The Spectacular Crash of a $30 Billion Property Empire
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The Spectacular Crash of a $30 Billion Property Empire

By ELIOT BROWN
Sat, Feb 10, 2024 7:00amGrey Clock 8 min

René Benko was a high school dropout and convicted criminal. But by 2018, he was at the pinnacle of global real estate.

His company, Signa Holding, launched a glassy, J-shaped skyscraper on the banks of the River Elbe in Hamburg, Germany. The design of the 800-foot tower resembled a chart showing exponential growth. Hamburg’s mayor, the future German Chancellor Olaf Scholz , lauded Signa’s good reputation with banks when the city picked the developer to build the tower.

“Signa is financially strong,” he said. It wasn’t.

Benko’s sprawling, $30 billion empire of trophy real estate and department stores has imploded into the biggest property bankruptcy in Europe since the global financial crisis. The mess threatens to unleash significant losses on scores of lenders and investors and freeze half-built developments in numerous city centers.  Stakes in Manhattan’s Chrysler building , upscale British retailer Selfridges and sporting- goods groups in the U.S. and Europe face the block. Auctioneers are selling off Signa’s bookshelves, doormats, 700-bottle wine collection and a diamond-shaped award for Europe’s 2021 real-estate brand of the year.

The Hamburg tower is halted—leaving a 330-foot tall concrete stump. The unravelling marks a dramatic reversal for the self-made entrepreneur, who once lavished backers with hops on his yacht, a top-of-the-line Bombardier Global Express jet and trips to Signa’s multiple Austrian hunting grounds, complete with a shooting guide on the company payroll.

Left tallying their losses are heirs to the Tetra-Pak and Peugeot family fortunes; billionaire Ron Burkle ; and marquee sovereign-wealth funds from Singapore, Saudi Arabia and the United Arab Emirates. Dozens of banks lent money, including Citigroup and Swiss bank Julius Baer, whose chief executive resigned on Feb. 1 after the bank wrote off $700 million on loans tied to Signa. Spokespeople for Citigroup, Julius Baer, Peugeot Invest , Singapore’s GIC, and the UAE’s Mubadala declined to comment. The others didn’t respond to requests for comment.

Insolvency administrators say they are still getting to the bottom of the group’s corporate structure. But public filings, investors and former employees paint a picture of an empire that combined persuasive salesmanship with extreme financial engineering—an unsteady foundation that crumbled when the low interest rate era ended. In fundraising presentations, Signa told investors it was offering conservative, low-debt investments in iconic properties to be held for generations. Investors said they have since learned through Signa’s legal filings the companies had far more debt than they knew.

Many were invested in discrete parts of the larger company, unaware of convoluted cross-investments and large amounts of borrowing across hundreds of vehicles. An attorney for Benko said a list of questions sent by The Wall Street Journal contained “credit-damaging” and inaccurate allegations, but declined to provide specifics.  

Some of Benko’s associates disagree that Signa’s structure was at fault, but rather see the implosion as a result of herd behaviour by lenders. Former Austrian Chancellor Alfred Gusenbauer, who served on Signa company boards, told Austrian state radio in January that the group overextended in retail, draining cash, and that the European Central Bank told banks not to provide more financing. ECB supervisory board chairman Andrea Enria has called that suggestion bizarre, and said Signa wasn’t targeted, but rather part of a broader examination of banks’ commercial real-estate exposure.  

Benko, 46, was raised with modest means in Innsbruck, the quaint Austrian city nestled in the Alps. He was a star junior indoor climber and, at 17, dropped out of high school and began converting attic lofts, he has said in Austrian media interviews. He said he raised money from an heir to a gas station fortune, and quickly built up his business, expanding throughout the 2000s. He ran into trouble in 2012, convicted of an elaborate scheme in which prosecutors said he commissioned a former Croatian prime minister to push Italian officials including Prime Minister Silvio Berlusconi to help contest a tax bill on Signa-owned Italian properties.

