Their Home Renovation Was Almost Complete. All That Was Missing Was a Turret.
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Their Home Renovation Was Almost Complete. All That Was Missing Was a Turret.

The circular tower in Louisville, Ky., capped off an update that was long overdue

By VAISHNAVI NAYEL TALAWADEKAR
Thu, Jan 5, 2023 8:37amGrey Clock 3 min

On a leafy lane in Audubon Park, in Louisville, Ky., sits a house that looks like it could have once belonged to Rapunzel. With a fairy-tale turret and Dutch Colonial Revival architecture, the home stands apart from its neighbors. But when Heather and Stefan Rumancik, both 43, purchased the 1930s home in 2009 for $225,000, it was a far cry from its present-day version.

“We bought the house from its second owners, who had owned it since the 1940s, but the home itself hadn’t been updated in 30 years,” says Mrs. Rumancik, a competitive intelligence executive at a pharmaceutical company, who shares the home with Mr. Rumancik and their daughter, Adrienne.

Although the Rumanciks renovated the original 3,025-square-foot home in parts over the years, the turret remained an unfulfilled wish for Mrs. Rumancik until 2020, when Mr. Rumancik, a builder and general contractor, was forced to pause his business due to the pandemic.

“Our ongoing projects were halted by clients, so it was an ideal time to pivot to working on something that had been kept on the back burner for far too long,” says Mr. Rumancik, adding that the turret addition was appealing both for its aesthetic value and because it challenged him to try something new. For Mrs. Rumancik, the turret was a great way to expand the home’s footprint: She and Mr. Rumancik agreed on having a banquette on the first floor, the primary bathroom shower on the second, and a cocktail tasting room in the basement. They set a budget of $350,000 for the three-story addition.

To help with the architecture of the addition, Mr. Rumancik tapped friend and longtime collaborator, architect Mark Foxworth of Foxworth Architecture, for $35,000. Together, the two sheathed the turret in the same materials as the rest of the house: cedar shakes and Kentucky limestone, the latter removed and repurposed from the home’s exterior. “We made it special by capping it with a copper finial,” says Mr. Rumancik. “I think what’s unique is that you can’t see the turret or the addition from the street. It’s at the back, so the original architecture is really unchanged.” To minimise the extension’s energy consumption, Mr. Foxworth specified insulated concrete forms and high-performance glazing on the windows.

For the interior design of the addition, including the turret and the surrounding spaces, the Rumanciks enlisted Bethany Adams, founder and principal of her eponymous Louisville-based interior design studio, who had previously engaged Mr. Rumancik and his company, Designer Builders Inc., to help renovate her 1897 Victorian home. They agreed on a fee of $35,000, excluding material costs. “We told Ms. Adams to take our ideas and make them better,” says Mrs. Rumancik.

“She proposed layout ideas that we hadn’t thought of, and also simplified some of the structural changes I thought we’d need, which ended up saving us quite a lot of money,” Mr. Rumancik says.

It was important for the Rumanciks that the home’s heritage be honoured. “Audubon Park was developed at the height of the Arts and Crafts movement when there was a true appreciation for the beauty of natural materials,” says Ms. Adams, who introduced a lot of walnut wood, stone, and decorative glass to pay homage to the craftsmanship of that period. To optimise the flow between the addition and the main house, she designed a large vestibule with arched openings leading into the various spokes: namely, the mudroom, the kitchen, the living room, and the hallway.

Additionally, Ms. Adams mirrored the turret architecture in the main home by using curved handles in the bathroom and powder room. “I also used circular mirrors and light fixtures, and there’s a circular motif on the marble bathroom floor too. It’s a subtle reminder of the geometry of the addition,” she says. In the same vein, the original foyer and hallway were painted the same colour as the new kitchen and mudroom. For the floor, Mr. Rumancik installed white oak planks that perfectly matched the rest of the house.

