How to Avoid the Landscaping Mistakes That Date Your Home
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How to Avoid the Landscaping Mistakes That Date Your Home

Here, the outmoded garden trends that design pros see most often.

By KATHRYN O'SHEA-EVANS
Tue, Aug 17, 2021 10:16amGrey Clock 4 min

LIKE SPIKY haircuts and skinny jeans, your landscaping choices will inevitably skid out of style. Even certain planting techniques are being abandoned by designers and landscape-architecture gurus.

Consider rows of ornamentals such as pansies and impatiens sidling up to hydrangea. This froufrou fantasy surged as a status symbol in the 1950s, said New York designer Laurence Carr, but is far too resource-sucking today. “Functional gardens are the way of the future,” said Ms. Carr, who sees hodgepodges of “edible plants, bushes and trees, including many native plants, pollinators and medicinals,” sprouting instead.

We polled scores of pros for what else counts as passe landscaping these days, and got their picks for what to plant instead.

Dated: Los Angeles interior designer Susan Davis Taylor’s clients used to pave paradise, opting for a concrete or flagstone pool deck “leaving very little room for natural grass or garden spaces.”

Up-to-date: Lawn that is brought right up to the pool coping creates a resort-like beauty. Lounges and chairs sit on minimal hardscaping and look as if they are on the grass, said Ms. Taylor. The platforms “protect the furniture from water damage while leaving a luscious green yard that goes to the pool’s edge.”

Dated: Popular in the 1980s and ’90s, triple-tiered fountains recall Italian piazzas in a way that would have been appealing to Tony and Carmela Soprano. Beyond outmoded, the flourish condemns you to a life of fighting the algae that grows in them, said Miami architect Kobi Karp.

Up-to-date: A sculpture can solidify the relationship between a house and its plot, Mr. Karp said. “Purchase a piece with large scale and mass,” he said. “A smooth piece with some curvilinear aspects can make a striking juxtaposition against informal planting and foliage.”

Dated: “Red mulch in planting beds was a very unfortunate trend,” said Miami-based landscape designer Fernando Wong, who noted the choice was born at Walt Disney World in the 1960s and crept throughout suburbia from there. The hue is not really orange or red, he said, “just some bizarre in-between, like a bad dye job.”

Up-to-date: Mr. Wong seeks out chemical-free options that add nutrients to the soil, like mini pine-bark mulch. The top dressing is “nothing more than shredded pine tree, and easily found at most garden centers,” he said.

DatedFoundation planting—shrubs and trees so close to a home’s footing they appear to choke it—can cause mold on siding if greenery gets too big, make home repairs thorny and raise hell with your home’s base. John VerDerBer, landscape designer at his family’s Aquebogue, N.Y., nursery, never positions flora closer than 3 feet from a foundation.

Up-to-date: “High-end clients want to see more of their houses, so we plant larger trees at the corners and dwarf specimens between, or we plant perennials and grasses, not shrubs, around the house,” Mr. VerDerBer said.

Dated: Carleton Varney, president of Dorothy Draper & Co., based in Palm Beach, Fla., would give all the overt outdoor ornamentation that peaked in the 1990s—like fanciful bird baths, globes and angel statues—the heave-ho.

Up-to-date: “These days it’s much more chic to have a pared-back garden that embraces natural beauty,” he said. Installing a surface-level bird bath with the still water of a small pond is preferable for Mr. Varney today, especially a copper specimen that will patina over time. “You will still enjoy the benefits of having a bird bath without having it be a focal point,” he said.

Dated: In the 1990s, landscapers plopped boulders onto grounds to add dimension—and unsurprisingly, the big stones sit there still. The problem, said Cara Fox, owner and lead designer for the Fox Group in Holladay, Utah: “So often, they aren’t authentic to the topography of the land.”

Up-to-date: Ms. Fox prefers to install equally substantive bushes with a similar scale. Ideally they would be right for the area’s hardiness zone, the USDA standard for determining if a plant can thrive in a location. For zones 4 through 8, which cover most of the U.S., that would be quick-growing hornbeam hedge or bush, “which can be trimmed to any scale,” she said.

