Tokyo Hopes Rooftop Solar Mandate Will Help It Get Through Hot Summers
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Tokyo Hopes Rooftop Solar Mandate Will Help It Get Through Hot Summers

Like California, the Japanese capital wants the sun to power new homes, but some call policy ineffective and too reliant on China

By SYLVAN LEBRUN
Sat, Aug 19, 2023 7:30amGrey Clock 4 min

TOKYO—Heat waves this summer are pushing Tokyo’s power grid near the limit. The city of 14 million has mandated installing solar panels on new single-family homes to get some breathing room—even if it has to buy most of the panels from China.

The policy in one of the world’s largest metropolises is a test case for whether solar power makes sense on urban rooftops. The idea has long drawn attention as a way to fight global warming but has advanced relatively slowly worldwide, apart from a rooftop solar mandate in California pushed by Democratic Govs. Jerry Brown and Gavin Newsom.

“We need to prepare to protect not only our national security, but also the energy security of individual households,” Tokyo Gov. Yuriko Koike, the architect of the mandate, said in an interview.

Koike has had panels on her own house for a decade. As a government minister, she created a “Cool Biz” plan that led Japanese salarymen to ditch suits and ties in summertime so they could keep the thermostat higher.

In the Land of the Rising Sun, Koike said, “we unfortunately aren’t rich in oil and gas, but wouldn’t it be fitting if we could instead harness the sun?”

Proponents say more rooftop solar would help on hot summer days when electricity demand peaks, and make the city resilient if an earthquake or typhoon knocked out the power grid.

The downsides: More solar also means higher electricity bills, including for lower-income apartment dwellers, because homeowners with rooftop panels can sell their excess power to the grid at an above-market rate. Even with the mandate, solar power generated in Tokyo is projected to supply only 4% of the city’s electricity in 2030.

“We cannot have a sufficient amount of power generation just by having solar panels on limited rooftops,” said Tatsuya Terazawa, head of the government-affiliated Institute of Energy Economics, Japan.

Still, Koike said it is important to move toward carbon-neutral electricity and help Japan buy less Russian natural gas.

The city predicts that by 2050, half of Tokyo’s current structures will be replaced. “By targeting newly built houses, we can decide the future 50 years from now,” Koike said.

Tokyo’s mandate, released last December, will initially apply only to about 50 of the largest home builders in the city, which it says account for around three-fifths of new homes. Starting in April 2025, those builders will be given a quota that will in effect require them to put panels on most new homes, while allowing them leeway to forgo solar in cases where the roof is too small or lacks sunlight exposure.

“We want companies to make sure that wherever you can put them, you put as many as you can,” said city environmental official Toshifumi Fukuyasu.

Japan relies on imported natural gas and coal for most of its electricity, and Russia supplies about one-tenth of its natural gas. The power company serving the capital, Tokyo Electric Power, or Tepco, isn’t operating any nuclear plants currently after the meltdowns at its Fukushima Daiichi plant in 2011.

In March 2022, the city came dangerously close to running short of electricity on a cold day, and it faced another crunch months later during a heat wave.

Tepco has managed to keep the lights on this summer, despite weeks of sweltering weather in which the thermometer consistently topped 95 degrees. Still, it says it worries about electricity running short, and the city encourages people to keep their homes at 82 degrees.

Tokyo University professor Yumiko Iwafune, who studies energy demand, said that even if rooftop solar panels don’t generate much electricity overall, they still can help households become self-sufficient on summer days, lessening demand on Tepco.

Tokyo has drawn comparisons between its policy and California’s rooftop solar mandate, which took effect in 2020 and similarly applies to new low-rise residential buildings. The California Energy Commission estimates that 150,000 new homes covered by the law have been constructed with solar panels.

Newsom, the governor, said in May 2022 that rooftop solar is “an industry that is essential to our state’s future.” California expanded its mandate last year to encompass certain new commercial buildings.

