Hollywood Hills Home Built for MGM Co-Founder Samuel Goldwyn Selling for Nearly $4 Million
It was the first of three Los Angeles estates the movie mogul built—the biggest of which is owned by Taylor Swift, who restored it and won landmark status
It was the first of three Los Angeles estates the movie mogul built—the biggest of which is owned by Taylor Swift, who restored it and won landmark status
Taylor Swift took on the role of preservationist when she bought and restored a Beverly Hills mansion built for movie mogul Samuel Goldwyn—and if she’s looking for a new project, another century-old Goldwyn estate just hit the market asking $3.495 million.
The 1916 Spanish-style villa was built for the Polish-born producer in the Hollywood foothills of Runyon Canyon, a little-known artist enclave with a rich legacy. It was a starter home for Goldwyn, who eventually bought two other properties in Los Angeles as part of the so-called Goldwyn trifecta, according to listing agent Ingrid Sacerio of the Agency, who listed the home last week.

The two other homes include an Italianate mansion built a couple blocks away by Los Angeles developer E.F. Fuller (it sold in 2022 for $6.4 million), and the grand Georgian Revival mansion in Beverly Hills that Swift bought in 2016 for $25 million before launching a campaign to have it officially landmarked . She still owns the home.
Should Swift (or anyone else) wish to flex their conservation muscles, the Hollywood property already boasts original architectural details, including the windows, interior doors and oak floors throughout. A triptych sculpture from the 1928 “Cleopatra” movie set and other artefacts and fountains dot the landscaped grounds.

Sacerio said it also has a lucky legacy: Soon after moving in, Goldwyn co-founded MGM and began producing acclaimed films of the 1930s and ’40s, including “Stella Dallas,” “Wuthering Heights,” and “Little Foxes,” and hit musicals such as “Guys and Dolls,” starring Marlon Brando and Frank Sinatra, and “Porgy and Bess.”
The neighbourhood “was a magnet for silent movie stars back in the day,” said seller Shel Pink, who is an artist, author of the self-care book “Slow Beauty” and the founder of beauty-product brand SpaRitual. She purchased the house in 2015 with musician Ran Pink. “One of the houses across the street was reputedly owned by one who had parties that lasted for days.”

Pink said the history of the neighbourhood was a significant draw. “Everyone knows about the music scene in Laurel Canyon but not about this little enclave in Runyon Canyon, which has attracted writers like Joan Didion, who rented here in the 1970s, and other creative types over the decades.”
She was also drawn to the house’s Old Hollywood history and its location on the hill. “We are slightly above but not so high that we have to drive down steep, winding roads, so it’s super accessible,” Pink said.
The 3,398-square-foot residence sits on a corner lot and features four bedrooms and three bathrooms. A separate studio with its own entrance is adjacent to the two-car garage at the rear of the property.

Upstairs, the primary bedroom now incorporates what was once a neighbouring sunroom with a vaulted ceiling and semi-circle, or half-sun, windows; a previous owner added a ceiling-mounted curtain that Pink says can be drawn to block out the morning sun or to keep the sleeping area cool during the day. Two more bedrooms (one en-suite) are on this level.
The fourth bedroom with a walk-in closet on the ground floor is currently used as a den. A designated office overlooks the dining room, which flows into a living room on one side and the kitchen on the other—all enclosed with expansive windows and glass doors, allowing light to flood the interior, Pink said.

A tall fence surrounds the entire property, which is further protected with double gates—a two-door pedestrian gate along the street and another leading into the porch outside the front door, both customised by the previous owner, Pink said.
The garage’s location at the rear of the property provides additional privacy. “No one ever sees anyone coming and going out of the front gate,” Sacerio said. Instead, they pull into the garage, walk across a pebbled area, up a few steps to a patio with a hot tub, and into the breakfast nook in the kitchen.

A landscaped brick pathway circumnavigates the perimeter of the property, crossing a patio with an outdoor fireplace and ending in steps leading down to a long, narrow pool.
“From the moment you enter the gardens and see the ivy walls, there’s a poetry and a wildness here—I like to say that we have our own mini forest that hugs the home and creates a serene oasis in the middle of an urban environment,” Pink said. “It feels like a secluded retreat. Everyone comments on the beautiful energy and sense of calm as soon as they step inside.”
Rising rates, construction inflation and shrinking investor confidence are pushing Australia deeper into a dangerous housing spiral that monetary policy alone cannot fix.
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Rising rates, construction inflation and shrinking investor confidence are pushing Australia deeper into a dangerous housing spiral that monetary policy alone cannot fix.
The Reserve Bank had little choice but to raise interest rates again this week.
Inflation was already proving stubborn before the latest Middle East instability added further pressure to energy prices and supply chains.
Housing inflation alone has averaged six per cent over the past year, remaining one of the single biggest contributors to CPI.
But while the focus remains on rates, the deeper problem is structural and far more dangerous.
Australia is not building enough homes, and the conditions required to fix that are deteriorating simultaneously.
Construction costs remain elevated. Builders are increasingly unwilling to absorb contract risk. Labour shortages persist.
Capital is becoming more expensive. And as borrowing capacity weakens and sentiment softens, fewer projects are becoming financially viable.
The result is a self-reinforcing cycle.
The RBA raises rates to fight inflation. Higher rates reduce development feasibility. Fewer projects start. Housing supply tightens further. Rents rise. Inflation persists. The RBA raises rates again.
The only long-term solution is supply, yet Australia remains nowhere near the National Housing Accord target of 240,000 new dwellings a year.
Completion continues to lag approvals, meaning many projects approved on paper are simply never making it out of the ground.
That gap matters enormously because housing is not just another sector of the economy.
Around two-thirds of Australian household wealth is tied to property, while the sector underpins millions of jobs and related industries. Weakness here quickly spreads beyond real estate.
We are already seeing signs of stress. Auction clearance rates in Sydney and Melbourne have softened, borrowing capacity has declined, and parts of the market are experiencing price corrections as confidence weakens.
At the same time, policymakers continue to debate tax measures such as changes to negative gearing and capital gains tax discounts, despite fears that such reforms could drive private capital out of the rental market at precisely the moment when supply is most constrained.
This is the paradox at the centre of Australia’s housing crisis.
Demand for property remains extraordinarily high, yet the economic conditions required to actually build new housing are worsening.
The Reserve Bank cannot solve that problem alone.
Monetary policy cannot accelerate planning approvals, reduce construction costs or create more tradies. It can only raise the cost of money until something eventually breaks.
And increasingly, that “something” looks like the development pipeline itself.
Paul Miron is the Co-Founder & Fund Manager of Msquared Capital.
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