Dated: The Algerian and English ivy that dominated facades in the 1950s and ’60s “makes a good rat hotel,” said James Lord, principal of San Francisco landscape architecture and urban design firm Surfacedesign. Ivy also creeps under siding, and its little rootlets exploit and expand cracks in mortar. Mr. Lord added that the climbing clinger—installed to replicate an East Coast prep look—also pushes out indigenous species and strangles trees.

Up-to-date: Mr. Lord would re-create the eye-candy appeal of climbing vines with their less-grasping cousin, twining vines, because they shimmy up supports like cables instead. He favors passion flower and trumpet vine in the Bay Area, because they’re “all seasonally more interesting than ivy, and won’t undermine the integrity of your wall.”

Dated: With the flounciness of a rococo ball gown, florals that ring tree trunks in rainbow circles are now more musty than must-have. “The plants are too orderly,” said New York designer Chris Shao.

Up-to-date: Mr. Shao would color outside the lines, loosen restrictive delineations and sow a mix of native species in a comparatively fluid style for a more contemporary tree skirt.

DatedGeometrically spaced drifts of a single species have held sway for two decades, but they’re not getting a second glance from Sutter Wehmeier, principal of Base Landscape Architecture, in Portland, Ore.

Up-to-date: Mr. Wehmeier prefers vegetation that “injects a hint of wildness without getting disorderly,” such as regionally appropriate ground covers and wildflowers that will seasonally pop up and recede “like fireworks.”

Reprinted by permission of Mansion Global. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: August 13, 2021



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Wild cities and concrete corridors: How AI is reimagining the landscape

A new AI-driven account by leading landscape architect Jon Hazelwood pushes the boundaries on the role of ‘complex nature’ in the future of our cities

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Wed, Dec 6, 2023 2 min

Drifts of ground cover plants and wildflowers along the steps of the Sydney Opera House, traffic obscured by meadow-like planting and kangaroos pausing on city streets.

This is the way our cities could be, as imagined by landscape architect Jon Hazelwood, principal at multi-disciplinary architectural firm Hassell. He has been exploring the possibilities of rewilding urban spaces using AI for his Instagram account, Naturopolis_ai with visually arresting outcomes.

“It took me a few weeks to get interesting results,” he said. “I really like the ephemeral nature of the images — you will never see it again and none of those plants are real. 

“The AI engine makes an approximation of a grevillea.”

Hazelwood chose some of the most iconic locations in Australia, including the Sydney Opera House and the Harbour Bridge, as well as international cities such as Paris and London, to demonstrate the impact of untamed green spaces on streetscapes, plazas and public space.

He said he hopes to provoke a conversation about the artificial separation between our cities and the broader environment, exploring ways to break down the barriers and promote biodiversity.

“A lot of the planning (for public spaces) is very limited,” Hazelwood said. “There are 110,000 species of plants in Australia and we probably use about 12 in our (public) planting schemes. 

“Often it’s for practical reasons because they’re tough and drought tolerant — but it’s not the whole story.”

Hazelwood pointed to the work of UK landscape architect Prof Nigel Dunnett, who has championed wild garden design in urban spaces. He has drawn interest in recent years for his work transforming the brutalist apartment block at the Barbican in London into a meadow-like environment with diverse plantings of grasses and perennials.

Hazelwood said it is this kind of ‘complex nature’ that is required for cities to thrive into the future, but it can be hard to convince planners and developers of the benefits.

“We have been doing a lot of work on how we get complex nature because complexity of species drives biodiversity,” he said. 

“But when we try to propose the space the questions are: how are we going to maintain it? Where is the lawn?

“A lot of our work is demonstrating you can get those things and still provide a complex environment.” 

At the moment, Hassell together with the University of Melbourne is trialling options at the Hills Showground Metro Station in Sydney, where the remaining ground level planting has been replaced with more than 100 different species of plants and flowers to encourage diversity without the need for regular maintenance. But more needs to be done, Hazelwood said.

“It needs bottom-up change,” he said. ““There is work being done at government level around nature positive cities, but equally there needs to be changes in the range of plants that nurseries grow, and in the way our city landscapes are maintained and managed.”

And there’s no AI option for that. 

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