Though the tax bill wasn’t reduced and the court said money never changed hands, a judge called it a “model case of corruption,” Austrian media reported at the time. Benko was sentenced to the equivalent of probation. It could easily have been a fatal business blow. Such convictions are typically toxic in the eyes of the large lenders and major investors that fuel the market. Instead, Benko trained his salesman skills at wealthy European families who could be swayed by his personal pitch, former employees said. He met scions of one family fortune after another for dinners over glasses of Château Lynch-Bages, which sells for $200 a bottle, they said. He plopped down a specially made hard-bound book half the size of his desk. Paging through photos of property after property, he would tell stories behind the deals and rattle off detailed numbers from memory, staring into the eyes of his would-be investors for what some said were uncomfortably long periods.

Officially, Benko wasn’t in charge. Around the time of his conviction, he structured the companies so he was neither Signa’s chief executive nor on its executive board, instead serving as chairman of an advisory board. But inside Signa, Benko ran the show, making critical decisions and appeared indistinguishable from a normal CEO, former employees said. Funds eventually rolled in from Switzerland’s Falcon Bank and Ernst Tanner , the chairman of chocolate maker Lindt & Sprüngli and from local Austrian lenders. Signa snapped up buildings in Vienna’s historic “Golden Quarter” and department stores like   Munich’s Oberpollinger. Benko boasted Signa was second only to the Catholic Church in owning Vienna property.  One key to Signa’s growing empire was a financial maneuver in which Benko’s companies functioned as both landlord and tenant for department stores. This allowed Signa to reap outsize benefits by moving money from its department store business to its landlord business through hiked rents, former Signa employees involved said.  That extra rental income was worth far more in the landlord arm through what a former employee called “multiple arbitrage.”

Long-term leases instantly increase the value of properties substantially—and investors tend to value income at landlords at more than 20 times the annual proceeds. At retailers, where business is seen as more fickle, investors value it at less than half that level. This allowed the real estate unit to borrow and raise investment based on the higher valuations.  In 2012, Signa joined with mining magnate Beny Steinmetz to buy a portfolio of Karstadt department stores, a chain that dots Germany. The following year, Signa raised rents on a chunk of them and extended the leases to 30 years in return for upfront cash payments. Signa’s Karstadt unit reported the total amount it owed for leases jumped to €3.9 billion, up from €3.3 billion the prior year, according to corporate filings.

A person close to Steinmetz said the joint venture with Signa lasted only three years and that his team wasn’t involved in day-to-day management. He added the Steinmetz organization hasn’t had any contact with Benko or Signa since 2015. Benko and others at Signa justified the rent hikes by saying the department stores had been paying below-market rates, and that Signa would modernize and turn around the money-losing businesses so they could eventually afford the higher payments, former employees said. High-profile acquisitions like Karstadt and the growing roster of wealthy backers helped Benko attract high-profile allies. Former Morgan Stanley Chairman Walid Chammah advised him on fundraising; Gusenbauer, the former Austrian chancellor, and a deputy chancellor both joined his board, and the Peugeot family invested 

The value of properties reported by his two main real-estate companies rose to €3.6 billion in 2014, surpassed €10 billion in 2017 and more than €18 billion by 2020—extraordinary growth in a slow-moving sector.  Luxuries piled up, including a ski chalet, fine art, two private jets and the Roma, a 203-foot yacht, which Benko parked in front of Europe’s annual real estate conference in Cannes, France, former employees said.  Signa purchased a stake in two Austrian newspapers in 2018, and further expansions in retail gave it a giant department store empire across Austria, Germany, Italy and Switzerland.

Benko pushed into the U.S. in 2019 with a splashy purchase: Signa and a partner paid about $150 million for the Chrysler Building, giving each a 50% stake. Photos of the art deco skyscraper went up around Signa’s offices.  As they grew, Signa’s real-estate companies boasted high profits—on paper, at least. Signa called itself “the best performing real-estate company in Europe” in a 2018 investor presentation Between 2017 and 2021, the main real-estate unit, Signa Prime, had a combined €3.4 billion in profits, it said in Austrian corporate filings.

