Nine-Figure Home Sales Are Skyrocketing. ‘Soon $100 Million Will Be $200 Million.’
The ultraluxury market has seen a surge in megadeals in recent years, as the ranks of wealthy buyers grew across the world
The ultraluxury market has seen a surge in megadeals in recent years, as the ranks of wealthy buyers grew across the world
It has been nearly 20 years since the country’s first $100 million home sale, but in some ways the market is just taking off: Since 2020, at least 24 homes nationwide have traded for $100 million and up, more than the total number of nine-figure sales during the entire prior decade combined.
The 24 homes, and their uber-wealthy owners, also tell the compelling story of massive wealth creation and migration in the U.S. since the onset of the pandemic, with a dramatic surge in nine-figure deals in Florida in recent years. Since 2020, three homes over $100 million have changed hands in New York City compared with six in and around Palm Beach, including a $170 million deal in 2023 that set a Florida sales record.
“People’s wealth has grown so substantially and there’s such limited product,” said Chris Leavitt of Douglas Elliman in Palm Beach. “There are more billionaires than there are oceanfront, sprawling estates.”
Los Angeles and Malibu, Calif., have also notched a string of major transactions, gaining steam as the wealthy sought space and privacy during the pandemic or picked up second homes. Last year, entertainment power couple Beyoncé and Jay-Z paid $190 million for a mansion in Malibu that set a California sales record—and sparked predictions that the $200 million threshold is within reach.
“Soon $100 million will be $200 million, that’s the way it’s going,” said Drew Fenton of Carolwood Estates in Beverly Hills. “We’re inching closer to it.”

Nationwide, the number of mega deals skyrocketed as the ranks of ultra wealthy individuals swelled around the globe. There were 3,194 billionaires in 2023, up from 2,170 in 2013, according to wealth research firm Wealth-X.
Meanwhile, luxury home prices nationwide have soared. In 2023, the median sale price for a luxury home nationwide—defined as homes in the top 5% of the market—was $1.14 million, up 75% compared with 2013, according to real-estate brokerage Redfin.
In the past few years, the values of trophy homes around the country—disconnected as they might be from the rest of the market—also skyrocketed. So did the number of deals. In the 10 years between 2011 and 2020, there were 19 deals at or above $100 million. There were 22 deals over $100 million between 2021 and 2023. Those deals included properties that roughly doubled in value in a short amount of time.
For example, Alibaba Group co-founder and Brooklyn Nets owner Joseph Tsai paid $188 million in 2022 for a penthouse at 220 Central Park South, the Robert A.M. Stern Architects-designed condo tower on Manhattan’s Billionaires’ Row. The seller was billionaire investor Daniel Och, who purchased the property for $95 million in 2019. Also in 2022, Oracle co-founder Larry Ellison bought an oceanfront estate near Palm Beach for $173 million. Seller Jim Clark, a co-founder of Netscape, paid just over $94 million for the property in 2021.
Although Ken Griffin’s roughly $240 million penthouse buy in Manhattan in 2019 is still the country’s most expensive sale, nine-figure deals have surged in Malibu and South Florida.
Florida, which had an influx of wealthy residents during Covid, had one deal above $100 million in 2013 and two in 2019. Since 2020, there have been seven—including six in and around Palm Beach, where the city’s sales record was shattered twice in 2023. In March, billionaire William Lauder bought the late Rush Limbaugh’s longtime Palm Beach estate for $155 million. The next month, luxury car dealership owner Michael Cantanucci paid $170 million for an oceanfront estate from Green Mountain Coffee Roasters founder Robert Stiller.

Miami, which courted the tech industry and others during the pandemic, also saw record sales in quick succession. In January 2022, Griffin paid a record $75 million for a mansion on Star Island, besting the prior Miami sales record of $60 million for two penthouses at Miami’s Faena House condominium. (The Citadel founder was also the buyer of those units, which he has since sold.) Then in June 2022, Phillip Ragon, founder of software company InterSystems, purchased three homes in Golden Beach—about 20 miles from downtown Miami—for a combined $93 million. In September 2022, Griffin struck again and handed Miami its first nine-figure deal with his $106.875 million purchase of a 4-acre estate from philanthropist Adrienne Arsht.
“That was a new frontier for Miami, but it was such a stupendous property,” said Jill Hertzberg of the Jills Zeder Group at Coldwell Banker Realty, who represented Griffin in the deal with colleague Jill Eber. Hertzberg said unlike Miami’s last real-estate boom in the early 2000s, which was fuelled by foreign buyers, domestic buyers are driving up prices for luxury properties.

