Inside the $800,000 Experiment to Turn a Frank Lloyd Wright Into a Net-Zero Energy Home
A native New Yorker launched an ‘environmentally focused’ renovation to bring an architecturally significant Illinois home into the 21st century
A native New Yorker launched an ‘environmentally focused’ renovation to bring an architecturally significant Illinois home into the 21st century
“I was not planning to buy a Frank Lloyd Wright house,” says Samantha Lotti, who grew up in a Manhattan apartment, studied at the University of Chicago, and then spent five post-college years running her family’s farm in Tuscany. So in 2016, when she heard that the Oscar B. Balch House, one of more than two dozen Wright buildings in Oak Park, Ill., was for sale, she was only vaguely interested. But she did go look. And when she entered the main living space of the 1911 prairie-style house, which is named for its first owner, she says, “I fell in love.” Among the things that moved her were the size of the windows and the proportions of the rooms. The ceilings are low, “almost compressive,” she says, “which is intended to force you to engage with what’s outside the house. And, thanks to the windows, you feel like you’re outside when you’re inside.”
Within weeks, she was in contract to buy the house for $1,126,800, about 10% below asking, which, to a New Yorker, seemed like a bargain. The house had a lot going for it. It is part of a gracious neighbourhood of historic residences, including Wright’s own Home and Studio. And it was in excellent condition, thanks to its previous owner, Tim Pearson, an accountant and construction company executive, who between 1999 and 2016 restored much of the original building while adding a very large kitchen and great room to the back of it. That increased the house’s size to 4,400 square feet without altering its symmetrical front elevation. Though the house is closely watched by Wright enthusiasts, the only parts of it with legal protection are two spectacular Wright-designed glass light fixtures that Pearson deeded to the Frank Lloyd Wright Building Conservancy. Lotti, 39, jokes that she could gut the entire house as long as she didn’t touch the fixtures.
But she’s not about to gut anything. Every morning, Lotti says, “I wake up in a work of art.”
Though not a very energy-efficient work of art. Its 49 single-paned windows, many with bits of coloured glass in abstract patterns, provided little insulation. Nor was there much insulation in the walls and roof. During a “polar vortex” in 2019, Lotti, who practices Chinese medicine in Oak Park, ran the gas-fired boiler-and-radiator heating system at full blast, and still couldn’t get the indoor temperature above 55 degrees. Air conditioning the house in summer was equally difficult. “It was so expensive,” she says. “At night I’d turn it on only if it was 90-plus degrees.” Lotti was disturbed not just as a homeowner paying the utility bills, but also as an environmentalist. So she set out to make the Wright house green. She hoped it could even reach “net zero,” meaning it produced as much energy as it consumed. Like most users of the phrase net zero, she didn’t count, on the consumption side, the energy that went into building and renovating the house, known as embodied energy.
“It is extremely unusual to do a historic restoration that is so environmentally focused,” says Marsha Shyer, who chairs the homeowner committee of the Frank Lloyd Wright Building Conservancy. Owners of historic houses often simply live with inefficiency as the price of authenticity.
Getting to net-zero would mean tightening the building envelope to reduce the need for heating and air conditioning. She began with the roof, which not only leaked when it rained but was also far from airtight. Redoing it cost about $55,000, which, Lotti says, is more than she would have paid if she had hired an ordinary contractor. Instead, she chose one who specialises in historic preservation. “You always have to go up a level for Frank Lloyd Wright,” she says. That’s true even though the roof, which is flat, is visible only from above.
Next she had to insulate the space below the roof. That meant tearing out the original second-floor ceiling, which gave Lotti a chance to solve another problem: The flexible ductwork over the house’s bedrooms rattled when the air conditioning was on. Lotti decided to install new, rigid ductwork for both heating and cooling. Once the ductwork was in place, it was time to fill the remaining ceiling cavities with insulation. Until recently, blow-in insulation often contained HFCs (hydrofluorocarbons) that emitted greenhouse gases far more damaging to the environment than CO2. Instead, Lotti’s contractor used recently developed hydrofluoro olefin (HFO) spray foams, which are far less greenhouse gas-intensive.
Then it was time to restore the second floor ceilings, which had a sandy finish specified by Wright. To Lotti’s surprise, rebuilding the ceilings and giving them just the right texture cost about $50,000.