But all of Signa’s profits over that period were from paper gains. Signa marked up the values of its own properties by €4 billion, meaning the company would have otherwise reported substantial losses.  In the same period, Signa Prime spent more on interest payments and dividends—€1.9 billion—than the €1.6 billion it received in rental revenue, an unusual situation for a large property owner.  Pushing up values was a key focus within the company, former executives said. Employees focused heavily on appraisals, giving rent projections and other evidence to outside appraisers in a bid to get high values, according to those employees. Many investors and lenders relied on the outside appraisals. Dividends were based largely on property values, so higher values boosted returns. Appraisers valued the company’s office properties at 41 times the income they produced in 2021, corporate filings show. Comparable publicly traded office companies’ property portfolios were valued around 20 to 25 times income, according to Green Street, a real-estate advisory firm.

Signa’s figure “doesn’t make sense for any portfolio,” said Peter Papadakos , head of European Research at Green Street. “That’s something I’ve never seen for listed office companies.” He said Signa’s numbers for its hotel and retail properties—valued at 30 times annual income in 2021—were similarly off the mark.  Rising paper values allowed Benko to boast of low debt ratios, hovering around 50% of building values, he told investors, according to presentations. That left a healthy buffer in case the market turned.

Some properties, however, had a layer of debt on corporate shells that sat between the properties and the real-estate company, which itself had numerous layers of debt.  Benko’s 50% calculation typically omitted billions of dollars in liabilities that increasingly weighed on its finances. Called Genussscheine, a hybrid between debt and equity, it promised investors a share of any profits in a year from Signa companies or individual projects. Even though under German accounting principles it isn’t technically categorised as debt, interest was steep—in the high single digits—on some of these notes and they had to be repaid or refinanced upon maturity.  As Signa grew and Covid hit, rents proved unsustainable at the department stores. In 2020, Signa’s German department store unit filed for bankruptcy. To make sure the company would continue to pay the high rents that underpinned Signa’s property values, Signa gave the unit a 200-million-euro lifeline in the form of a loan that was later forgiven. Meanwhile, Signa needed money to fund dividends and an array of large developments started in city centers around Europe.

In December 2021, a unit of the Benko empire that sold bike and tennis gear went public by merging with a special-purpose acquisition company established by Ron Burkle’s Yucaipa. Citigroup gave loans and big U.S. mutual funds bought bonds. A Benko family trust owned nearly half of the stock, which was worth $3.2 billion at its peak. Signa joined with Central Group—run by Thailand’s Chirathivat family—to pay $5 billion for Selfridges, the tony British department store chain known for ostentatious displays on London’s Oxford Street. The Saudi Public Investment Fund helped fund the deal. The empire wobbled in late 2022, when a triple whammy hit. Prosecutors in Austria raided Signa Holding’s offices as part of a sprawling probe into alleged government corruption.

Galeria, Signa’s flagship German department store, filed for insolvency in October 2022, after limping for years. And the sports arm called on Benko for hundreds of millions of dollars in emergency money because of plunging sales. Benko started showing signs of stress. During the day, he would hype himself up by drinking over half a dozen espressos and chain smoke one Cuban cigar after another, filling his jet’s cabin with smoke, former employees said. He had a bad temper, the former employees said. In one meeting, he called his chief financial officer a “fette Sau,” or a “fat pig,” according to a person who was present. In spring 2023, Signa Development, one of Benko’s many arms, sold some buildings to raise cash. But the proceeds didn’t stay with the company, according to people familiar with the matter and statements from ratings agencies.

Instead of being reinvested into the company and ongoing developments as required under the terms of bonds it issued, the cash flowed to other Signa companies, the people said. Fitch Ratings called it a “breach of financial separation” that wasn’t supposed to happen.  In August, Signa sold a resort overlooking Lake Garda to a Benko family trust.  Signa wasn’t able to find a loan crucial to paying for the rest of the Hamburg skyscraper that was under construction and stopped paying its contractor.  In October, Signa Holding backed out of paying Signa’s U.S. sports retailer another €150 million it had promised. The publicly traded retailer declared bankruptcy days later.

