Scarlett Johansson Rebukes OpenAI Over ‘Eerily Similar’ ChatGPT Voice
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Scarlett Johansson Rebukes OpenAI Over ‘Eerily Similar’ ChatGPT Voice

Actress was ‘shocked, angered and in disbelief’ when she heard AI voice; company says AI voices shouldn’t mimic a celebrity’s

By JOSEPH PISANI, VICTORIA ALBERT
Wed, May 22, 2024 9:25amGrey Clock 2 min

Actress Scarlett Johansson criticized OpenAI over a ChatGPT voice she says is “eerily similar” to her own.

The tech company said Monday it was pausing use of the voice, known as Sky, so it could address questions about how it chose the ChatGPT voices. Many people online have drawn comparisons between Sky and Johansson, who voiced an artificial-intelligence assistant in the 2013 sci-fi romance “Her.” The actress said in a statement her closest friends couldn’t tell the difference.

Johansson said OpenAI Chief Executive Sam Altman wanted to hire her last year to provide her voice for ChatGPT’s current system. She declined. When the actress heard Sky, one of five voices the company offers for its AI tool, she said she was “shocked, angered and in disbelief” that Altman would use a voice so similar to hers.

Johansson said her lawyers asked Altman and OpenAI for more details on how they created Sky.

“In a time when we are all grappling with deepfakes and the protection of our own likeness, our own work, our own identities, I believe these are questions that deserve absolute clarity,” Johansson said.

The voice of Sky was never intended to resemble Johansson, Altman said in a statement Monday evening.

“We cast the voice actor behind Sky’s voice before any outreach to Ms. Johansson,” he said. “Out of respect for Ms. Johansson, we have paused using Sky’s voice in our products.”

In a blog post Sunday, the company said it picked the five voices from more than 400 submissions from actors, looking for voices that sounded timeless and were easy to listen to.

OpenAI said Sky was the natural voice of another actress whom it hired and wasn’t an imitation of Johansson. It wouldn’t name the actress, citing privacy reasons.

The conflict with Johansson adds to the challenges confronting OpenAI, which has been sued by authors, artists and media companies for allegedly using their material without permission or payment. It also serves as a distraction at a time when OpenAI is trying to highlight new products and move beyond its leadership crisis last fall, when the company’s then-board of directors fired Altman for failing to be “consistently candid.” Altman was quickly reinstated as CEO.

OpenAI announced an updated ChatGPT voice feature a week ago. It builds on a product released in September that allows users to talk to its AI tool instead of type and hear responses in five different voices. OpenAI said users can have a more humanlike conversation with the new version, which responds almost instantaneously and can switch quickly between emotional tones.

The updated feature is part of a new AI system , called GPT-4o. It is the company’s latest attempt to attract more users and dominate the market for generative AI technology. The feature will be available to users who pay for ChatGPT-Plus, which costs $20 a month.

At the announcement last week, Altman likened the voice feature to something only seen in movies.

The CEO said in a speech last year that he and other OpenAI executives found inspiration in “Her,” which starred Joaquin Phoenix as a lonely man who falls in love with the voice assistant Samantha, voiced by Johansson. OpenAI employees posted references to the movie on X after the May 13 voice announcement. Altman posted a one-word tweet : “her.”

—Deepa Seetharaman contributed to this article. 



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ITALY’S FINE WINES GAIN GROUND AS VALUE PLAY FOR COLLECTORS

Italian wines are emerging as a serious contender for Australian collectors, offering depth, rarity and value as French benchmarks continue to climb.

By Jeni O'Dowd
Tue, May 5, 2026 2 min

Italian fine wines are gaining momentum among Australian collectors and drinkers, with new data from showing a surge in interest driven by value, versatility and a new generation of producers.

Long dominated by France, the premium wine conversation is beginning to shift, with Italy increasingly positioned as a compelling alternative for both drinking and collecting.

According to Langtons, the category is benefiting from a combination of factors, including its breadth of styles, strong food affinity and more accessible price points compared to traditional European benchmarks.

“Italy has always offered fine wine fans an incredible range of wines with finesse, nuance, expression of terroir, ageability, rarity, and heritage,” said Langtons General Manager Tamara Grischy.

“There’s no doubt the Italian wine category is gaining momentum in 2026… While the French have long dominated the fine wine space in Australia, we’re seeing Italy become a strong contender as the go-to for both drinking and collecting.”

The shift is being reinforced by changing consumer preferences, with Langtons reporting increased demand for indigenous Italian varieties and lighter, food-first styles such as Nerello Mascalese from Etna and modern Chianti Classico.

This aligns with the broader rise of Mediterranean-style dining in Australia, where wines are expected to complement a wider range of dishes rather than dominate them.

Langtons buyer Zach Nelson said the category’s versatility is central to its appeal.

“Italian wines often have a distinct, savoury edge making them an ideal pairing for a variety of cuisines,” he said.

The move towards Italian wines also comes as prices for traditional French regions continue to climb, particularly in Burgundy, prompting collectors to look elsewhere for value without compromising on quality.

Italy’s key regions, including Piedmont and Etna, are increasingly seen as offering that balance, with premium wines available at comparatively accessible price points.

Nelson said value is now a defining factor for buyers in 2026.

“Value is the key driver for Australian fine wine consumers… Italian wines are offering exactly that at an impressive array of price points to suit any budget,” he said.

The category is also proving attractive for newer collectors, offering what Langtons describes as “accessible prestige” and a more open entry point compared to the exclusivity often associated with Bordeaux.

Wines such as Brunello di Montalcino and Nebbiolo-based expressions are increasingly being positioned as entry points into cellar-worthy collections, combining ageability with relative affordability.

At the same time, a new generation of Italian producers is reshaping the category, moving away from heavier, oak-driven styles towards wines that emphasise site expression and vibrancy.

“There’s definitely a ‘new guard’ of Italian winemaking… stripping away the makeup… to let the raw, vibrating energy of the site speak,” Nelson said.

Langtons is also expanding its offering in the category, including exclusive access to wines from family-owned producer Boroli, alongside a broader selection spanning Piedmont, Veneto, Sicily and Tuscany.

The company will showcase the category further at its upcoming Italian Collection Masterclass and Tasting in Sydney, featuring more than 50 wines from 23 producers across four key regions.

For collectors and drinkers alike, the message is clear: Italy may have been overlooked, but it is no longer under the radar.

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