How to Avoid the 5 Worst Interior Design Mistakes
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How to Avoid the 5 Worst Interior Design Mistakes

Professionals say young people setting up their own digs tend to make similar decorating errors.

By Rachel Wolfe
Fri, Aug 6, 2021 10:56amGrey Clock 4 min

AFTER 16 MONTHS cooped up with roommates or parents, young (and not-so-young) people have had enough. Those who can afford it are increasingly moving into their own first places when their leases end this summer and autumn, said a spokesman for real-estate rental site StreetEasy. Searches that specified studio apartments are up 69% year-over-year.

When it comes to decorating these solo nests, however, designers say first timers’ greenness leads to errors: from cramming oafish sofas through doors they failed to measure to living sans civilities like curtains and rugs. As New York City designer Phillip Thomas said, “Just because it’s your first apartment doesn’t mean it can’t have a sense of sophistication.”

Here, design pros highlight the five flubs that novice renters most frequently make on their way to, as millennials call it, “adulting.” Plus: chic alternatives.

1. The Unconquered Divide

Generations of squished people have passed down various methods to separate a studio apartment into living and sleeping spaces: curtains, free-standing screens, bookshelves, even a delineating row of jungle-y plants. They all can make a space feel smaller, said Francesca Bucci, founder of BG Studio in Manhattan. Mr. Thomas noted that such barriers frequently cut off window light, creating a murky cave. “There is nothing more awful than living in a space without light,” he said.

Instead: Rather than placing your bed’s headboard against a wall, Ms. Bucci directed, “float” the bed, with the foot facing a window and leaving at least two feet of circulation at the bottom. A medium-height headboard will act as a divider without depriving the rest of the studio of natural light. Arrange your seating area on the other side of it, backing your couch against it. This way you won’t subject guests to your rumpled pillows or that stuffed animal from which you haven’t managed to brutally sever ties just yet.

2. Helter-Skelter Inheritances

Beware a hodgepodge of hand-me-down furniture relatives have cast off. Manasquan, N.J., designer Christina Kim warned that, “the scale of such furniture is usually off, and a mix of too many styles can feel chaotic.”

Instead: “Do not feel obligated to accept every piece that comes your way,” said Mr. Thomas. If a donation doesn’t work with your décor, politely decline it or modify the offering so it suits your style. In his first rental, in Washington, D.C., Mr. Thomas draped quilts and tossed cut-velvet pillows to align random sofas with his aesthetic.

3. Place-Holder Art

Worried about forfeiting security deposits, renters often settle for a few posters hung with adhesive strips, complained New York City designer Young Huh. Even with more ambitious prints or paintings, noted fellow Manhattan designer Starrett Ringbom, newbies tend to hang them too high, mounted in cheap plastic frames.

Instead: Invest in some spackle. “Patching and painting at the end of the lease—even if only a year—is a small price to pay for an inviting and collected home,” Ms. Huh said. Hang art at eye level for comfortable viewing, advised Ms. Ringdom, who also contends that having art professionally framed is a worthwhile investment. “A silver-leaf frame instantly elevates a poster from your last museum visit into art worthy of the living room wall,” she said.

4. Single-Source Sameness

“It’s so exciting getting your first place, and often you’ll shop for everything at once from the same big-box store,” said Lauren Wall, co-founder of Principle Faucets, in Santa Cruz, Calif. But can a single retailer really represent your many-faceted personality?

Instead: “Invest some time in searching for killer, high-quality resale pieces to mix with budget-friendly new items,” Ms. Wall suggested. Your space will have “more intention and character” than if you buy everything at once. Mr. Thomas recommended searching estate sales and online auctions. And don’t just fixate on how a particular piece looks in the context of a catalog photo: Catalina Echavarria, co-founder of Miami furniture and interior design firm CEU Studio, suggested you shop in person, if possible, and think about how you’ll use the item. “If I sit on a couch, I want to feel hugged and nurtured…if I step on a rug, I want to love it barefoot and feel its texture,” she said.

