For $8.2 Million, a Palace-Turned-Wine Estate in the North of Portugal
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For $8.2 Million, a Palace-Turned-Wine Estate in the North of Portugal

Located in the Vinho Verde wine region, the 23,700-square-foot Villa Beatriz has been in the same family since the early 1900s. Now the home is looking for a new steward

By J.S MARCUS
Fri, Jan 19, 2024 8:38amGrey Clock 4 min

In the early 1870s, Francisco Antunes de Oliveira Guimarães, a teenager from a rural corner of northern Portugal, made his way to Brazil. By century’s end he was a wealthy financier, and in the early years of the new century, he completed a palatial, three-story manor house for himself and his new bride, Beatriz, in the heart of Portugal’s Vinho Verde wine region. The nearly 100-acre property, reinvented in the 1990s as a thriving wine estate, has been the family seat ever since.

The property, with the main home’s original furniture and decorations largely intact, is now set to pass out of the family for the first time. The estate is on the market for roughly $8.2 million, a price that includes original hand-carved furniture fashioned from exotic tropical hardwood, according to Francisco’s granddaughter, Carmen Guimarães, 90, who has lived on the property since the early 1990s. Known as Villa Beatriz, in honour of Francisco’s bride, the 23,700-square-foot home has 13 bedrooms and eight bathrooms. With a number of outbuildings, it has over an acre of formal gardens decorated with classical statuary. The gardens, like the house itself, have been designated a historic landmark.

Carmen is selling the property along with her two daughters, Anabela Guimarães, 70, and Alexandra Guimarães, 67. Carmen says Francisco, born into a family of modest local landowners, was a Rio de Janeiro financial tycoon who started out selling lottery tickets and ended up founding a large bank. Still, he remained rooted in the area around the Ave River, which runs through the estate.

Built in an opulent Belle Époque-style, Villa Beatriz is a fusion of Brazilian materials and Portuguese craftsmanship. Rooms are presided over by intricate stucco ceilings. Atmospheric wall paintings, featuring everything from hunting scenes to tributes to Portugal’s Age of Exploration, decorate the walls of the main floor’s reception rooms and the bedrooms on the second floor. Even the onetime staff rooms, on the top floor, still have elaborate antique beds made from cherry wood.

Villa Beatriz is an imaginative blending of historical styles, says Tobias Hoffmann, director of Berlin’s Bröhan Museum, known for its collection of modern European decorative arts. The neo-Moorish tiled facade—which can be the same shade of blue as the Minho sky—gives way to a fanciful entrance hall decorated with neo-Renaissance trompe-l’oeil wall paintings. The formal dining room is a freewheeling mix of both Moorish and Renaissance touches, he says, while second-floor bedrooms have a neo-Rococo flair.

Camille Bressange/THE WALL STREET JOURNAL

The estate has had its share of sorrows. Beatriz, Francisco’s wife, died before she could ever see the house he built for her. A generation later, Carmen, who never really knew her grandfather, moved there at age 12 to live with her aunt and uncle after both her parents died within a matter of months. A widow herself since 2010, Carmen is still active, and has more recently overseen the maintenance and restoration of the house on her own. “It looks exactly the same as it did when I was growing up,” she says.

The estate is located east of the city of Braga in the Vinho Verde region, which is known for its light, slightly fizzy, affordable whites. The Guimarães family had long produced wine for private consumption, but starting in the early 1990s Carmen and her late husband, textile manufacturer Carlos Alberto Rodrigues Guimarães, launched a modern commercial winemaking facility. They named their flagship wine Quinta Villa Beatriz, after the estate, and put the house itself on the label. Spread across 30 acres, the vines grow classic Vinho Verde white grape varieties, including Loureiro and Trajadura.

Though things have stayed pretty much the same at Villa Beatriz, the Vinho Verde region is undergoing its own reinvention, says José Ferreira, a sommelier at Lisbon’s Michelin-starred Belcanto restaurant. “Some great wines are starting to be produced there,” he says, citing a new wave of winemakers who are replacing traditional varieties with Alvarinho, a premium white grape that does well on either side of the Spanish-Portuguese border.

