How to Avoid the 5 Worst Living Room Design Mistakes

THE RELATIVELY NARROW function of a bedroom or dining room largely dictates those spaces’ décor. A home’s communal chill chamber, however, has to be a lot of things to a lot of people: intimate and sophisticated enough for guests sipping aperitifs and cozy enough for family couch-potato Sundays. With so much asked of living rooms, the potential for decorating missteps can daunt even experts.

Nina Edwards Anker’s first principle: Start with ease—navigability, comfort, visual calm. “The worst error I see in living rooms is overcrowding,” said the founder of New York City’s Nea Studio. “Spaces, like paintings, need room to breathe.” Among her tips: Allow for ample storage to tuck away clutter. Meanwhile, Aileen Warren, of Jackson Warren Interiors in Houston, warns against filling the room with every stick of furniture on your wish list. “Be sure there’s enough space for traffic to move comfortably in and out of the seating groups,” she said.

Here, designers identify five other living-room gaffes they see far too often, and share their professional workarounds.

1. Conversation Pitfalls

“Don’t design a pretty space for a museum when living rooms are for socialising,” said Marissa Stokes, a Ramsey, N.J., designer. Novice decorators goof up here by leaving chasms between seats or, as Susan Jory points out, lining up all the furniture against the wall. “Seldom does one hold court,” said the London, Ontario, interior designer wryly.

Instead: Nurture intimacy with smart seating placement, says Kevie Murphy, of K.A. Murphy Interiors in Manhasset, N.Y. “Add [bonus-seating] ottomans under consoles, position chairs in the corners of the rooms.” A backless divan allows for “double-sided conversation,” she added. “And be sure each seated person has a table to place a drink or cocktail plate.”

2. Puny Rugs

Emily Del Bello, a New York City designer, looks askance at rooms where the carpet is too tiny to anchor more than a coffee table, while the rest of the room’s pieces float about visually untethered.

Instead: “The rug should go under all the furniture in that area, or at the very least, under the front legs of all sofas and chairs,” said Jen Samson, a Laguna Beach, Calif., designer. “This grounds the space and creates a frame [for] the area.”

For clients obsessed with vintage rugs too small for their living rooms, Katie Davis, an interior designer in Houston, layers the collectible pieces onto plenty-big neutral jutes. Some expansive advice: “Always go larger than you think,” directs Emily Williams of Z Properties, a design-build-interiors firm in Winter Park, Fla.

3. Monotony

Almost as unimaginative as a matching set of furniture is a scheme in which every piece conforms to one style, says Isabel Ladd. “When a living room is decorated completely traditional, or completely modern, the room feels stagnant,” said the Lexington, Ky., designer.

Instead: The décor should combine high and low aesthetics, says Paola Zamudio, founder and CEO at Npz Studio+ in New York City, who suggests, for example, “a designer statement piece combined with a vintage décor piece.” Disparate styles can blend within a single object as well. Linen upholstery and graphic embroidered trim can make a sofa with a traditional silhouette feel fresh, said Ms. Ladd.

4. Scale Fails

Dennese Guadeloupe Rojas, principal designer at Interiors by Design in Silver Spring, Md., warns that buying a one-and-done suite from a furniture showroom can saddle you with both a dull room and relentlessly overscale pieces. Benjamin Deaton has seen folks challenged by a small room err in the other direction, yielding to the false hope of “dollhouse furniture.” Said the Lexington, Ky., designer, “What you get is the opposite, a room that looks cluttered and still small.”

Instead: “Mixing the scale of furniture pieces can actually make the room feel larger and have more depth,” said Mr. Deaton. For those contemplating purchasing new furniture, Chicago design pro Bruce Fox recommends using blue tape to map out their footprint on your floor. To estimate their bulk in three dimensions, he suggests “piling other furniture or even empty boxes onto the footprint to mimic the height of the piece and get the full sense of scale.”

5. Dominating Overheads

One is less likely to curl up with a novel or chat for hours with friends under lights that are operating-theatre-bright.

Instead: “Lighting can change the entire landscape of the room,” said Mr. Deaton, who favours a combination of decorative lamps that double as sculpture, overhead lighting and shaded sconces that add texture and glow to a corner space.

Ms. Jory espouses dimmers: “Ambient lighting on tables and walls, paired with ceiling fixtures also on dimmers, provide a wash of warm, inviting light.”

Monster Chairs and More

Design pros recall egregious parlour schemes

“Recently, a client picked a single piece, an oversize armchair, then tried to design her entire living space around it. She realised, after hiring me, that she had to sell the armchair because it clashed with and crowded the sofa and storage cabinet we picked.” —Nina Edwards Anker, founder, Nea Studio, New York City

“The worst is when people purchase multiple pieces of furniture in the same, neutral upholstery fabric. Sure, the goal was to be cohesive, but the result is unfortunately a space that is sterile, slightly cold and without personality.” —Glenna Stone, interior designer, Philadelphia

“I usually see a massive sofa and a bunch of ditzy, underscale pieces because nothing else will fit properly.” —Liz Caan, interior designer, Boston

“I’ve seen large blowup pool toys laying about a primary living room and oversize shiny La-Z-Boys pushed into corners without anything else in the room.” —Melanie Hay, interior designer, Toronto

From Scotch whisky and luxury retreats to fashion collaborations and world-class hospitality, Ross Blainey has spent years shaping high-end experiences around one idea: modern luxury is no longer just about what you own.

