AI Will Evaluate Your Job Application. Do You Still Want to Apply?
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AI Will Evaluate Your Job Application. Do You Still Want to Apply?

A study suggests that the answer may depend on how artificial intelligence is used.

By Lisa Ward
Tue, Mar 8, 2022 11:02amGrey Clock 2 min

If job seekers knew companies were using artificial intelligence to fill open positions, would it stop them from applying for the job?

The answer, according to a recent study, is yes—sometimes.

The researchers found that in certain instances, like the screening of applications, study participants usually accepted some degree of automation. But in other instances, like interviews, the study suggests, automation could deter job seekers from applying for a position.

Companies contending with recent labor shortages are increasingly turning to AI as a way to facilitate and speed up the hiring process. AI can be used in such tasks as screening job applicants for basic qualifications, checking for professional credentials and licenses, evaluating video statements, interviewing candidates and conducting competency assessments.

The new research underscores when using AI in hiring could be counterproductive. For instance, in one part of the study participants were shown fictional job postings and then asked if they intended to apply for the position. The researchers found that if the job posting said AI was used to both screen applicants and conduct interviews, participants’ intention to apply to the position averaged 2.77 on a six-point scale, with 6 reflecting the highest intention to apply. If AI was used only for the screening process, participants’ intention to apply averaged 3.73.

In another experiment, the authors also found that study participants saw pros as well as cons in the use of AI in interviewing.

Participants who saw a job posting stating that AI was used to both screen applicants and conduct interviews expected the hiring process to be more consistent in its judgments than those who saw postings with less AI involvement, ranking the process at an average of 3.66 for consistency on a five-point scale, with 5 being most consistent. Participants where AI was to be used to screen applicants but not interview them ranked the process at 3.48 for consistency, and participants where the posting made no mention of automation ranked the process at 3.16 for consistency.

On the other hand, participants who were told the hiring would be fully automated tended to believe more than others that they had less agency or voice in the final outcome. Overall, the study results suggest this concern tends to outweigh the appreciation of AI’s lack of bias at the interviewing stage.

“A hybrid approach where companies use AI in some tasks but not others may be a way to get the best of both worlds,” says Jenny Wesche, a co-author of the study and a postdoctoral research fellow at the Free University of Berlin. Participants may have been more open to automation earlier in the hiring process because they had little expectation of direct interaction at that stage and could see some benefits from using AI—such as less-biased decisions and the avoidance of problems like nepotism, she says. But during the later stages, she suggests, applicants expect personal interaction, to give them an opportunity to sell themselves and to learn more about the company.

“AI is not inherently good or bad,” Dr. Wesche says. “It just very much depends on the context it’s used.”

Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: March 7, 2022.

 



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The personal wardrobe of the late fashion designer Vivienne Westwood, who is credited for introducing punk to fashion and further developing the style, is headed to auction in June.

Christie’s will hold the live sale in London on June 25, while some of the pieces will be available in an online auction from June 14-28, according to a news release from the auction house on Monday.

Andreas Kronthaler, Westwood’s husband and the creative director for her eponymous fashion company, selected the clothing, jewellery, and accessories for the sale, and the auction will benefit charitable organisations The Vivienne Foundation, Amnesty International, and Médecins Sans Frontières.

The more than 200 lots span four decades of Westwood’s fashion, dating to Autumn/Winter 1983-84, which was one of Westwood’s earliest collections. Titled “Witches,” the collection was inspired by witchcraft as well as Keith Haring’s “graphic code of magic symbols,” and the earliest piece being offered from it is a two-piece ensemble made of navy blue serge, according to the release.

“Vivienne Westwood’s sense of activism, art and style is embedded in each and every piece that she created,” said Adrian Hume-Sayer, the head of sale and director of Private & Iconic Collections at Christie’s.

A corset gown of taupe silk taffeta from “Dressed to Scale,” Autumn/Winter 1998-99, will also be included in the sale. The collection “referenced the fashions that were documented by the 18th century satirist James Gillray and were intended to attract as well as provoke thought and debate,” according to Christie’s.

Additionally, a dress with a blue and white striped blouse and a printed propaganda modesty panel and apron is a part of the wardrobe collection. The dress was a part of “Propaganda,” Autumn/Winter 2005-06, Westwood’s “most overtly political show” at the time. It referenced both her punk era and Aldous Huxley’s essay “Propaganda in a Democratic Society,” according to Christie’s.

The wardrobe collection will be publicly exhibited at Christie’s London from June 14-24.

“The pre-sale exhibition and auctions at Christie’s will celebrate her extraordinary vision with a selection of looks that mark significant moments not only in her career, but also in her personal life,” Hume-Sayer said. “This will be a unique opportunity for audiences to encounter both the public and the private world of the great Dame Vivienne Westwood and to raise funds for the causes in which she so ardently believed.”

Westwood died in December 2022 in London at the age of 81.

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