Amid Mounting Legal Woes, Alec Baldwin Cuts Price on His Longtime Hamptons Home
The actor, who is now facing involuntary manslaughter charges over the fatal shooting on a movie set, just trimmed the price to $24.9 million
2 min
Actor Alec Baldwin dropped the price of his Hamptons estate by more than $4 million last week, just days before it was announced that he will be charged with involuntary manslaughter for the fatal shooting of cinematographer Halyna Hutchins on the set of the movie “Rust.”
On Thursday, prosecutors in New Mexico announced that Mr. Baldwin, a producer and lead actor in the Western film, will be charged with two counts of involuntary manslaughter. He was handling the gun that discharged, killing Hutchins and wounding the movie’s director, Joel Souza, on Oct. 21, 2021.
Mr. Baldwin’s multi-acre compound in Amagansett first hit the market in November with a $29 million sticker price. Last week, the ask was trimmed to $24.9 million.
At the centre of the estate is a more than 10,000-square-foot modern farmhouse. “Every detail of this impeccable two-story cedar shingle retreat has been curated to maximise indoor/outdoor space and utilise natural light throughout the year,” said the listing with Scott Bradley of Saunders & Associates.
The four-bedroom home boasts features including an eat-in kitchen, a movie theatre, a wine tasting room and a wood-panelled library. Plus there’s covered porches and two balconies that overlook the surrounding nature reserve.
Outside, a custom pavilion with a fieldstone fireplace is joined by a gunite pool and spa, as well as a fenced vegetable garden.
“This is a once in a lifetime opportunity to own an iconic 10-acre Amagansett estate,” Mr. Bradley told Mansion Global over email. And for potential buyers in need of a little more space, they “have the right to build another home, creating an uncompromising multi-home compound which is unheard of anywhere in the Hamptons today.”
Mr. Baldwin, 64, has called the pastoral spread home since 1996, when he purchased it for $1.75 million, listing records show.
In addition to charges against Mr. Baldwin, Hannah Gutierrez-Reed, the film’s armorer, will also be charged with two counts of involuntary manslaughter. Like Mr. Baldwin, she denies any wrongdoing in the incident.
Dave Halls, the assistant director who handed Mr. Baldwin the gun, signed a plea agreement “for the charge of negligent use of a deadly weapon,” the district attorney’s office said Thursday.
“This decision distorts Halyna Hutchins’s tragic death and represents a terrible miscarriage of justice. Mr. Baldwin had no reason to believe there was a live bullet in the gun—or anywhere on the movie set,” Luke Nikas, a lawyer for Mr. Baldwin, said in a statement. “He relied on the professionals with whom he worked, who assured him the gun did not have live rounds. We will fight these charges, and we will win.”
The Emmy award-winning Mr. Baldwin, who couldn’t immediately be reached for comment, is best known for his role in films like “The Hunt for Red October” and “The Departed.” His TV resume includes a starring role in the sitcom “30 Rock” and most recently he regularly portrayed Donald Trump on “Saturday Night Live.”
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Consumers are going to gravitate toward applications powered by the buzzy new technology, analyst Michael Wolf predicts
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
A new AI-driven account by leading landscape architect Jon Hazelwood pushes the boundaries on the role of ‘complex nature’ in the future of our cities
2 min
Drifts of ground cover plants and wildflowers along the steps of the Sydney Opera House, traffic obscured by meadow-like planting and kangaroos pausing on city streets.
This is the way our cities could be, as imagined by landscape architect Jon Hazelwood, principal at multi-disciplinary architectural firm Hassell. He has been exploring the possibilities of rewilding urban spaces using AI for his Instagram account, Naturopolis_ai with visually arresting outcomes.
“It took me a few weeks to get interesting results,” he said. “I really like the ephemeral nature of the images — you will never see it again and none of those plants are real.
“The AI engine makes an approximation of a grevillea.”
Hazelwood chose some of the most iconic locations in Australia, including the Sydney Opera House and the Harbour Bridge, as well as international cities such as Paris and London, to demonstrate the impact of untamed green spaces on streetscapes, plazas and public space.
He said he hopes to provoke a conversation about the artificial separation between our cities and the broader environment, exploring ways to break down the barriers and promote biodiversity.
“A lot of the planning (for public spaces) is very limited,” Hazelwood said. “There are 110,000 species of plants in Australia and we probably use about 12 in our (public) planting schemes.
“Often it’s for practical reasons because they’re tough and drought tolerant — but it’s not the whole story.”
Hazelwood pointed to the work of UK landscape architect Prof Nigel Dunnett, who has championed wild garden design in urban spaces. He has drawn interest in recent years for his work transforming the brutalist apartment block at the Barbican in London into a meadow-like environment with diverse plantings of grasses and perennials.
Hazelwood said it is this kind of ‘complex nature’ that is required for cities to thrive into the future, but it can be hard to convince planners and developers of the benefits.
“We have been doing a lot of work on how we get complex nature because complexity of species drives biodiversity,” he said.
“But when we try to propose the space the questions are: how are we going to maintain it? Where is the lawn?
“A lot of our work is demonstrating you can get those things and still provide a complex environment.”
At the moment, Hassell together with the University of Melbourne is trialling options at the Hills Showground Metro Station in Sydney, where the remaining ground level planting has been replaced with more than 100 different species of plants and flowers to encourage diversity without the need for regular maintenance. But more needs to be done, Hazelwood said.
“It needs bottom-up change,” he said. ““There is work being done at government level around nature positive cities, but equally there needs to be changes in the range of plants that nurseries grow, and in the way our city landscapes are maintained and managed.”
And there’s no AI option for that.
Consumers are going to gravitate toward applications powered by the buzzy new technology, analyst Michael Wolf predicts
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