It is about access, connection and moments money alone cannot buy.

As Citizen Kanebridge continues to grow as one of Australia’s most sought-after private members’ clubs, Blainey, the club’s new Head of Membership, says the future lies in creating experiences members cannot find anywhere else.

“The ultimate memorable experiences are the money can’t buy moments,” Blainey said.

“The things that you can’t just put together anytime or any place. They make up something that is greater than the sum of its parts.”

On June 4, Blainey will bring that philosophy to life when he hosts an exclusive whisky evening for Citizen Kanebridge members at Sydney’s Royal Automobile Club of Australia.

Titled A Journey Through Whisky, the intimate event will see Blainey guide members through a curated selection of rare and unreleased whiskies drawn from his personal archive, alongside stories gathered across years working at the highest levels of the Scotch whisky world.

The evening will also include reflections on Blainey’s induction as a Keeper of the Quaich at Blair Castle in Scotland last year, one of the whisky industry’s rarest global honours.

A career built around experience

Before joining Citizen Kanebridge, Blainey built a career spanning luxury hospitality, Scotch whisky, premium lifestyle brands and experiential events.

But he says one industry above all others shaped the way he thinks about people and community: Scotch whisky.

“At its core, at its heart and throughout its whole history, Scotch has been about sharing, enjoyment, telling stories, meeting people and generally having a good time,” he said.

“Whisky can be that shared moment of laughter, and it can also be a shared moment of just slowing down, taking stock and contemplating. These are so key to building community.”

Blainey’s deep involvement in the whisky world culminated in 2025 when he was inducted as a Keeper of the Quaich at Blair Castle, a recognition is reserved for a select group of individuals who have made an outstanding contribution to Scotch whisky internationally.

“I was inducted last year, 2025, an incredible honour,” he said.

“There were a couple of teary-eyed moments as I stood in Blair Castle, on historic ground, realising that this was a moment I would remember forever.”

The next chapter for Citizen Kanebridge

Looking ahead, Blainey says Citizen Kanebridge will continue to focus on highly curated experiences, exclusive access, and bringing together like-minded members from Australia’s property, finance, and investment sectors.

“Our baseline of Car of the Year is already one of the most impressive events on the social calendar of Australia,” he said.

“My job is to find a way of raising the bar, taking things to the absolute top level for access, experiences and events.”

Blainey said the long-term goal was not simply to create another networking group or luxury club, but to build a community centred around meaningful relationships and unforgettable experiences.

“We provide the access, the money can’t buy memories, and we will be making those happen regularly,” he said.

“If we start with how amazing Car of the Year is and the only way is up, we are going to have some mind-blowing moments for our members.”

Hospitality at its absolute best

Another major influence on Blainey’s thinking came through his connection with world-famous New York restaurant Eleven Madison Park, once named the best restaurant in the world.

He says two concepts from the restaurant’s owners still shape the way he approaches luxury experiences today: “enlightened hospitality” and “unreasonable hospitality”.

“Enlightened hospitality is a way of doing business that looks at not just the product of what you serve, but how it makes people feel,” Blainey said.

“Unreasonable hospitality is more about striving for the absolute best all the time. If you’re going to do something, do it to an unreasonable level that blows everything else out of the water.”

It is a philosophy, he says, which aligns closely with where Citizen Kanebridge is heading next.

“That’s what we’re doing here with CK, taking members’ experiences to another level,” he said.

Fashion, whisky and creative collaborations

Blainey’s career has also included working with Glenfiddich as a Creative Collaborations Lead, where his role centred on bringing luxury experiences and partnerships to life through designers, chefs, artists and bartenders.

Among the projects were runway collaborations with leading Australian fashion designers, with pieces from the partnerships now housed inside Sydney’s Powerhouse Museum.

“My job was to find a creative way of bringing the brand to life,” he said.

“How do we make something that none of us could make on our own? Searching for the things that will resonate with people.”

What luxury consumers want now

Beyond whisky and events, Blainey also played a key role in building Blackbird Byron, the boutique Byron Bay hinterland retreat later recognised in Tatler’s Top 101 Hotels list.

The property, known for its dramatic views, minimalist architecture, and secluded atmosphere, helped shape his understanding of how luxury consumers are changing.

“I think I learned that people looking for luxury in hotels want memorable moments, considered design and the ability to get away from the hustle and bustle of modern life,” he said.

“To feel at home without being at home is important.”

More broadly, he believes today’s luxury consumers are increasingly driven by authenticity and emotional connection.

“For luxury consumers overall, I think it comes down to craft, story and connection,” he said.

“The product itself has to be impeccable, the story behind it builds your reason for looking at it, and then you need to make a genuine connection with people.”

Interested in becoming a member of Citizen Kanebridge? You can contact Ross here.