Penfolds Unveils 2020 Collection
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Penfolds Unveils 2020 Collection

The range is led by the newcomer ‘g4’ alongside the expected grange and others.

By Terry Christodoulou
Thu, Aug 6, 2020 3:13amGrey Clock 2 min

The Penfolds Collection 2020 is finally here – and while the 66th consecutive Grange release will claim much of the attention, it’s singing back-up to the g4 and its frontman swagger.

Already a notable and multiple award-winning drop – the g4 brings together 2002, 2004, 2008 and 2016 Grange vintages. Given its limited fill of just 2500 bottles, move quickly to secure what is something truly phenomenal.

“These four Grange vintages are amongst our favourites of the last two decades – all so different in every sense, not just climatically,” offers Peter Gago, Penfolds Chief Winemaker. “The synergistic blending of these vintages worked perfectly from a quality, structural and style perspective.”

As for the 2016 Grange, Gago believes it may “politely nudge the classic 2004 and 2010 Grange.”

While the spotlight will always fall across new Grange releases, the included 2018 Bins also prove some of the winemaker’s best releases of the last half-century. Of note, the Bin 389 Cabernet Shiraz (celebrating 60 years since its first release) remains a collectable and balanced standout, the 2018 Bin 169 Coonawarra Cabernet making a sixth appearance and also worthy of some of the spotlight.

Not to be outdone, the four white releases here hold their own – the Bin 311 Chardonnay embracing the cool-climate conditions to become, according to Gago, “an awakened and enlightened blend.”

The Penfolds Collection 2020 and Penfolds g4 are available from today (August 6) from Penfolds’ cellar doors and select fine wine dispensaries.

penfolds.com



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The personal wardrobe of the late fashion designer Vivienne Westwood, who is credited for introducing punk to fashion and further developing the style, is headed to auction in June.

Christie’s will hold the live sale in London on June 25, while some of the pieces will be available in an online auction from June 14-28, according to a news release from the auction house on Monday.

Andreas Kronthaler, Westwood’s husband and the creative director for her eponymous fashion company, selected the clothing, jewellery, and accessories for the sale, and the auction will benefit charitable organisations The Vivienne Foundation, Amnesty International, and Médecins Sans Frontières.

The more than 200 lots span four decades of Westwood’s fashion, dating to Autumn/Winter 1983-84, which was one of Westwood’s earliest collections. Titled “Witches,” the collection was inspired by witchcraft as well as Keith Haring’s “graphic code of magic symbols,” and the earliest piece being offered from it is a two-piece ensemble made of navy blue serge, according to the release.

“Vivienne Westwood’s sense of activism, art and style is embedded in each and every piece that she created,” said Adrian Hume-Sayer, the head of sale and director of Private & Iconic Collections at Christie’s.

A corset gown of taupe silk taffeta from “Dressed to Scale,” Autumn/Winter 1998-99, will also be included in the sale. The collection “referenced the fashions that were documented by the 18th century satirist James Gillray and were intended to attract as well as provoke thought and debate,” according to Christie’s.

Additionally, a dress with a blue and white striped blouse and a printed propaganda modesty panel and apron is a part of the wardrobe collection. The dress was a part of “Propaganda,” Autumn/Winter 2005-06, Westwood’s “most overtly political show” at the time. It referenced both her punk era and Aldous Huxley’s essay “Propaganda in a Democratic Society,” according to Christie’s.

The wardrobe collection will be publicly exhibited at Christie’s London from June 14-24.

“The pre-sale exhibition and auctions at Christie’s will celebrate her extraordinary vision with a selection of looks that mark significant moments not only in her career, but also in her personal life,” Hume-Sayer said. “This will be a unique opportunity for audiences to encounter both the public and the private world of the great Dame Vivienne Westwood and to raise funds for the causes in which she so ardently believed.”

Westwood died in December 2022 in London at the age of 81.

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