The prices of wine estates in Vinho Verde are increasing dramatically, but can still be far less than those of the adjacent Douro Valley, which produces Portugal’s most expensive wines, says Artur Pinto Leite, a senior consultant at the Porto office of Savills, who specializes in wine estates. Top Douro Valley wine estates can fetch prices in excess of $109,000 per hectare, he says—a level that can only be reached in Vinho Verde if Alvarinho has already been planted. The price of luxury homes in the two regions can vary dramatically, adds Pinto Leite, depending on ocean access in the case of Vinho Verde, and river proximity in the Douro areas.

Carmen and her daughters aren’t especially big wine drinkers, they say. But Anabela, who raised her own family not far away, can sound wistful while giving a tour of the winery her father built. Now a grandmother herself, the retired textile-company executive likes to recall that she was married in the manor house, as were her children. “My heart is here,” she says, of the property.

Her mother, however, is looking forward to the next chapter. Still managing daily trips up and down her imposing staircase, she is thrilled at the thought of moving to a home with only one story—and a fraction of the upkeep. And when it comes to wine, she has a confession to make: “I prefer a glass of Port.”

Ruy Nogueira of Luximos/Christie’s International Real Estate is handling the sale.



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Award-winning landscape designer and television host Jamie Durie has completed building his eco-friendly dream home on Sydney’s northern beaches.

Over a three-year journey, Durie and his partner Ameka Jane created what they call “Growing Home,” designed to prove that sustainability doesn’t have to mean sacrificing comfort or style.

The five-level residence includes five bedrooms, a gym, an office, landscaped gardens and an infinity swimming pool.

“The house is full of eco-innovation like our state-of-the-art geothermal heating and cooling system, this combined with our Solar system gives us the ability to be ‘grid independent’,” Durie said.

“Every element in this house has been engineered to serve a purpose – whether it’s saving energy, providing healthier air, or a greater connection to nature, the house was designed to be healthy for our family and the environment.”

Set on a steep 37-degree slope surrounded by native spotted gums, the home’s design responds closely to its environment.

“Building on a site like this means every decision has to respect the landscape,” Durie said. “It’s not just about fitting the house onto the land, but making sure the land feels part of the home.”

Large windows and open-plan spaces encourage airflow and blur the boundary between indoors and outdoors.

“We wanted the house to feel connected to the landscape through natural materials, textures, and light,” he added. “It’s about creating a calm, grounded space where we can grow as a family.”

Durie chose Bradford Gold High Performance insulation to help maintain stable temperatures, reducing reliance on artificial heating and cooling.

“Every detail in the home needed to elevate our quality of life and respect the environment,” he said. “With Bradford’s products, we’re able to create spaces that are peaceful, energy-efficient, and functional without sacrificing style.”

Other features include Luxaflex Duette Shades, crafted from 95% recycled materials, designed to regulate temperature while adding comfort and privacy.

“It’s not just about insulation,” Durie explained, “but about creating spaces that feel cosy and considered, no matter the time of year.”

Curved interior walls made possible with Gyprock Flexible add flow between spaces, while high-density Gyprock was used to reduce sound transmission.

“It’s all about layering softness and light,” Durie said of the use of Luxaflex® sheer curtains throughout the home. “The sheers run like waves along the track, wrapping the room in a way that feels both open and intimate.”

Outdoor living was another focus, with a patio leading to the pool and shaded by motorised Luxaflex Nordic Folding Arm Awnings.

“We knew we’d be spending a lot of time outside,” Durie said, “so it was important to have a solution that could handle Australia’s unpredictable weather.”

Durie describes the project as more than just a build, but an example of sustainable design in action.

“This project is about showing that sustainable design isn’t just possible – it’s beautiful,” he said.

“It’s about how thoughtful design and innovative products can make a house not just a home, but a legacy. Building smarter, creating homes that feel good to live in, and respecting the environment along the way.”

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