Elon Musk Sells Gene Wilder’s Former Home Back To The Late Actor’s Family
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Elon Musk Sells Gene Wilder’s Former Home Back To The Late Actor’s Family

Mr. Musk sold it to the new owner, the famed actor’s nephew, with the stipulation that the property be preserved.

By NANCY KEATES
Thu, Feb 24, 2022 11:51amGrey Clock 5 min

Jordan Walker-Pearlman was heartbroken when he was told, erroneously, that the house where he grew up with his uncle, the late actor Gene Wilder, had been demolished.

He still had vivid memories—sometimes even dreams—of Mr. Wilder’s morning swims in the kidney-shaped pool, the Sunday after-tennis hangouts with the likes of Mel Brooks and Sidney Poitier, raucous dinner parties, and listening to Mr. Wilder read scripts and play piano while he nursed a Lillet cassis cocktail.

The low-slung, white-shingled house, in the Bel-Air neighbourhood of Los Angeles, was also where actress, comedian and “Saturday Night Live” cast member Gilda Radner died from ovarian cancer in 1989. Mr. Walker-Pearlman considered her a second mother after she married Mr. Wilder in 1984.

“I mourned the house,” says Mr. Walker-Pearlman, a 53-year-old film director and writer, who directed the 2000 film “The Visit” and whose wild hair and prominent, expressive eyes are similar to those of his late uncle, known for his work in “Willy Wonka & the Chocolate Factory” and “Blazing Saddles.” From an early age, Mr. Walker-Pearlman split his time between living with Mr. Wilder, and living with his grandmother in Harlem. His biological parents, he says, were “a little crazy and not enthusiastic about the responsibilities of child rearing.”

Then one day, when he was in the neighbourhood, Mr. Walker-Pearlman drove by to show his wife, screenwriter Elizabeth Hunter, where the house had been. He was shocked to find it still standing. Owned by tech billionaire Elon Musk, there was a large party under way, but the security guard opened the gate so they could peek in.

About a year later, a friend sent him a screenshot of Mr. Musk’s now-famous May 1, 2020, texts:

“I am selling almost all physical possessions. Will own no house” and “Just one stipulation on sale: I own Gene Wilder’s old house: It cannot be torn down or lose any of its soul.”

A US$9.5 million listing appeared on forsalebyowner.com, advertised as the “former home of Gene Wilder/Willy Wonka,” “upgraded with modern amenities, but preserved original charming and quirky vibe.” The listing stipulated that the home was being sold with the condition that it must be preserved.

Mr. Walker-Pearlman said he reached out to Mr. Musk’s team immediately. He knew he couldn’t afford that price, but the tweet gave him optimism they might reach a deal. “The only person who could possibly want it not to be torn down as much as him was me,” he says. Mr. Musk didn’t respond to a request for comment.

After four months of negotiations, Mr. Walker-Pearlman says Mr. Musk agreed to sell the house to him and Ms. Hunter for US$7 million along with what’s called a “long form deed of trust and assignment of rents,” in which Mr. Musk agreed to lend the couple $6.7 million, according to public documents.

“He could have sold it for so much more,” says Mr. Walker-Pearlman. “His sensitivity to me can’t be overstated.”

The sale closed in October 2020. The timing for Mr. Walker-Pearlman was exquisite, because it allowed him to use the house as the set for his upcoming film “The Requiem Boogie,” produced by his production company, Harlem, Hollywood. The somewhat autobiographical plot follows a middle-aged former child actor, played by Mr. Walker-Pearlman, who is mourning the loss of his movie-star father. It is a spiritual, quasi-comedy about dealing with Mr. Wilder’s death and the nature of show business, says Mr. Walker-Pearlman.

Living in the house again has been both wonderful and spooky, says Mr. Walker-Pearlman. He feels the ghosts of the people who made it come alive. When he walks into a certain room, a memory will pop up and he will get teleported back, he says. At times he even feels like messages from beyond are being sent, such as when the crew was filming in what was Ms. Radner’s dressing room and suddenly the water in the shower and sink came on.

When he and Ms. Hunter were signing the papers for the loan from Mr. Musk, a buck they had never seen before appeared from the hedges and stood in the window, staring at them, hanging around for nine hours that day; they haven’t seen it since. The couple’s 3-year-old nephew, Hunter, has told him there are ghosts in the house, he says.