A €200 million bond went unpaid by Signa Prime the next month. The defaults sparked a cascade of insolvencies, first by Benko’s holding company, and then by Signa’s two main real-estate companies. Two days before the holding company filed for bankruptcy, it sold a ski chalet to an entity controlled by the “Laura Foundation,” a Benko family trust that shares the name of one of Benko’s daughters, according to corporate filings.  More insolvencies within the Signa web are expected, and investors and lenders are bracing for the final bill. Bonds tied to Signa Development are trading at just 13 cents on the dollar, implying the debt investors think they may lose virtually everything.  Numerous Signa development sites have stalled, leaving boarded-up sites in Munich, Berlin and Düsseldorf. The site of the 800-foot Hamburg tower sits idle, with Signa’s name on the fence covered with graffiti as politicians debate its future.



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Everyone Wants a Room Where They Can Escape Their Screens

Weary of ‘smart’ everything, Americans are craving stylish ‘analog rooms’ free of digital distractions—and designers are making them a growing trend.

By NORA KNOEPFLMACHER
Tue, Jan 13, 2026 5 min

James and Ellen Patterson are hardly Luddites. But the couple, who both work in tech, made an unexpectedly old-timey decision during the renovation of their 1928 Washington, D.C., home last year.

The Pattersons had planned to use a spacious unfinished basement room to store James’s music equipment, but noticed that their children, all under age 21, kept disappearing down there to entertain themselves for hours without the aid of tablets or TVs.

Inspired, the duo brought a new directive to their design team.

The subterranean space would become an “analog room”: a studiously screen-free zone where the family could play board games together, practice instruments, listen to records or just lounge about lazily, undistracted by devices.

For decades, we’ve celebrated the rise of the “smart home”—knobless, switchless, effortless and entirely orchestrated via apps.

But evidence suggests that screen-free “dumb” spaces might be poised for a comeback.

Many smart-home features are losing their luster as they raise concerns about surveillance and, frankly, just don’t function.

New York designer Christine Gachot said she’d never have to work again “if I had a dollar for every time I had a client tell me ‘my smart music system keeps dropping off’ or ‘I can’t log in.’ ”

Google searches for “how to reduce screen time” reached an all-time high in 2025. In the past four years on TikTok, videos tagged #AnalogLife—cataloging users’ embrace of old technology, physical media and low-tech lifestyles—received over 76 million views.

And last month, Architectural Digest reported on nostalgia for old-school tech : “landline in hand, cord twirled around finger.”

Catherine Price, author of “ How to Break Up With Your Phone,” calls the trend heartening.

“People are waking up to the idea that screens are getting in the way of real life interactions and taking steps through design choices to create an alternative, places where people can be fully present,” said Price, whose new book “ The Amazing Generation ,” co-written with Jonathan Haidt, counsels tweens and kids on fun ways to escape screens.

From both a user and design perspective, the Pattersons consider their analog room a success.

Freed from the need to accommodate an oversize television or stuff walls with miles of wiring, their design team—BarnesVanze Architects and designer Colman Riddell—could get more creative, dividing the space into discrete music and game zones.

Ellen’s octogenarian parents, who live nearby, often swing by for a round or two of the Stock Market Game, an eBay-sourced relic from Ellen’s childhood that requires calculations with pen and paper.

In the music area, James’s collection of retro Fender and Gibson guitars adorn walls slicked with Farrow & Ball’s Card Room Green , while the ceiling is papered with a pattern that mimics the organic texture of vintage Fender tweed.

A trio of collectible amps cluster behind a standing mic—forming a de facto stage where family and friends perform on karaoke nights. Built-in cabinets display a Rega turntable and the couple’s vinyl record collection.

“Playing a game with family or doing your own little impromptu karaoke is just so much more joyful than getting on your phone and scrolling for 45 minutes,” said James.