The other big contribution to making the house tighter was insulating its 49 single-pane windows. After speaking to contractors and preservationists about how to best achieve that, she decided to install interior storm windows. A carpenter spent months during the pandemic making pine-framed storm windows for a house where no two windows were precisely the same size (mostly due to settling). The storm windows are stunningly well-made; they are barely visible from inside or outside the house. Lotti spent $142,000 on those and other window and door restorations.
Then came the biggest job of all: replacing her gas-burning furnace and water heater with a geothermal system. That involved drilling six 450-foot holes in the front yard, running pipes into and out of the holes, then surrounding the pipes with charcoal, a good conductor of heat, bentonite, a kind of clay that expands as it dries, and sand. Water circulating through the pipes reaches a temperature of about 59 degrees. From there, just a bit of energy is needed to make it slightly hotter, for heating, or colder, for air conditioning. Digging the geothermal wells, running the pipes through them, and connecting those pipes to the forced-air system cost about $64,000, which was reduced by a 26% Illinois rebate. Lotti had to redo part of the basement floor ($29,000) to support the manifolds, which connect the geothermal wells to the house’s heating and cooling systems, as well as three big water-storage tanks, two bilge pumps, and other new equipment ($49,000). It cost $132,000 to add ductwork throughout the house—allowing for forced air heating and cooling. Electrical wiring for the system was another $26,000. Altogether, the heating and air conditioning improvements—from geothermal wells to ductwork—cost about $300,000.
Installing the geothermal system means Lotti no longer uses gas to heat the house, but it didn’t lower her electric bill. “It takes electricity to pump the water down 450 feet and back up 450 feet,” she says.
Lotti also took on several projects purely for aesthetic reasons, such as repainting the Greek key motif on the house’s exterior in its original grey colour. Another improvement was sybaritic: Lotti turned an enclosed porch on the back of the second floor into a sauna. Pearson had laid the groundwork for that and other nonessential projects.“ It’s because of him that I could do what I did,” Lotti says.
Before the renovation began, Lotti subjected the house to a blower door test, which measures the permeability of the building envelope. She performed another one almost three years later. The goal, she says, was to see if installing custom interior storm windows, insulating the second-floor ceilings and replacing the roof made the house tighter. It did, but not enough. “We failed,” says Lotti, “but we came much closer to passing than before.” The house still leaked like a sieve, mostly through the exterior walls. But the cost of insulating those walls, she says, was “prohibitive.” As a result, she says, “The house may never be net zero.”
Installing rooftop solar panels would have helped the house meet that goal. But she couldn’t have installed the solar panels while the roof and the ceiling (including the new ductwork) were being repaired. Once the ductwork was in place it made sense to complete the geothermal system. Then, when it was finally time to install the solar panels, workers had been in and out of the house nearly every day for three years. Lotti decided she needed a break.
She still hopes to install the solar panels, which, she believes, will cost about $27,000 before tax rebates. She expects utility bill savings would defray that cost over a period of years.
Altogether, Lotti spent about $800,000 on the house, a figure that includes engineering and site management fees and the cost of replacing a sewer line that broke when the geothermal wells were being dug.
So what had she accomplished? She had made the house all electric, with the exceptions of her two wood-burning fireplaces. An all-electric house has the potential to operate with almost no carbon emissions. It just takes a clean source of electricity, like the solar panels she hopes to install on the roof. Lotti also gained a lot of experience, which Shyer, herself the owner of a Frank Lloyd Wright house, has chronicled on the website of the Frank Lloyd Wright Building Conservancy, savewright.org. Says Shyer, “Samantha is using her house as a model for environmentally conscious historic preservation. It has certainly caught the attention of the Frank Lloyd Wright homeowner community.”
Lotti herself has chronicled her efforts in a series of highly informative Instagram posts. Looking back on the three years she dedicated to upgrading the house, she says, “We discovered what was possible, which is that the house could become significantly more energy efficient.” She adds, “Just like in medicine, we experiment. We come up with an idea that we think is going to be a solution, and then we discover that it isn’t. Humanity is all about trial and error. You don’t know unless you try.”
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A two-level penthouse atop Burleigh Heads’ award-winning Norfolk development has hit the market for the first time, offering sweeping ocean views and a private rooftop pool.