The house came with many of Mr. Musk’s furnishings, including a purple sofa, a drawing of a clown, a large chess set and a swing encased in a giant metal birdcage in the backyard, which Mr. Walker-Pearlman says was a party gift to Mr. Musk.

Mr. Walker-Pearlman says he believes Mr. Musk originally bought the property to protect the distant views of Los Angeles and the Pacific Ocean from his primary house across the street, which Mr. Musk sold for $29.72 million to Chinese billionaire William Ding in June 2020, according to public records. He says he believes Mr. Musk used the garage as a school for his children at one point and the main house to hold parties. Mr. Musk didn’t respond to a request for comment.

Some things have changed since Mr. Wilder owned it: There used to be white shag carpet in the living room (a recommendation to his uncle from the late actor Burt Reynolds, says Mr. Walker-Pearlman); the main bathroom had a bath. Mr. Wilder’s much-used piano and a dart board are gone. The ceiling is now painted with black and white stripes and trees no longer block the view of the Bel-Air Country Club’s golf course below.

But much is the same. Mr. Walker-Pearlman still uses the indoor grill in the dining room where he says Mr. Wilder loved to cook chicken three times a week. He sits at the small kitchen desk, where he says Mr. Wilder would eat his morning bran muffins and drink Earl Grey tea. And he swims in the same pool where Mr. Wilder would do morning laps and where he taught Mr. Walker-Pearlman how to swim. Almost every wall and shelf contains memorabilia, including photographs of Mr. Wilder playing tennis, dressed as Willy Wonka.

Mr. Wilder, who was born Jerome Silberman, bought the 2,800-square-foot, five-bedroom, five-bathroom house in Bel-Air for around $300,000 in 1976, buoyed by the success of the 1974 film “Young Frankenstein,” in which he starred.

Mr. Walker-Pearlman had been living part time in Harlem with his grandmother, and part time with Mr. Wilder, who was his mother’s brother. He soon started spending all summer and time during a few other months in Los Angeles.

In L.A., Mr. Wilder gave him an education rich in the history of film, moviemaking and acting. He says he learned to process the world in terms of film, being hyper-aware of lighting and constantly wanting to change people’s dialogue. He started acting as a child and made and starred in his own film for Nickelodeon as a teenager. He also learned a lot about French red wines and the importance of romance, he says. “I didn’t leave his side.”

Ms. Radner urged Mr. Walker-Pearlman to try college, so he attended George Washington University and Howard University for stints. But she was also upset when he said he didn’t want to pursue an acting career. He says she told him “this house is for crazy people. You have to become one of us.”

The result was a mixed relationship with film. He says he learned to hate what he sees as the commodification and narcissism of the film industry, but he loved being in the editing suites and on set, especially during the filming of “Hanky Panky” in 1981, directed by Mr. Poitier, when Mr. Wilder and Ms. Radner met as co-stars.

In 1991, two years after Ms. Radner died, Mr. Wilder married his fourth wife, the former Karen Boyer. They eventually moved permanently to Ms. Radner’s former farmhouse in Stamford, Conn., where Mr. Wilder had been living much of the time after Ms. Radner’s death. He sold the Bel-Air house in 2007 for $2.7 million to Bristol Capital LLC. Mr. Musk bought it in 2013 for $6.75 million, according to PropertyShark.

Mr. Walker-Pearlman says he’s still mourning his uncle, who died in 2016 at age 83, and Ms. Radner. Living and filming in the house has triggered a range of emotions. “It’s the closest you can get to going back to the past,” he says. He worries that his wife pays a toll for that.

But Ms. Hunter says she’s thrilled to get the chance to live in such a beautiful house in a neighbourhood she never thought she would be able to afford. “It’s magic,” she says.



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Surging demand from AI data centres has driven flash memory prices up fivefold over the past year, giving suppliers such as Kioxia greater leverage over Apple. The shift is increasing storage costs for the iPhone maker, putting pressure on profit margins and contributing to higher prices across its product lineup.

By Rolfe Winkler
Thu, Oct 29, 2026 3 min

During a ride in a Southern California desert, sales executive Scott Nelson stopped his dirt bike, pulled out a rifle and shot his old iPod.

