EU Delays Labelling Lithium Toxic as Concerns From EV Industry Mount
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EU Delays Labelling Lithium Toxic as Concerns From EV Industry Mount

European battery makers say the EU needs to offer better incentives to compete with the U.S. Inflation Reduction Act

By YUSUF KHAN
Wed, Dec 14, 2022 8:44amGrey Clock 2 min

The prospect that the European Union will classify lithium as toxic is adding to worries in the electric-vehicle battery industry that policy makers aren’t doing enough to attract investment and the EU will lose out to the U.S., an attractive destination for such companies partly thanks to the Inflation Reduction Act.

Last week, the European Commission was set to give a final ruling on whether lithium, a crucial battery input, should be classified as a toxic substance. The commission’s scientific arm recommended that it do so.

The decision by the EU’s executive arm has now been pushed back into the new year, the second delay in as many months. Europe’s nascent battery companies are warning that investors may be drawn away from the continent to the U.S. where the IRA has created strong incentives to establish supply chains in the country.

If lithium is labeled toxic, those handling it would be subject to extra safety measures, adding millions in extra costs for prospective lithium refiners and battery makers in Europe, expenses that are absent in the U.S., China and the U.K., industry experts say.

So far, within the European battery industry, Sweden’s Northvolt AB has been one of the few victories for the EU. Northvolt operates the bloc’s flagship battery project, a gigafactory in the north of Sweden. The company is currently valued at $12 billion and is a supplier for some major car makers including Bayerische Motoren Werke AG and Volkswagen AG.

The Northvolt Ett gigafactory started producing commercial batteries in May of this year and plans to scale up to 60 gigawatts hours—equivalent to one million electric vehicles a year—by 2025/26. At least two more gigafactories in Sweden along with one in Germany are already in the works.

Northvolt has said, however, that it remains lukewarm about making further investments in Europe due to the pull of the U.S., saying that production costs are 30% lower there because of the IRA.

Earlier this month, European Commission President Ursula von der Leyen alluded to worries about critical supply chains and the IRA. She said the EU should “simplify and adapt” its rules that limit state funding to make it easier for public investments.

For those looking to establish European battery production, the EU’s position on electric vehicles remains confusing. On the one hand, there are incentives, such as the Critical Raw Materials Act; on the other hand, the proposed classification of lithium as toxic could stifle refining projects and drive away investment.

“At a time when other nations such as the U.S. are opening their doors, taking down barriers and putting their taxpayer’s money on the line to strategically attract and build battery-metals supply chains […] Europe is putting up barriers to companies in this market,” said Richard Taylor, a founding director of Trafigura-backed Green Lithium Refining Ltd.

“If the opportunity is not attractive in Europe, companies won’t bother setting up [there],” Mr. Taylor said.

In contrast, the IRA is quite clear: promising tax credits and subsidies for American-made electric vehicles and components, while also favouring raw material supplies from countries that have free trade agreements with the U.S.

“America is doing the right thing, they are supporting this massively with the IRA,” said Lars Carlstrom, founder and CEO of two gigafactory startups, Statevolt in California and Italvolt in Italy. “We haven’t seen anything such as it, and in Europe all of a sudden when we thought we were well supported here, it is actually nothing compared with what America is now doing.”



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THE MAKING OF A DRIVING LEGEND

Ever wondered what it takes to create a car like the Maserati? Meet the German designer taking on an Italian icon.

By Robyn Willis
Thu, Jan 16, 2025 3 min

Klaus Busse would like you to close your eyes and imagine yourself behind the wheel of a Maserati. Picture the GranTurismo, which launched in Australia in 2024. Where do you see yourself? Chances are, Busse suggests, it’s not during the school pick-up or commuting to the office.

“You’re probably on a wonderful road in Tuscany, or Highway 1, or you’re going to a red carpet event,” says Busse, who holds the enviable title of Head of Design at Maserati, the iconic Italian car manufacturer. “Basically, it’s about emotion.”

At the luxury end of the market, the GranTurismo Coupe—priced between $375,000 and $450,000—is designed to transform the driving experience into something extraordinary. For Busse and his team, these “sculptures on wheels” are not just status symbols or exhilarating machines but expressions of pure joy. Their mission is to encapsulate that feeling and translate it into their cars.

“I really feel the responsibility to create emotion,” he says. “We have a wonderful word in Italy: allegria, which is best translated as ‘joyful.’ Our job as a brand is to lift you into this area of joy, perfectly positioned just short of ecstasy. It’s that tingling sensation you feel in your body when you drive the car.”

Even as 60 percent of the world’s population now lives in urban areas, Maserati’s design ethos captures the essence of “everyday exceptional.” Whether navigating city streets or open roads, a Maserati turns heads without being ostentatious or aggressive. “I’ve driven these cars all over the world, and no matter where I go, people smile at me and give a thumbs-up,” says Busse.

Since joining Maserati in 2015, Busse has reimagined and redefined the brand, steering his team through the reinvention of classic models and the transition to electric vehicles. Iconic designs like the Fiat 500, which entered the EV market in 2020, serve as a testament to Maserati’s ability to blend tradition with innovation.

Unlike other luxury car brands, Maserati embraces radical change with new designs every 10 to 15 years. Busse loves connecting with fans who follow the brand closely. He explains that each Maserati model reflects a specific era, from the elegant 35GT of the 1950s to the wedge-shaped designs of the 1970s and the bold aesthetics of the 1980s.

 

“I often ask fans, ‘What is Maserati for you?’ because their responses tell me so much about how they connect with the brand,” he shares.

Inspired by legendary Italian designer Giorgetto Giugiaro, Busse balances tradition with modernity in his designs. As Giugiaro once told him, “We always do the best in the moment.” This philosophy resonates deeply with Busse, who believes in honouring the past while embracing future possibilities.

Through advances in technology, techniques, and societal trends, Busse ensures Maserati remains at the forefront of automotive design. For him, the creative process is more than just a job—it’s a way to create joy, connection, and timeless elegance.

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11 ACRES ROAD, KELLYVILLE, NSW

This stylish family home combines a classic palette and finishes with a flexible floorplan

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Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.

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