5 New Wallpapers That Will Take Your Room Back To Nature
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5 New Wallpapers That Will Take Your Room Back To Nature

Interior designer Michael S. Smith has created a series of new wallpapers for de Gournay.

By Megan Conway
Mon, Aug 30, 2021 11:12amGrey Clock 4 min

According to interior designer Michael S. Smith, certain elements involved in decorating have the feel of magic. Among them he counts wallpaper, with its ability to lend flat surfaces the illusion of depth. A new collection of five wallpapers of Smith’s own design launches this season in collaboration with de Gournay, a British company that specializes in custom, hand-painted panels. “It’s all ideas I’ve been carrying around in my head, things I’ve wanted to use for a long time,” says the Los Angeles–based Smith, who is best known for redecorating the Oval Office and White House residential quarters for the Obamas. “To put them all together as an arsenal or box of crayons is amazing.”

The Braganza pattern installed by design dealer Jermaine Gallacher in his London design showroom. PHOTO: MIGUEL FLORES-VIANNA

“Michael is one of our most longstanding clients,” says Hannah Cecil Gurney, de Gournay’s director, whose father, Claud Cecil Gurney, founded the company in the mid-1980s. “He came to us and said, Look, if I’m wanting this particular kind of look and feel for wall coverings that I can’t currently find, then it would be silly not to offer them to the world.”Each of the wallpapers in Smith’s series draws inspiration from the natural world, be it the softly coloured stone of Istanbul’s Hagia Sophia or the bird-filled trees on the tiled murals at Lisbon’s Palácio dos Marqueses de Fronteira. Smith took the idea for Botanical Studies from 18th-century Swedish botanist Carl Linnaeus’s studio, which was hung with prints and engravings of heliotrope, gardenia and other flora.

Antique dealer Edward Hurst’s use of Botanical Studies at a client’s home. PHOTO: MIGUEL FLORES-VIANNA

In the spirit of Smith’s polished eclecticism, de Gournay invited five decorators, makers and curators from varied backgrounds to each use one of the wallpapers in the context of their own work. The English antique dealer Edward Hurst chose Botanical Studies for the bedroom of a client’s Dorset manor house, pairing the panels with a Chinese black-and-gold lacquer cabinet set on a Chippendale-period stand and a neoclassical George III canopy bed. “It sort of vibrates in the room,” says Hurst of the paper.

The new de Gournay wallpaper Pantheon in artist and curator Peter Ting’s home. PHOTO: MIGUEL FLORES-VIANNA

Ceramic artist Peter Ting, co-founder of Ting-Ying gallery, hung Pantheon, an intricate design that recalls natural stone, at home, alongside his collection of artworks and porcelain. He immediately noticed the paper’s partial glazing, “as if it has been polished by centuries of touching, like real marble would in a powerful and spiritual place like the Pantheon.”

British-born Ghanaian furniture designer Kusheda Mensah used Uki Hana, a wallpaper inspired by the chrysanthemums of Edo-period Japanese artworks, to create an immersive environment within a London creative space. Mensah set the wallpaper against her own curvilinear, modular furniture. The panels are gilded with a golden-brown copper leaf at the bottom that gives way to a lighter aluminium leaf toward the top, mimicking the soft, tarnished gleam of 17th-century Japanese folding screens. Mensah says she was surprised by de Gournay’s level of customization: “One of the designers just got out her paintbrush and literally started drawing flowers onto the wallpaper to expand the pattern and print.”

Designer Kusheda Mensah’s furniture, which she placed in front of the Uki Hana motif. PHOTO: MIGUEL FLORES-VIANNA

“They’re game for anything as long as it’s grounded in fundamental quality,” says Smith of de Gournay, which gives clients the opportunity to collaborate with its team of in-house designers and painters. “I felt entirely included in the creative process,” says Amanda Brooks, who used Nordic Garden, Smith’s interpretation of a rococo-era Swedish wallpaper, to decorate a temporary retail space next door to her Oxfordshire home-goods shop, Cutter Brooks. “We changed the colour of a couple of birds and some berries, moved motifs from one panel to another and altered the deep teal colour to better match my shop merchandise,” she says. British design dealer Jermaine Gallacher, meanwhile, took Braganza, a wallpaper that references porcelain tile, off the wall. He suspended the paper on movable panels in his London showroom, its tile-like grid acting as a backdrop for sets of his own creation.

Smith says seeing the diversity of responses to his designs was inspiring. He partly credits de Gournay’s success with a broad resurgence of interest in wallpaper. “After years of a kind of minimalist thing,” he says, “people are realising how pattern and colour can make a room so much more beautiful.”

Reprinted by permission of WSJ. Magazine. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: August 29, 2021



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Leaders in Australia’s property industry are calling on the RBA to hit the pause button on further interest rate rises following yesterday’s announcement to raise the cash rate to 4.1 percent.

CEO of the REINSW, Tim McKibbin, said it was time to let the 12 interest rate rises since May last year take effect.

“The REINSW would like to see the RBA hit pause and allow the 12 rate rises to date work their way through the economy. Property prices have rebounded because of supply and demand. I think that will continue with the rate rise,” said Mr McKibbin.  

The Real Estate Institute of Australia  today released its Housing Affordability Report for the March 2023 quarter which showed that in NSW, the proportion of family income required to meet the average loan repayments has risen to 55 percent, up from 44.5 percent a year ago.

Chief economist at Ray White, Nerida Conisbee, said while this latest increase would probably not push Australia into a recession, it had major implications for the housing market and the needs of ordinary Australians.

“As more countries head into recession, at this point, it does look like the RBA’s “narrow path” will get us through while taming inflation,” she said. 

“In the meantime however, it is creating a headache for renters, buyers and new housing supply that is going to take many years to resolve. 

“And every interest rate rise is extending that pain.”

In a speech to guests at Morgan Stanley’s Australia Summit released today, Governor Philip Lowe addressed the RBA board’s ‘narrow path’ approach, navigating continued economic growth while pushing inflation from its current level of 6.8 percent down to a more acceptable level of 2 to 3 percent.

“It is still possible to navigate this path and our ambition is to do so,” Mr Lowe said. “But it is a narrow path and likely to be a bumpy one, with risks on both sides.”

However, he said the alternative is persistent high inflation, which would do the national economy more damage in the longer term.

“If inflation stays high for too long, it will become ingrained in people’s expectations and high inflation will then be self-perpetuating,” he said. “As the historical experiences shows, the inevitable result of this would be even higher interest rates and, at some point, a larger increase in unemployment to get rid of the ingrained inflation. 

“The Board’s priority is to do what it can to avoid this.”

While acknowledging that another rate rise would adversely affect many households, Mr Lowe said it was unavoidable if inflation was to be tamed.

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“But this short-term gain would have been at a much higher medium-term cost. If we had not tightened monetary policy, the cost of living would be higher for longer. This would hurt all Australians and the functioning of our economy and would ultimately require even higher interest rates to bring inflation back down. 

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