Nelson sold flash storage to Apple AAPL -0.94%decrease; down pointing triangle and hated feeling like he always got the worst end of the deal. His Japan-based manufacturer, Kioxia, had little leverage. Apple was the world’s biggest buyer of flash—the chips in iPhones that store photos, music and apps—and used its position to squeeze every cent from suppliers. Apple bullied flash makers into opening their books so it could monitor sales, making sure no one else got a better deal.

Kioxia and other flash makers stewed as Apple paid them pennies for flash storage that the iPhone maker resold to customers for dollars. The disparity in bargaining power had galled Nelson, who used Android phones in protest.

Nelson kept the broken pieces of his iPod, the first Apple device to use flash. They sit on his desk and hold a special reverence now that the tables have turned.

In the past year, demand by AI hyperscalers has quintupled prices for flash, according to research firm TechInsights, opening a new era for Kioxia and other suppliers. Two years ago, Apple bought nearly twice the flash storage of Microsoft, Amazon, Meta and Google combined, according to TechInsights estimates. Hyperscalers are now buying double Apple’s share.

Flash memory suppliers and their sales teams privately expressed their glee at Apple’s comeuppance during chitchat at the industry’s largest conference this summer in Santa Clara, Calif. AI deals have given Kioxia sales executives and other flash suppliers new leverage to charge Apple higher prices.

Meta, Microsoft and Amazon signed contracts with Kioxia this year to secure long-term supply by committing to higher prices. The contracts protect Kioxia’s profits if the market turns. The company declined to comment.

Hyperscalers can afford to pay more. Flash storage is a smaller part of building a data center than making an iPhone, and accounting rules allow companies to spread the cost over years.

Apple is expected to spend $25 billion on flash storage this year for about the same amount it bought for $6 billion in 2025, according to estimates by TechInsights. Tim Cook, Apple’s executive chairman, compared escalating memory chip prices to a “100-year flood.”

Yet Apple had ignored analysts’ warnings and was caught off guard, said people familiar with the company’s procurement practices.

Company executives believed they knew the market better than anyone else, the people said. Flash that cost $68 a gigabyte in 2005 had fallen to a nickel by 2023. Now, demand by the AI industry has lifted the price to more than 30 cents a gigabyte, a 550% jump, threatening Apple’s steep profit margins from selling extra storage.

Buyers of the iPhone 17 Pro paid Apple $200 last year for double the storage of its 256-gigabyte base model. The extra storage at the time cost Apple $15 and has since shot up to $66, according to an analysis by The Wall Street Journal.

Storage upgrades for iPhone 17 Pro (2025) versus iPhone 18 Pro (2026)

“Apple has historically driven a very hard bargain with memory suppliers,” said Walt Coon, an analyst at TechInsights. “And there’s no shortage of satisfaction among suppliers now that the balance of power is shifting.”

“We’ve worked with many of our suppliers for decades, and we deeply value their partnership over the years,” Apple said in statement. “We look forward to continuing our important work together.”

A buyer at the Apple store on Fifth Avenue in New York City last month.
A buyer at the Apple store on Fifth Avenue in New York City last month. Vanessa Carvalho/ZUMA Press

Apple recorded an average gross profit of more than 80 cents for every dollar it charged iPhone and iPad buyers for extra storage since it first released those devices through 2025, the Journal found. For Mac computers sold since 2010, it averaged nearly 80 cents.

In recent months, Apple raised prices for nearly all of its products. Prices rose an average of 13% for iPhones, an increase that included older models which typically get a price cut.

Price, change from Fall 2025 to 2026

The question for Apple is whether consumers will react to the higher prices by keeping their iPhones longer or whether they will continue to buy at their usual pace. For flash-storage makers, the question is when—or if—Apple will regain its flash-market leverage.

“It’s been a love-hate relationship between Apple and the flash industry,” said Mark Newman, an analyst with Bernstein Research. Apple has sustained the manufacturers for years, he said, but its power to cap prices, while beneficial to shareholders, left suppliers feeling “screwed.”

Commitment-phobe

In 2001, engineers at Kioxia, then called Toshiba, showed two Apple executives a 1.8-inch-diameter, 5-gigabyte hard drive they had developed but didn’t yet know what to do with.

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