How to Avoid the 5 Most Common Dining Room Decorating Mistakes
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How to Avoid the 5 Most Common Dining Room Decorating Mistakes

Advice on sidestepping the decor gaffes that design pros see most often in rooms meant to fire up appetites—from unpalatable wall colours to stingy rugs

By NINA MOLINA
Fri, Apr 28, 2023 8:30amGrey Clock 3 min

DINING ROOM décor gone awry can kill appetites. Whether your guests are flinching from an eerie portrait their chairs face or squeezing into too-tight seats, bad decorating can take the joy out of even the most well-concocted meal.

Los Angeles-based designer David Netto believes dinner guests are rarely eager to enter these stuffy rooms. “So what a dining room must have, above all, is atmosphere,” he said. Here, interiors pros detail five mood crushers in dining rooms, and palate-pleasing alternatives.

1. Blinding Lights

Ample light helps diners distinguish between mashed yams and potatoes, but cruelly aggressive bulbs inspire squinting, not conviviality. “Nothing will kill the vibe of a dinner party faster than harsh overhead lighting,” said Marina Medina, a Vancouver-based interior designer. No one feels good under 5000K LED bulbs, says Susane Jory, a designer in London, Ontario, “and few of us look good bathed in it.”

Instead: Kelly Finley, a designer at Joy Street Design in Oakland, Calif., relies on “recessed lighting on a dimmer, a chandelier with soft lightbulbs and wall sconces” for a softer shine. Mark Eckstrom votes for the old-timey romance of candlelight. Said the co-founder of Studio Eckström, in Omaha, Neb., “Every guest at your table should have faces aglow.”

2. Tasteless Walls

Think of a dining room’s walls as a platter on which dinner is served. Sterile white dishes with a hospital vibe often don’t flatter food. Nor do chaotically patterned ones. Similarly, when it comes to walls, some color can help, but Mr. Eckstrom returns to the effect décor has on complexions: “Sorry, but nobody looks good in a yellow or chartreuse room.” And Brian del Toro, a New York City interior designer, warns against surfaces with “overly active patterns, colours which are too bright or distracting, and combinations of the two, which aren’t soothing.”

Instead: Save the pattern-on-pattern alchemy for the powder room, and pursue colors like terracotta, rose and aubergine that Mr. Eckstrom says “stimulate appetite and reflect well on guests’ skin.” But know that naked walls don’t make people feel comfortable and sociable either. “Every seat should have a view—a window, art, sculpture, wallpaper, mirror, flowers,” he said.

3. Prissiness

You won’t feel inspired to plop down at your dining table for a casual brunch if it’s surrounded by austere crystal chandeliers and dusty mahogany sideboards. Mr. del Toro finds that most dining rooms skew too formal, dark and “limited,” appealing only for an evening dinner.

Instead: “Most of us lead relatively informal lives,” said Mr. del Toro, who likes dining rooms casual enough for sipping a smoothie or morning latte. Chris Goddard, an interior designer in Springdale, Ark., said he’s partial to installing weathered wood tables that, while inherently chillaxed, can be “dressed to the nines for a festive dinner.”

4. Sound-Bouncing Surfaces

When you ponder your dining room’s décor, remember that happy repasts aren’t silent. Poor acoustics can turn animated chatting into cacophony, said Olle Lundberg, a San Francisco designer. “Hard surfaces like stone flooring, plaster walls and large windows all bounce the sound back into the space, creating reverberation,” warned Mr. Lundberg.

Instead: For a more discussion-friendly space, Mr. Eckstrom prescribes a blend of softer materials like drapery, carpet, tapestries or a tablecloth “that help absorb echoes and promote conversation.” Mr. Lundberg goes further, endorsing the idea of covering walls with fabric or draping it from the ceiling. Many textiles come in “large formats and can often be installed seamlessly,” he said.

5. Failures of Scale

In a dining room, ill-fitting furniture is more than an eyesore—it can result in stubbed toes and dry-cleaning bills. “If you’ve placed a giant table in a small room,” said Ms. Jory, “your guests will invariably be wearing the soup as you squeeze behind them with the gazpacho.”

Even the size of a carpet can throw a wrench in the roast. “Rugs that are too small pinch the overall vignette,” said Jessica Lynn Williams, founder of Hendley & Co, in Newburgh, N.Y., who adds you should never force your guests to scooch their chairs awkwardly over the edge of a too-tiny rug.

Instead: An occupied chair should ideally have 3 feet of space behind it for proper circulation and flow, said Meg Lavalette, founder of Lava Interiors in New York City. And carpets should accommodate sliding chairs—without giving them any lip. Laura W. Jenkins, an interior designer in Atlanta, says that when it comes to light fixtures and rugs, she prefers to err on the side of a little too big.

