Moving Back Home Used to Be a Sign of Failure. Now It Shows Financial Savvy.
Kanebridge News
Share Button

Moving Back Home Used to Be a Sign of Failure. Now It Shows Financial Savvy.

Nearly half of American adults under 30, pinched by the high cost of housing, are living with a parent. It can be an adjustment for both.

By REBECCA PICCIOTTO & NICHOLAS G. MILLER
Mon, Jul 6, 2026 4:05pmGrey Clock 5 min

Samantha Stobo was fresh off a breakup and unable to afford her Manhattan two-bedroom alone. So the 29-year-old decided to move in with her mom in Miami until she could get back on her feet. She told herself it would only take a few months.

Now 33-years old, Stobo has no plans to move out.

“I thought it was going to be temporary,” Stobo said. “But it’s been three years now, and I love it.”

Living at home as a 20-something was once viewed as a failure to launch and even a source of embarrassment in a culture that places a premium on independence. That is no longer the case. Living at home is now often viewed as a sign of financial prudence, and for some, a long-term prospect.

Chronically high living costs are helping reshape the milestones of early adulthood in America. The national median home price hovers above $400,000. Rents are at record highs in cities across the U.S., and many recent college graduates are saddled with tens of thousands of dollars in student debt.

Even though some of these young adults pay their folks rent, it tends to be well below the cost of living on their own.

“Everything is just out of reach,” said 28-year-old Megan Talley, who lives at home with her mom in the Atlanta suburbs. If a young person wants to live alone, “you could do it, but you would be dead broke at the end of the month.”

Last year, 49% of adults under age 30 said they lived with a parent, up 12 percentage points from 2019, according to the Federal Reserve’s latest Survey of Household Economics and Decisionmaking. Nearly a third of those adults were 25 or older.

Some economists put that figure lower and note that the Fed study doesn’t distinguish between children living in their parents’ homes versus parents living in their children’s homes.

Still, young people say that living at home in 2026 doesn’t carry the stigma it once did because of how unaffordable life has become. About 55% of young adults who moved back home said it was out of financial necessity, according to a spring survey by financial services firm Thrivent.

So many parents and adult children are living together now that it is beginning to transform aspects of American society—from when members of the younger generation start a family to the way builders think about designing homes.

Far from hiding it, some now broadcast their lives as “stay-at-home daughters” or “stay-at-home sons” on social media. Stobo says posting about her mother-daughter living situation on TikTok has earned her a friendly comment section filled with others in the same position—and makes her some money.

“No one ever judges me,” she said. “The conversation tends to be more like, ‘That’s awesome, and I bet you’re saving money.’”

Casey Wright, 28-years-old, moved back home to Oxford, Mich., three years ago after being laid off from two consecutive jobs. She redecorated her childhood bedroom to match her adult aesthetic, tearing down her Twilight posters and choir awards and hanging a floral tapestry and framed landscapes.

She and her parents have come to an agreement on living together as adults. She no longer has a curfew, for instance. But before she goes out, Wright’s parents require her to tell them where she’s going and what time she expects to be back.

The Wrights have dinner together every night and go golfing or walking together a few times a month. Casey still hangs out in her parents’ room occasionally to talk about movies with her dad or to gossip with her mom.

She just doesn’t spend time with her parents quite as often as she did when she was a child and is more often in her room playing videogames or reading. “It’s not as much as when I was younger, because I feel like there’s almost that separation that’s needed as an adult,” she said. “You’re not just living in your childhood home as a child.”

Multigenerational living has long been more of a norm among Hispanic, Asian and Black households, along with immigrant families.

During the pandemic, a broader swath of 20-somethings returned home. It was supposed to be short-term; then came record inflation and double-digit rent increases.

By July 2020, 52% of young Americans age 18 to 29 lived with at least one parent, according to a Pew Research Center analysis of census data. It was the first time a majority of young adults in the country had lived with parents since the Great Depression. That share has likely dropped since then, but for some people the arrangements have stuck.

Living with parents became a “dominant living arrangement in America for people in this age group,” said Laurence Steinberg, a Temple University psychology professor who recently wrote the book “You and Your Adult Child.”

States such as California and New York have loosened regulations around building accessory dwelling units in recent years. Once nicknamed “granny flats,” ADUs are now used to house budget-squeezed adult children.

Villa Homes, a California home builder, is used to this kind of customer. The firm is seeing more families add detached ADUs for their grown children or other relatives, to live in for a few years and save money for a starter home.