With buyers from America’s 1% focused elsewhere, New York City logged fewer $100 million-plus deals by comparison. In 2023, Manhattan had no nine-figure deals. In 2022, it had two, including Tsai’s $188 million purchase and philanthropist Julia Koch’s purchase of two Upper East Side penthouses from the estate of the late Paul Allen for a combined $101 million. In 2024, real-estate developer Extell inked a deal to sell a penthouse at Central Park Tower for around $115 million. The deal hasn’t yet closed.
Local real-estate agents said the city’s biggest sales have taken place within a roughly 1-mile radius, where there are a limited number of properties that can fetch $100 million or more. “Everybody wants the Central Park view,” said Pam Liebman of the Corcoran Group. “There’s only a handful of buildings that could ever warrant that price,” she said. “It’s just a scarcity thing.”
But Jonathan Miller of real-estate appraisal firm Miller Samuel said developers sold off many of their biggest units over the past few years, and new inventory is skewing smaller. “The odds of having a lot more 10,000-square-foot transactions—those are the ones that are going to break the $100 million threshold—seem limited,” he said.
Covid also altered the city’s luxury market permanently. “Everybody needs to be here, it’s still the finance capital of the world, but they’re spending less time here,” said Tal Alexander of real-estate brokerage Official. He said buyers who want a sprawling apartment overlooking Central Park can get one for $40 million to $50 million. For that reason, he thinks buyers are more likely to spend $100 million for oceanfront land with multiple structures in Palm Beach than they are on a condominium in Manhattan, he said.
The reality is that many $100 million-plus properties rarely come to market, said Corcoran’s Tim Davis, who works in the Hamptons. “We’ve got low inventory,” he said. In 2023, a roughly 8-acre Hamptons estate sold for $112.5 million, the priciest Hamptons sale of the year.
Historically, California’s largest trades have also involved a small collection of trophy estates in Los Angeles, and to a certain degree, new spec homes. The size, provenance and location of L.A.’s iconic estates makes them rare commodities, Fenton said.
Among them is Casa Encantada, a roughly 8.5-acre estate owned by late billionaire Gary Winnick and his wife, Karen Winnick. After setting a U.S. sales record when it sold in 1980 and again in 2000, Casa Encantada hit the market in 2023 asking $250 million. It is now listed for $195 million.
Kurt Rappaport of Westside Estate Agency, who is marketing Casa Encantada with Fenton, said the price is justified by how infrequently properties of this caliber come to market. “There are a lot of people who own these properties who don’t want to sell,” he said. He pointed to Bezos’s 2020 purchase of the Warner Estate in Beverly Hills for $165 million, and Lachlan Murdoch’s purchase of Chartwell, an estate in Bel-Air, for roughly $150 million in 2019. (Murdoch is executive chairman of News Corp which owns Dow Jones & Co., publisher of The Wall Street Journal.) “If you look at who owns these great houses, some of them are generational,” Rappaport said.
Given the scarcity of singular trophy homes, savvy buyers have scooped up multiple properties in prime markets in recent years. Griffin, for example, has spent more than $250 million assembling land to build a mansion in Palm Beach over the past few years. In 2023, Bezos paid a combined $147 million for adjacent properties in Miami’s Indian Creek Village. “People have realized how precious land is in cities—there’s not a lot of land so if you find a particular piece that’s gorgeous, and you have the opportunity to buy next to you, why not?” Hertzberg said.
Buyers have also paid a premium for more space and privacy. In Malibu, WhatsApp founder Jan Koum spent a combined $187 million for neighbouring properties that he bought in two transactions in 2019 and 2021. Likewise, venture-capitalist Marc Andreessen and his wife, Laura Arrillaga-Andreessen, paid $177 million for a Malibu compound in 2021; a year later, they paid $44.5 million for another trophy home nearby.
Real-estate agents said there are also some properties that have been built over time that would likely fetch $100 million if they were ever sold. In Manhattan’s Greenwich Village, for instance, Chipotle Mexican Grill founder Steve Ells paid close to $32 million in two transactions in 2014 and 2015 to buy neighbouring townhouses. He later filed for permission from the New York City Landmarks Preservation Commission to combine the two buildings—spanning almost 16,000 square feet combined—into a mansion. In recent months, Ells has quietly been shopping the property, according to people familiar with the offer. The asking price? $125 million.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.
For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.
The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.
“I am a true believer in collecting versus decorating,” Freeman says.
That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.
Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.
The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.
“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”
Collecting instead of decorating
Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.
Collecting is less conclusive.
A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.
That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.
A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.
The tension between those elements is part of the appeal.
For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.
Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.

A design perspective shaped by travel
International travel plays a significant role in Freeman’s creative process.
Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.
More spontaneous discoveries can prove equally important.
“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”
Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.
Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.
A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.
The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.
Designing the complete experience
FREEMAN & CO extends beyond conventional interior decoration.
The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.
That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.
Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.
The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.
Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.
The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.

A home that can keep changing
The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.
Freeman sees the home as something that should evolve with its owners.
“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”
That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.
The original design needs to be strong enough to accommodate those layers.
This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.
Fact box
The pandemic-fuelled love affair with casual footwear is fading, with Bank of America warning the downturn shows no sign of easing.
Australia’s market is on the move again, and not always where you’d expect. We’ve found the surprise suburbs where prices are climbing fastest.