More Privacy at Home, Thanks to This Interior Designer Trick
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More Privacy at Home, Thanks to This Interior Designer Trick

Drapes hung in a doorless interior opening—what design pros call a portiere—provide separation.

By Alice Welsh Doyle
Tue, Mar 8, 2022 1:45pmGrey Clock 2 min

LOOKING FOR some style and privacy—perhaps more than ever—without moving walls? Consider adding hanging fabric panels in a doorway, a favorite trick of interior designers. “Portieres are a clever and versatile tool,” said Birmingham, Ala., interior designer Stephanie Lyton. When the drapes are closed, family members know to stay away (”I’m working!”). Interior drapes also dampen noise and check the chill coming from real doors that open onto the blustery world at large. On the decorating front, they soften hard edges and invest plain old portals with a bit of mystery and drama. Here, a few details.

The Appeal

Portieres efficiently add color, pattern and texture to two rooms. “Plus, they bring a dash of romance,” said Stephanie Lynton, an interior designer in Birmingham, Ala., who added more pink to a large room’s rose-inflected décor by hanging blush linen portieres in the door frames. Ms. Lynton also notes that portieres bring the coziness and beauty of drapes to a room with few or no windows, or to a generously windowed room whose light or views you would rather not block with conventional curtains.

On the practical side, portieres provide privacy and the ability to separate, whenever life requires, spaces that connect without a solid door—say, a kitchen and a dining room doubling as a home office. The rosy drapes that Ms. Lynton deployed helped block drafts from nearby exterior exits. Atlanta interior designer Jackye Lanham found another pragmatic use for a fabric barrier: sealing off a hallway that leads to guest rooms. “When they are closed, I know my guests are still sleeping.”

The Tips

When choosing the fabric, consider the portieres’ function. Should you want to block a draft or noise, dense velvet works well. Just make sure your rod is strong enough to support the fabric’s weight, cautioned Ms. Lynton. Lightweight materials will soften a room with a lot more Gatsby-esque billow, but Ms. Lanham recommends shunning stretchy fabrics “that will lose shape and sag over time.”

Ms. Lanham likes to use two complementary fabrics for either side of a portiere’s panels to orchestrate a different visual experience in each connecting space, and hews to the rule that fabrics should align with the overall interior décor. To transition from a marble-tiled foyer to a heart-of-pine living room in a stately Atlanta house, for example, Ms. Lanham used a de Gournay silk edged with hand-tied knots. “You want to consider the desired fullness as well,” she said, explaining that in a modern context, tailored panels look best, but for more romantic rooms, a flouncier treatment with tiebacks might stir hearts more effectively. And get creative with your materials, she said. Vintage textiles, embroideries, table linens and even quilts can be conscripted as portieres.

The Caveats

Portieres’ great selling-point—that they adorn two rooms at once—obliges you to pay more. Visible from both sides, they require twice as much fabric as window drapes, which is potentially pricey. Also, you can’t install them anywhere that might impede their function, “such as too close to an oven door or to drawers that pull out,” said Ms. Lynton. Still, said Ms. Lanham, “I think portieres work in most spaces, even in more-contemporary designs.”



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The personal wardrobe of the late fashion designer Vivienne Westwood, who is credited for introducing punk to fashion and further developing the style, is headed to auction in June.

Christie’s will hold the live sale in London on June 25, while some of the pieces will be available in an online auction from June 14-28, according to a news release from the auction house on Monday.

Andreas Kronthaler, Westwood’s husband and the creative director for her eponymous fashion company, selected the clothing, jewellery, and accessories for the sale, and the auction will benefit charitable organisations The Vivienne Foundation, Amnesty International, and Médecins Sans Frontières.

The more than 200 lots span four decades of Westwood’s fashion, dating to Autumn/Winter 1983-84, which was one of Westwood’s earliest collections. Titled “Witches,” the collection was inspired by witchcraft as well as Keith Haring’s “graphic code of magic symbols,” and the earliest piece being offered from it is a two-piece ensemble made of navy blue serge, according to the release.

“Vivienne Westwood’s sense of activism, art and style is embedded in each and every piece that she created,” said Adrian Hume-Sayer, the head of sale and director of Private & Iconic Collections at Christie’s.

A corset gown of taupe silk taffeta from “Dressed to Scale,” Autumn/Winter 1998-99, will also be included in the sale. The collection “referenced the fashions that were documented by the 18th century satirist James Gillray and were intended to attract as well as provoke thought and debate,” according to Christie’s.

Additionally, a dress with a blue and white striped blouse and a printed propaganda modesty panel and apron is a part of the wardrobe collection. The dress was a part of “Propaganda,” Autumn/Winter 2005-06, Westwood’s “most overtly political show” at the time. It referenced both her punk era and Aldous Huxley’s essay “Propaganda in a Democratic Society,” according to Christie’s.

The wardrobe collection will be publicly exhibited at Christie’s London from June 14-24.

“The pre-sale exhibition and auctions at Christie’s will celebrate her extraordinary vision with a selection of looks that mark significant moments not only in her career, but also in her personal life,” Hume-Sayer said. “This will be a unique opportunity for audiences to encounter both the public and the private world of the great Dame Vivienne Westwood and to raise funds for the causes in which she so ardently believed.”

Westwood died in December 2022 in London at the age of 81.

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