says, by the end of June, members had completed or arranged for 30% more swaps than in all of 2023. Another platform, HomeExchange, has more than 175,000 members, a number it says has grown 17% this year.
Home-swap platforms like these charge annual membership fees north of $100. Swaps also happen more informally in Facebook groups and between friends. Travellers can do a simultaneous swap, where they travel during the same dates, but can also plan to host each other at different times.
While home exchanges can save travellers thousands on lodging, they aren’t for everyone. Home swappers give the following tips to consider before listing your home.
Get a read on the situation
The person you are swapping with shouldn’t feel like a stranger by the time you arrive, home exchangers say.
Barbara Osterwisch , 66 years old, and her husband, both retirees, have swapped their home in Houston and their cabin in Texas’ Hill Country for stays in the Netherlands, France, Canada, Austria and California. They video chat with potential matches to establish rapport, and to give tours of their homes. Many exchangers begin planning their swaps months, if not years, in advance. This gives ample time for getting to know one another, Osterwisch says.
Apprehensive travellers should consider a swap within a few hours’ drive as a trial run, rather than jumping into an exchange in another country, she says.
Home swaps aren’t for tourists who like everything just so, travelers say. Unlike a short-term rental, home swaps are more likely to be people’s primary residences. People leave clothes in the closets, tools in the garage and photos on the walls. Living in someone’s home is part of the charm, but it isn’t the same as staying in a hotel with a front desk and staff to fix issues that arise.
Using a platform can ensure some safety and quality guarantees, swappers say. Some companies, such as Kindred, a members-only platform, offer 24/7 text support for problems.
Osterwisch says she and her husband have stayed in touch with the families they swapped with and now have connections all over the world.
Check your insurance policy
Some travelers use membership-based services to provide supplemental insurance or support if things go wrong.
Oleg Pynda is a 31-year-old New York City tech worker who has swapped with travellers from France. He says, based on his experience, U.S. travellers tend to worry more about strangers staying in their homes and damaging their belongings. Most of the initial messages he gets from U.S.-based travellers emphasise their trustworthiness, while European travelers focus on the quality of the home they are offering to exchange.
Pynda says he is comfortable with people staying in his apartment for a short time, so he doesn’t feel compelled to sign up for services that provide extra insurance for members. The people he swaps with end up becoming familiar to him and don’t feel like complete strangers.
He says his lease prohibits situations with a monetary exchange, such as a short-term rental or sublet, but not home exchanges.
Homeowners and renters-insurance policies might limit the number of days a guest can stay in your home during a swap, says Janet Ruiz of the Insurance Information Institute. They might also limit compensation for damage done to hosts’ and visitors’ possessions while people are in your home.
“People don’t want to tell their insurance agents what they are doing,” she says. Having a conversation with the agent before anything happens can help you make informed choices about coverage, she adds, including whether to buy a supplemental policy for vacation-rental coverage.
Travelers should also ensure the home they are staying in has coverage. And renters ought to check their leases before entering into a swap.
Some swappers let travellers borrow their cars. Ruiz recommends first asking the person you’re exchanging with about their driver’s licenses and insurance coverage.
Shawn and Bill Personke , from Michigan, had a potential swap fall through because the other family wanted to use their car. They had promised it to someone else while they were away.
Some travelers say they lock valuables in one room of the house or put them in the trunks of their cars and take the keys with them. Problems can arise, but none of the travellers interviewed had any horror stories to share.
“My only regret regarding home exchanging is not figuring it out sooner,” Osterwisch says.
Travel somewhere new
Marina Wanders , a photographer, lives in a suburb of Austin, Texas. She floated the idea of a summer house swap in a Facebook group. A Dallas woman, whose home has a backyard swimming pool and a shower with a chandelier in it, responded and said she was game. Wanders says Dallas isn’t her ideal vacation destination, but as a 29-year-old single mom of two, she looks for affordable travel alternatives.
“I’m like a middle-class American single mom and make enough to pay my bills and buy $40 shampoo, but I do not have a chandelier in my shower,” Wanders says.
She decided to go for the swap because she can give her sons a memorable vacation in a beautiful home while saving thousands on lodging. The Dallas family will stay in her home during the same dates.
Travelers with flexible dates and locations will have more options. The Personkes once scored a swap in Angers, France, on their preferred dates.
People who live in major cities have more luck requesting specific dates because their locations are in demand, but travelers like the Personkes, who live in a small city outside of Detroit, often need to work harder marketing their homes and communities. The Personkes’ swappers have experienced their town’s local parade and nearby nature trails.
The retirees have swapped as part of People Like Us and HomeLink. They also use the People Like Us Facebook group to speak with other travellers, get advice and suss out exchanges.
They say they love living like locals, getting baguettes from vending machines in remote French towns and joining neighbours for dinner.
“Sometimes we are the first Americans people are ever going to meet, and I want to make a good impression,” Shawn says.
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All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.
4 min
For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.
The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.
“I am a true believer in collecting versus decorating,” Freeman says.
That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.
Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.
The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.
“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”
Collecting instead of decorating
Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.
Collecting is less conclusive.
A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.
That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.
A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.
The tension between those elements is part of the appeal.
For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.
Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.
A design perspective shaped by travel
International travel plays a significant role in Freeman’s creative process.
Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.
More spontaneous discoveries can prove equally important.
“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”
Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.
Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.
A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.
The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.
Designing the complete experience
FREEMAN & CO extends beyond conventional interior decoration.
The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.
That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.
Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.
The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.
Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.
The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.
A home that can keep changing
The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.
Freeman sees the home as something that should evolve with its owners.
“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”
That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.
The original design needs to be strong enough to accommodate those layers.
This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.
Fact box
- Designer: Jack Freeman
- Role: Founder and managing director
- Practice: FREEMAN & CO
- Base: Australia, with international projects
- Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean
- Sectors: Private residences, hotels, residential developments, private aviation and superyachts
- Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation
- Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials
- Website: free-man.co
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