The Patterson family’s basement retreat ‘encapsulates the joy in the things that we love in one room.’ John Cole

Screen-Free ‘Escapes’

“Dumb” design will likely continue to gather steam, said Hans Lorei, a designer in Nashville, Tenn., as people increasingly treat their homes “less as spaces to optimise and more as spaces to retreat.”

Case in point: The top-floor nook that designer Jeanne Hayes of Camden Grace Interiors carved out in her Connecticut home as an “offline-office” space.

Her desk? A periwinkle beanbag chair paired with an ottoman by Jaxx. “I hunker down here when I need to escape distractions from the outside world,” she explained.

“Sometimes I’m scheming designs for a project while listening to vinyl, other times I’m reading the newspaper in solitude. When I’m in here without screens, I feel more peaceful and more productive at the same time—two things that rarely go hand in hand.”

A subtle archway marks the transition into designer Zoë Feldman’s Washington, D.C., rosy sunroom—a serene space she conceived as a respite from the digital demands of everyday life.

Used for reading and quiet conversation, it “reinforces how restorative it can be to be physically present in a room without constant input,” the designer said.

Laura Lubin, owner of Nashville-based Ellerslie Interiors, transformed a tiny guest bedroom in her family’s cottage into her own “wellness room,” where she retreats for sound baths, massages and reflection.

“Without screens, the room immediately shifts your nervous system. You’re not multitasking or consuming, you’re just present,” said Lubin.

As a designer, she’s fielding requests from clients for similar spaces that support mental health and rest, she said.

“People are overstimulated and overscheduled,” she explained. “Homes are no longer just places to live—they’re expected to actively support well-being.”

Designer Molly Torres Portnof of New York’s DATE Interiors adopted the same brief when she designed a music room for her husband, owner of the labels Greenway Records and Levitation, in their Lido Beach, N.Y. home. He goes there nightly to listen to records or play his guitar.

The game closet from the townhouse in “The Royal Tenenbaums”? That idea is back too, says Gachot. Last year she designed an epic game room backed by a rock climbing wall for a young family in Montana.

When you’re watching a show or on your phone, “it’s a solo experience for the most part,” the designer said. “The family really wanted to encourage everybody to do things together.”

Photo: John Cole

Analog Accessories

Don’t have the space—or the budget—to kit out an entire retro rec room?

“There are a lot of small tweaks you can make even if you don’t have the time, energy or budget to design a fully analog room from scratch,” said Price.

Gachot says “the small things in people’s lives are cues of what the bigger trends are.”

More of her clients, she’s noticed, have been requesting retrograde staples, such as analog clocks and magazine racks.

For her Los Angeles living room, chef Sara Kramer sourced a vintage piano from Craigslist to be the room’s centerpiece, rather than sacrifice its design to the dominant black box of a smart TV. Alabama designer Lauren Conner recently worked with a client who bought a home with a rotary phone.

Rather than rip it out, she decided to keep it up and running, adding a silver receiver cover embellished with her grandmother’s initials.

Some throwback accessories aren’t so subtle. Melia Marden was browsing listings from the Public Sale Auction House in Hudson, N.Y. when she spotted a phone booth from Bell Systems circa the late 1950s and successfully bid on it for a few hundred dollars.

“It was a pandemic impulse buy,” said Marden.

In 2023, she and her husband, Frank Sisti Jr., began working with designer Elliot Meier and contractor ReidBuild to integrate the booth into what had been a hallway linen closet in their Brooklyn townhouse.

Canadian supplier Old Phone Works refurbished the phone and sold them the pulse-to-tone converter that translates the rotary dial to a modern phone line.

The couple had collected a vintage whimsical animal-adorned wallpaper (featured in a different colourway in “Pee-wee’s Playhouse”) and had just enough to cover the phone booth’s interior.

Their children, ages 9 and 11, don’t have their own phones, so use the booth to communicate with family. It’s also become a favorite spot for hiding away with a stack of Archie comic books.

The booth has brought back memories of meandering calls from Marden’s own youth—along with some of that era’s simple joy. As Meier puts it: “It’s got this magical wardrobe kind of feeling.”

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