Carmen Johnson, 33, has loved living with her parents in the Detroit metro area since the start of Covid. She doesn’t pay rent, splits grocery bills with her family and invests those savings in her music career and toward a future home. It beats barely making ends meet in her old Los Angeles apartment.

“Covid flipped the script,” Johnson said. “It’s a blessing in disguise.”

She isn’t ashamed of living at home, and doesn’t judge other people for it either. But she wouldn’t necessarily reveal it to a first date unless asked directly.

Bringing home a date also requires a bit of mental calculus.

“It’s like, ‘OK, is my dad going to be in the living room watching TV?’” Johnson said.

Sometimes, that kind of strategizing goes both ways. Jessica Suzio, a 52-year old widow in Michigan, has tried to get back into the dating scene in recent years. But with her two sons living at home, both in their mid-20s, bringing back a new boyfriend is uncomfortable for all involved, she said.

Suzio is happy to have her sons at home, and they help with household expenses by paying her some rent.

“When they were younger, I was daydreaming about the days that I would be an empty-nester,” she said. “But I’ve grown to really appreciate them sticking around.”

Kevin Grolig, a 59-year-old real-estate agent in the D.C. metro area, started noticing that his clients were delaying downsizing their homes because their adult children were still living there. So he came up with a “four-step plan” to get grown children out of the house. The most important: agree on a move-out timeline before the child even steps back in the door.

Casey Wright in Michigan doesn’t pay rent, but her father, Craig, said she has been a big help around the house. She does much of the grocery shopping, helps with the cooking and has learned to use the riding lawn mower, manicuring the yard when Craig is busy.

About five times a day, she says, her mom knocks on her door, often to ask for help with technology.

“If I had the ability to, I would move out tomorrow,” Wright said. Nothing against her parents, “I would just love to have the freedom to do what they were doing at my age.”

Wright’s father wishes the same for his daughter. He and his wife expected to have an empty nest by now.

But he realizes that the housing market is different today than when he was in his 30s in the 1980s and bought a three-bedroom home for $70,000, less than a fifth of today’s median home price. He estimates his salary back then was about $35,000.

Some of Craig’s friends also have adult children living at home. “It’s kind of normal,” he said.



MOST POPULAR

For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.

All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation

Related Stories
Property
Inside Jack Freeman’s world of quiet, collected luxury
By Partner Post 07/09/2026
Property
Central Element Breaks Ground On $150 Million Pearl Bondi
By Ruba Jaajaa 07/09/2026
NSW
Exclusive: $35 million Gordons Bay House to Reset Coogee House Price Record
By Ruba Jaajaa 06/09/2026
Inside Jack Freeman’s world of quiet, collected luxury

Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.

By Partner Post
Mon, Sep 7, 2026 4 min

For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.

The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.

“I am a true believer in collecting versus decorating,” Freeman says.

That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.

Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.

The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.

“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”

Collecting instead of decorating 

Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.

Collecting is less conclusive.

A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.

That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.

A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.

The tension between those elements is part of the appeal.

For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.

Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.

Park Residences Penthouse, Cremorne

A design perspective shaped by travel 

International travel plays a significant role in Freeman’s creative process.

Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.

More spontaneous discoveries can prove equally important.

“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”

Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.

Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.

A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.

The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.

Designing the complete experience 

FREEMAN & CO extends beyond conventional interior decoration.

The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.

That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.

Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.

The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.

Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.

The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.

Park Residences Penthouse, Cremorne

A home that can keep changing 

The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.

Freeman sees the home as something that should evolve with its owners.

“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”

That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.

The original design needs to be strong enough to accommodate those layers.

This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.

Fact box 

  • Designer: Jack Freeman
  • Role: Founder and managing director
  • Practice: FREEMAN & CO
  • Base: Australia, with international projects
  • Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean
  • Sectors: Private residences, hotels, residential developments, private aviation and superyachts
  • Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation
  • Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials
MOST POPULAR

Following the successful launch of its Palais Collection, MAISON de SABRÉ has unveiled a new modular handbag system offering more than 720 styling combinations.

From citrus oils to warming spices, the classic G&T is being reimagined at home as a more thoughtful, seasonal ritual for modern entertaining.

Related Stories
Property
ABS building approvals June 2026: apartment approvals up 13%, Housing Accord shortfall widens
By Staff Writer 03/08/2026
Lifestyle
INSIDE ZENITH’S MOST TRANSPARENT CHRONOGRAPH YET 
By Staff Writer 13/07/2026
Money
Everything You Need to Know About the SpaceX Trading Debut
By CORRIE DRIEBUSCH 12/06/2026
0
Your Cart
Your cart is emptyReturn to Shop