5. Casting a Bad Light

If you think you’re all set with your landlord’s flush-mounted ceiling lights (aka “boob lights,” so christened because they often take the form of hemispheres of milky glass with nipple-like finials), think again. “Overhead lighting is unflattering and ineffective for tasks such as reading,” said Washington, D.C., designer Annie Elliott, who pointed out that these fixtures often use bulbs that cast white walls in eerie, blue-ish, hospital-like glows.

Instead: Buy a cheerful table lamp to add color, style and, of course, light, said Ms. Elliott. “It will elevate the entire room.” Warm, yellow-toned lightbulbs will help create a homey feeling. Swap out your landlord’s ceiling bulbs and store them so you can replace them when you move out.

ODD SQUAD

Pros recall weird first-time decorating moves

“Beach chairs as lounge chairs. Keep the outdoor furniture outside!” — Marc Bacher, founder, Stuga, Austin, Texas

“Beer cans stacked to create a base and a piece of glass on top. Creative way to recycle but not a good look when you are trying to look grown-up. I’ve also seen bed sheets nailed to the window frame as curtains.” — Amanda Thompson designer, New York City

“A shelf of glass bottles filled with highlighter-infused water to display with black lights. Actually, just say no to black lights to begin with.” — Lauren Wall, co-founder, Principle Faucets, Santa Cruz, Calif.

“A contractor’s work light, with the plastic cage, draped over a bookcase.” — Annie Elliot, interior designer, Washington, D.C.

“Furniture fashioned out of cinder blocks. It was ominous.” — Christina Kim, interior designer, Manasquan, N.J.

 

Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: August 5, 2021



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Wild cities and concrete corridors: How AI is reimagining the landscape

A new AI-driven account by leading landscape architect Jon Hazelwood pushes the boundaries on the role of ‘complex nature’ in the future of our cities

By Robyn Willis
Wed, Dec 6, 2023 2 min

Drifts of ground cover plants and wildflowers along the steps of the Sydney Opera House, traffic obscured by meadow-like planting and kangaroos pausing on city streets.

This is the way our cities could be, as imagined by landscape architect Jon Hazelwood, principal at multi-disciplinary architectural firm Hassell. He has been exploring the possibilities of rewilding urban spaces using AI for his Instagram account, Naturopolis_ai with visually arresting outcomes.

“It took me a few weeks to get interesting results,” he said. “I really like the ephemeral nature of the images — you will never see it again and none of those plants are real. 

“The AI engine makes an approximation of a grevillea.”

Hazelwood chose some of the most iconic locations in Australia, including the Sydney Opera House and the Harbour Bridge, as well as international cities such as Paris and London, to demonstrate the impact of untamed green spaces on streetscapes, plazas and public space.

He said he hopes to provoke a conversation about the artificial separation between our cities and the broader environment, exploring ways to break down the barriers and promote biodiversity.

“A lot of the planning (for public spaces) is very limited,” Hazelwood said. “There are 110,000 species of plants in Australia and we probably use about 12 in our (public) planting schemes. 

“Often it’s for practical reasons because they’re tough and drought tolerant — but it’s not the whole story.”

Hazelwood pointed to the work of UK landscape architect Prof Nigel Dunnett, who has championed wild garden design in urban spaces. He has drawn interest in recent years for his work transforming the brutalist apartment block at the Barbican in London into a meadow-like environment with diverse plantings of grasses and perennials.

Hazelwood said it is this kind of ‘complex nature’ that is required for cities to thrive into the future, but it can be hard to convince planners and developers of the benefits.

“We have been doing a lot of work on how we get complex nature because complexity of species drives biodiversity,” he said. 

“But when we try to propose the space the questions are: how are we going to maintain it? Where is the lawn?

“A lot of our work is demonstrating you can get those things and still provide a complex environment.” 

At the moment, Hassell together with the University of Melbourne is trialling options at the Hills Showground Metro Station in Sydney, where the remaining ground level planting has been replaced with more than 100 different species of plants and flowers to encourage diversity without the need for regular maintenance. But more needs to be done, Hazelwood said.

“It needs bottom-up change,” he said. ““There is work being done at government level around nature positive cities, but equally there needs to be changes in the range of plants that nurseries grow, and in the way our city landscapes are maintained and managed.”

And there’s no AI option for that. 

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