Director Baz Luhrmann To List Manhattan Townhouse
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Director Baz Luhrmann To List Manhattan Townhouse

The 19th-century property is Anglo-Italianate in style and is to fetch approx. $27 million.

By Katherine Clarke
Fri, Mar 4, 2022 11:47amGrey Clock 4 min

Australian writer and director Baz Luhrmann and his wife and creative partner Catherine Martin are listing their New York home, a 19th-century townhouse with a bold, colourful interior, for $27.2 million.

The 8.5-metre wide Gramercy area property dates to the 1850s and has views over Stuyvesant Square, one of the city’s oldest parks. Anglo-Italianate in style, the house has stately proportions, with four rows of round-arched windows, a panelled cornice and a patterned cast-iron balcony that runs the width of the house.

Mr. Luhrmann, director of films including “The Great Gatsby” and “Moulin Rouge,” and Ms. Martin, a costume designer and his frequent collaborator, purchased the property for their family for $13.5 million in 2017 and completed a multiyear renovation project. New Yorkers for over a decade, they had planned to live there full-time, but the pandemic threw a wrench in the works, keeping them on the Gold Coast of Australia, where they have been working on the biographical film “Elvis,” starring Tom Hanks, for the last two years, Ms. Martin said. Meanwhile, their two children have reached around college age and the couple is on the verge of becoming empty-nesters.

“We just thought, ‘This is ridiculous.’” Ms. Martin said of their decision to list the home. “The house has been empty for nearly three years. And somebody should be enjoying it. But it’s breaking our hearts.”

It isn’t the first time the couple, who have a passion for historic homes, have been reluctant to sell a piece of real estate even long after it was practical. They finally sold their Sydney home—an Italianate mansion dating to the late 1880s and listed on the State Heritage Register—roughly six years ago, after not living there for almost a decade. “We left it empty for almost 10 years, not having the heart to sell it,” Ms. Martin said. “But there’s also a time when you have to allow a space to have another life.”

The couple fell in love with the New York home five years ago after losing out in a bidding war on a previous house they rented on MacDougal Street downtown. Ms. Martin said they were awed by its generous proportions, the ceiling heights and the light that poured in from the park, as well as its outdoor space. It was close to the school their children were attending at the time and the proximity to Union Square was convenient for transit links around the city. Spanning roughly 8,500 square feet with six bedrooms, it had plenty of space for the four of them.

They completely redid the house in their own vivid aesthetic, filled with rich colours and crazy patterns. Ms. Martin said the goal was to take the essence of a Victorian house and adapt it for modern living.

A fan of contrasting different styles, colours and patterns, Ms. Martin, an Oscar winner for her work on “The Great Gatsby” and “Moulin Rouge,” transformed a shabby white entryway into a much more dramatic introduction to the house, with dark wood floors and walls and a red wine coloured runner. For the family room, she chose blood-red and emerald coloured furnishings and statement patterned wallpaper, one of many wallpapers in the home that she personally designed. An entertaining space known as the White Room is the polar opposite, with mostly white and beige furnishings and dramatic 16-foot ceilings. Ms. Martin said it was designed to be a more “adult” room for entertaining and cocktails.

The couple also bought out a tenant who had been living on the building’s top floor for more than 50 years, negotiating her move to another place in the neighbourhood. That floor was then transformed into Mr. Luhrmann’s creative space, where he wrote a lot of “Elvis” and hosted meetings and readings, Ms. Martin said.

The couple have incorporated pieces they held on to from their moviemaking adventures into the home. In Mr. Luhrmann’s study, there is a Hawaiian shirt that was worn by actor Leonardo DiCaprio in “Romeo + Juliet” and a top hat worn by the actress Nicole Kidman in “Moulin Rouge.” The property also includes a screening room.

There was more practical work, like fitting a new energy-efficient boiler and HVAC systems.

Ms. Martin said she and her husband will look for another property in New York that is geared toward empty-nesters, something they can easily lock and leave as they plan to travel more. She said they might be willing to sell some of the furniture, which she describes as having been chosen specifically to complement the space.

Listing agent Steve Gold of the Corcoran Group said the market for single-family mansions has been particularly active in Manhattan over the past year. There were 130 townhouse sales in Manhattan that closed for $5 million or more in 2021, a record high, according to the Corcoran Group’s research.


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Wild cities and concrete corridors: How AI is reimagining the landscape

A new AI-driven account by leading landscape architect Jon Hazelwood pushes the boundaries on the role of ‘complex nature’ in the future of our cities

By Robyn Willis
Wed, Dec 6, 2023 2 min

Drifts of ground cover plants and wildflowers along the steps of the Sydney Opera House, traffic obscured by meadow-like planting and kangaroos pausing on city streets.

This is the way our cities could be, as imagined by landscape architect Jon Hazelwood, principal at multi-disciplinary architectural firm Hassell. He has been exploring the possibilities of rewilding urban spaces using AI for his Instagram account, Naturopolis_ai with visually arresting outcomes.

“It took me a few weeks to get interesting results,” he said. “I really like the ephemeral nature of the images — you will never see it again and none of those plants are real. 

“The AI engine makes an approximation of a grevillea.”

Hazelwood chose some of the most iconic locations in Australia, including the Sydney Opera House and the Harbour Bridge, as well as international cities such as Paris and London, to demonstrate the impact of untamed green spaces on streetscapes, plazas and public space.

He said he hopes to provoke a conversation about the artificial separation between our cities and the broader environment, exploring ways to break down the barriers and promote biodiversity.

“A lot of the planning (for public spaces) is very limited,” Hazelwood said. “There are 110,000 species of plants in Australia and we probably use about 12 in our (public) planting schemes. 

“Often it’s for practical reasons because they’re tough and drought tolerant — but it’s not the whole story.”

Hazelwood pointed to the work of UK landscape architect Prof Nigel Dunnett, who has championed wild garden design in urban spaces. He has drawn interest in recent years for his work transforming the brutalist apartment block at the Barbican in London into a meadow-like environment with diverse plantings of grasses and perennials.

Hazelwood said it is this kind of ‘complex nature’ that is required for cities to thrive into the future, but it can be hard to convince planners and developers of the benefits.

“We have been doing a lot of work on how we get complex nature because complexity of species drives biodiversity,” he said. 

“But when we try to propose the space the questions are: how are we going to maintain it? Where is the lawn?

“A lot of our work is demonstrating you can get those things and still provide a complex environment.” 

At the moment, Hassell together with the University of Melbourne is trialling options at the Hills Showground Metro Station in Sydney, where the remaining ground level planting has been replaced with more than 100 different species of plants and flowers to encourage diversity without the need for regular maintenance. But more needs to be done, Hazelwood said.

“It needs bottom-up change,” he said. ““There is work being done at government level around nature positive cities, but equally there needs to be changes in the range of plants that nurseries grow, and in the way our city landscapes are maintained and managed.”

And there’s no AI option for that. 


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