In the kitchen, the turret was built to accommodate a banquette. Mr. Rumancik made the breakfast table himself as a Christmas gift for his wife using walnut wood from his father’s farm in Danville, Ky., and leftover quartzite from the kitchen counters. Ms. Adams arranged for custom navy blue cabinetry, a walnut island, and a bar top, which collectively cost $58,000. She also upholstered the banquette in the same chartreuse fabric as the West Elm bar stools, which cost $500 apiece. The banquette cost a total of $10,000.

For Mr. Rumancik, the tiling of the circular shower walls was an exercise in both mathematical proficiency and patience. “Even though the shower tile came on a mesh backing, many pieces had to be cut and placed individually in order to follow the curve of the walls and afford uniform grout joints. We spent four weeks tiling that shower,” he says.

All in all, the Rumanciks say the 2021 renovation—completed just before the holidays to the tune of $425,000—was compensation for a year gone awry. “Despite the challenges of the previous year, it was quite possibly the best Christmas of all,” says Mrs. Rumancik.



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A bold 1950s home in Palm Springs, California, adorned with eight colorful murals by the late artist Shawn Savage, is coming to market ahead of the city’s annual Modernism Week.

The white stucco home on El Camino Way, built in 1954 and recently renovated, has an asking price of $2.295 million. Its staggered facade features three playfully abstract murals on either side of double-height hot pink doors.

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Located in the Mesa neighborhood of Palm Springs, which backs up to the San Jacinto Mountains, the 2,237-square-foot house features three bedrooms, an angled bonus room and a yard with a pool, desert mountain views and another colorful mural running alongside the pool.

“I never thought in my life I would have a house with pink doors,” said Faure, a producer at Apple TV who is originally from Paris. “It’s so colorful, it’s so different. And so Palm Springs.”

Abstract murals can be found on the facade.
Abstract murals can be found on the facade.Patrick Ketchum

The layout of the home creates a smooth flow from the front doors through the open-plan common area—a foyer, bar, and living and dining room—into the kitchen around a fireplace wall and out to the yard. A corridor leads to a private bedroom wing, where the primary suite has floor-to-ceiling windows and the primary bath is only a tad smaller than the bedroom.

Faure has filled the home with Jonathan Adler furniture, rugs and accessories, riffing on the energetic California vibes of the house to create an aesthetic of “modern American glamour,” he said.

“It was enjoyable for me to play with different types of furniture and make this house ‘happy chic,’ as I describe it,” he said.

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“He did a fantastic job,” said Freeman, who is an attorney and consultant. “It does kind of bring a smile to my face whenever I walk into the house.”

Since the furniture and decor were chosen for the particularities of the space, the couple is open to selling them with the home. Their West Hollywood house is already furnished; the collection doesn’t match the vibes of a Houston loft they bought near family; and Faure can’t imagine these pieces in New York—where he’s lived in the past—he said.

The duo bought the Palm Springs house for $1.925 million in 2024, according to property records, and will list the home Monday. They are represented by Stewart Smith, Patrick Jordan and Kevin Stanley of Bennion Deville Homes/Luxury Portfolio International.

The previous owners had purchased the home in 2021 for $975,000 and then spent more than two years and $700,000 on the renovation, according to Realtor.com. They commissioned Savage, a local Palm Springs artist and painter known for his joyful abstract work, to decorate the home.

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Savage, who died in 2024, lived in the Coachella Valley from 2003, and his work can be found in various local institutions and is on exhibit at the Illumine Gallery in Palm Springs. “Some artists pass through a place. Shawn Savage became a part of it,” the gallery’s description states.

Unsurprisingly, the murals invite lots of friendly conversations, as well as guided tours and interested lookers, but never to a degree that it disturbed the peacefulness of their home or the neighborhood, the sellers said. “It felt like living in an art gallery, and you have the exterior that you would share with the world,” Faure explained.

The neighborhood also played a role in their decision to buy, because of its access to the hiking trails of the San Jacinto Mountains, the lack of through-roads and the neighborly environment.

“It’s a very friendly place,” Faure said.

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