But the state’s mandate is contentious even among advocates of renewable energy, some of whom say it would be cheaper to build large solar and wind installations.

James Bushnell, an economics professor at the University of California, Davis, said rooftop solar mandates tend to raise electricity bills for people who don’t have solar because grid operators often pay higher prices for home-generated electricity. “A large ‘benefit’ of solar is in fact a shift of costs onto other, often lower-income non-home owning customers,” Bushnell wrote in an email.

Another problem in Japan is its lack of domestically produced solar panels, although it was once a leader in the technology.

According to the International Energy Agency, China produces around 85% of the globe’s solar cells and 95% of key components needed to make them.

“We’ve realised we can’t win against China,” said a spokesman for the Japan Photovoltaic Energy Association, an industry group representing companies in the solar-energy business.

Unlike the U.S., Japan still permits the import of solar panels with materials sourced from China’s Xinjiang region, where the U.S. has alleged the Beijing government has carried out genocide against the Uyghur ethnic group. Beijing denies that.

“Most people aren’t very aware about the human-rights violations associated with solar panels. They think of it as a good thing because of the environment,” said Taishi Sugiyama, a research director at the Canon Institute for Global Studies, a Tokyo-based think tank. He said Tokyo should scrap its solar mandate.

Fukuyasu, the Tokyo city official, said he agreed Japan needed more suppliers of solar panels. “But in Tokyo, we need solar to create a zero-emission society, and we can’t postpone that,” he said.



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ART+ UNVEILS MAJOR ART ACTIVATION AT FORUM DOUBLE BAY

A new collaboration between ART+ and Forum Double Bay is bringing museum-quality artworks and a large-scale mural into the workplace.

By Jeni O'Dowd
Tue, Jun 2, 2026 2 min

One of Sydney’s newest premium workplace destinations has unveiled a major art activation designed to transform the traditional office experience.

Contemporary art curator ART+ has partnered with Forum Double Bay to deliver a curated art program throughout the recently opened workspace, anchored by a large-scale mural from Australian artist Vicki Lee in the building’s central atrium.

The collection also includes works by internationally recognised artists Sebastian Magnani, Alan Walsh, Terry O’Neill, Tyler Shields and Alexander Calder, creating what the partners describe as an art-infused environment that integrates culture into the everyday workplace experience.

Rather than treating art as a decorative addition, the program has been designed to form part of the building’s identity, creating moments of inspiration and engagement throughout the day for members and visitors alike.

ART+ founder Jay Lyon said the collaboration reflected a shared vision between the curator and developer to create workspaces that offer more than desks and meeting rooms.

“This is a unique moment to shape the way people experience workspace: not just as a place to work, but as a place to be inspired. Fortis and Art+ share that vision,” he said.

The activation comes as workplace design continues to evolve, with premium operators increasingly incorporating hospitality, wellness and cultural experiences into office environments as businesses seek to attract employees back into physical workspaces.

At Forum Double Bay, the result is a workplace that combines flexible office accommodation with a carefully curated aesthetic experience, positioning the development as a destination rather than simply a place to work.

Artist Vicki Lee said public art had the power to create an emotional connection with a space.

“What I want is for people to walk in and feel something; a connection, a surprise, a moment of beauty. That’s the power of public art,” she said.

Forum Double Bay recently opened at 377 New South Head Road and has been delivered under the development management expertise of Fortis. The project follows the success of Forum in Melbourne’s Cremorne and is operated by The Commons.

According to the release, all works within the building have been leased as part of the curated program, highlighting Fortis’ commitment to creating boutique workplace environments that blend design, hospitality and culture.

The collaboration also reflects the growing role art is playing within commercial real estate, where developers are increasingly using curated collections and commissioned works to create distinctive environments that foster creativity, community and a stronger sense of place.

For ART+, which specialises in sourcing and commissioning contemporary artworks for luxury residential, commercial and hospitality projects, the Forum partnership represents another example of art being integrated into the fabric of a development from the outset rather than being added after completion.

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