DIGESTION IMPOSSIBLE

Designers recall meal-spoiling decorating gaffes

“Once I saw a light fixture that hung so low and so close to the edges of the table that even the older kids in that family complained about bonking their heads against it!” —Noz Nozawa, interior designer, San Francisco

“I tried to convince [a client that] even though red was his favourite colour, it wasn’t a great choice for a dining space and that we could bring it in through other avenues—décor, rugs, wallpaper. We ended up not taking him on because he couldn’t get past the red for the dining room, but it was so bad.” —Shaolin Low, interior designer, Honolulu

“I was once seated in a dining room with a table that was too small. The chairs were covered in Fortuny, but not even the chicest choice of fabric could keep my knees from bumping against the person who was sitting next to me.” —Michelle Nussbaumer, interior designer, Dallas



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A TALE OF TWO VOYAGES IN FRENCH POLYNESIA

A long-standing cultural cruise and a new expedition-style offering will soon operate side by side in French Polynesia.

By Jeni O'Dowd
Tue, Jan 13, 2026 3 min

From late 2026 and into 2027, PONANT Explorations Group will base two ships in French Polynesia, offering travellers a choice between a culturally immersive classic and a far more exploratory deep-Pacific experience.

The move builds on more than 25 years of operating in the region with the iconic m/s Paul Gauguin, while introducing the expedition-focused Le Jacques Cartier to venture into lesser-known waters.

Together, the two vessels will cover all five Polynesian archipelagos — the Society, Tuamotu, Austral, Gambier and Marquesas Islands — as well as the remote Pitcairn Islands.

THE PAUL GAUGUIN: CULTURAL IMMERSION, POLYNESIAN STYLE

Long regarded as the benchmark for cruising in French Polynesia, m/s Paul Gauguin will remain based year-round in the region.

Renovated in 2025, the ship continues to focus on relaxed, culturally rich journeys with extended port stays designed to allow guests to experience daily life across the islands.

A defining feature of the onboard experience is the presence of the Gauguins and Gauguines — Polynesian hosts who share local traditions through music, dance and hands-on workshops, including weaving and craft demonstrations.

The atmosphere is deliberately intimate and internationally minded, catering to travellers seeking depth rather than distance.

Across the 2026–27 seasons, the ship will operate 66 departures, primarily across the Society Islands, Tuamotu and Marquesas, with select voyages extending to Fiji, Tonga and the Cook Islands.

 

LE JACQUES CARTIER: EXPLORATION AT THE EDGE

Le Jacques Cartier introduces a more adventurous dimension to PONANT’s Polynesian offering, with itineraries focused on the least visited corners of the South Pacific.

The ship will debut three new “Discovery” itineraries, each 14 nights in length, which can also be combined into a single, extended 42-night voyage — the most comprehensive Polynesian itinerary currently available.

In total, the combined journey spans six archipelagos, 23 islands and the Pitcairn Islands, a British Overseas Territory rarely included on cruise itineraries.

Unlike the Paul Gauguin’s cultural focus, Le Jacques Cartier centres on exploration.

Each day includes one guided activity led by local experts, with excursions conducted via tenders, local boats and zodiacs. Scuba diving is available on board, supported by a resident instructor.

Across the 2026–27 period, the ship will operate nine departures, offering a deliberately limited and low-impact presence in some of the Pacific’s most isolated communities.

THREE NEW DISCOVERY ITINERARIES

The new itineraries aboard Le Jacques Cartier include:

Secret Polynesia: Unexplored Tuamotu, the Gambier Islands and the Austral Islands
From Confidential French Polynesia to Pitcairn Island
Polynesian Bliss: Marquesas and Tuamotu

Each voyage departs from Papeete, with prices starting from $15,840 per person.

SCOUTING THE PACIFIC’S MOST REMOTE COMMUNITIES

In preparation for the new itineraries, PONANT Explorations Group undertook extensive scouting across the Austral and Tuamotu Islands to develop activities in collaboration with local communities.

José Sarica, the group’s R&D Expedition Experience Director, worked directly with residents to design experiences including welcome ceremonies, cultural workshops and visits to marae, the region’s sacred open-air temples.

Six new ports of call have been confirmed as part of this process, spanning both the Tuamotu and Austral archipelagos.

SIX NEW PORTS OF CALL CONFIRMED

New stopovers include:

– Mataiva, known for its rare mosaic lagoon
– Hikueru, home to one of the largest lagoons in the Tuamotus
– Makemo, noted for its red-footed boobies and frigatebirds
– Raivavae, famed for its crystal-clear lagoon pools
– Tubuai, rich in marae and spiritual heritage
– Rurutu, known for limestone caves and seasonal humpback whale sightings

A DUAL EXPERIENCE, ONE DESTINATION

By pairing its long-established cultural voyages with expedition-led exploration, PONANT Explorations Group is positioning French Polynesia not as a single experience, but as two distinct journeys — one grounded in tradition and comfort, the other pushing into the furthest reaches of the Pacific.

For travellers seeking either immersion or discovery, the South Pacific is about to feel both familiar and entirely new.

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