One of Burleigh Heads’ most architecturally significant penthouses has hit the market for the first time since its completion five years ago.
The listing provides the first real look inside the two-level penthouse crowning Norfolk, Forme’s award-winning Goodwin Terrace development which was completed in 2021.
The penthouse sold off the plan for $5.35 million around 18 months before construction was completed and has remained tightly held ever since, meaning its resale offers the first insight inside one of Burleigh’s most architecturally impressive apartment buildings.
The four-bedroom residence spans approximately 461 sqm, comprising 276 sqm of internal living and a further 185 sqm of outdoor space across its two levels.
Its position on Goodwin Terrace gives the penthouse one of the Gold Coast’s comparatively rare true north-to-water aspects, with views stretching from Burleigh Headland along the coastline towards the towers of Surfers Paradise. Floor-to-ceiling glazing has been used extensively throughout the residence, framing the ocean outlook from almost every principal living space.
Forme, led by Managing Director David Calvisi, acquired the prime 1,012 sqm site, formerly home to The Fish House restaurant, before developing Norfolk as the first new multi-residential project delivered on Goodwin Terrace in around three decades.
The strength of the location was clear. The more unusual proposition was the building itself.

Forme appointed Koichi Takada Architects to design the 10-level development, marking the practice’s first Gold Coast building. Rather than treating Norfolk’s beachfront setting as a backdrop, Takada used the Norfolk Island pines along the foreshore as the basis for the architecture.
Curved balcony slabs and horizontal battens create the building’s distinctive layered exterior. Sliding timber screens can be repositioned for privacy, shade and protection from the coastal conditions, continuously changing the appearance of the façade.

Takada has compared the concept to the structure of a pinecone, whose overlapping layers open and close according to environmental conditions. In an earlier account of the project, the architect said the objective was to celebrate the site and create a stronger connection between the residences and the elements outside.
The response helped turn Norfolk into an architectural marker for Burleigh’s transformation.
Norfolk comprises 12 half-floor apartments, two dual-level penthouses and one two-level beach house. MIM Design created the interiors, Hutchinson Builders undertook construction and Plus Architecture supplied documentation services for the builder.
Inside Residence 901, MIM Design’s restrained palette brings together timber, natural stone and tailored joinery without competing with the outlook. Travertine surfaces have subsequently received paint-protection film, while the home is being offered with a custom furniture package.
A private lift opens directly into the main living level. Living, dining and media spaces are arranged along the view, accompanied by a concealed bar and a broad north-eastern terrace.
The kitchen has an oversized stone island, European appliances and bespoke cabinetry, supported by a butler’s pantry and separate scullery. An integrated RTI system controls lighting, climate, fans, security, entertainment and audio using in-home touchscreens or a smartphone application.
The principal suite occupies a private wing with ocean views, a dressing room and ensuite. Two additional bedrooms have their own ensuites, while a fourth bedroom can operate as an executive study. A concealed Murphy bed allows that room to accommodate guests when required.
The rooftop is what moves the residence beyond even a generously proportioned beachfront apartment.
Reserved exclusively for the penthouse, it contains a heated lap pool, landscaped gardens, several entertaining areas and an alfresco kitchen with a built-in barbecue. An integrated outdoor cinema allows the rooftop to function as an open-air screening room above the Pacific.

Four side-by-side secure car spaces, dedicated electric-vehicle charging and private storage address practical constraints often encountered by prestige-apartment buyers. The parking allocation is particularly relevant for owners moving from a large house or maintaining a car collection.
Norfolk’s wider amenities include a beach-club-style residents’ area, swimming pool, gymnasium and sauna. Burleigh Beach is directly opposite, while James Street, Burleigh Head National Park and restaurants including Rick Shores and The Tropic are within walking distance.
The building’s reputation has also moved well beyond its beachfront address. Norfolk received both jury and popular-choice honours in the mid-rise multi-unit housing category at the 2022 Architizer A+Awards. It won a Queensland Australian Institute of Architects award for multiple housing and was named the 2022 Medium-Density Residential Development of the Year by The Urban Developer. Further recognition came from the Master Builders awards and Architecture MasterPrize.
Calvisi later said the aim with Norfolk was to produce something the Gold Coast had not previously seen.
The penthouse is being marketed through expressions of interest by Dean Pegoraro of Whitefox Gold Coast.
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