Why street appeal still matters to buyers in an online market
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Why street appeal still matters to buyers in an online market

With the spring season in full swing and clearance rates stalling, street appeal is more relevant than ever

By Robyn Willis
Mon, Nov 21, 2022 9:30amGrey Clock 4 min

W e’ve all done it. A quiet night in front of the TV spent scrolling property in dream locations has replaced peering into the shop windows of real estate agents while visiting your favourite holiday destination.

For dedicated property hunters, the next step is a drive by the ‘open for inspection’ to check out what the property had to offer. But in an increasingly virtual market where online purchases have become more common among interstate and overseas buyers, it’s worth questioning whether street appeal is becoming less important.

Not so, says John McGrath, managing director and CEO of McGrath Real Estate.

“Kerbside or street appeal is still alive and well,” McGrath says. “First impressions are most important, whether it be in the real or virtual world. People are time poor and often don’t have the time available to sort through multiple images so they will exclude properties based on the hero image – which is often the facade.”

Presenting the front of your property to its best advantage, even if you have to spend a few thousand dollars, will be money well spent to draw in more potential buyers, either in the virtual world or in real life. And more buyers means more competition on auction day. Putting out the welcome mat is essential.

“All timber work should be sparkling, and planting and greenery should give instant appeal,” McGrath says. “It goes without saying that any defects such as leaking downspouts or squeaky gates should also be fixed for the eventual inspections that should be generated from online buyers. 

“I’ve found that a few thousand dollars invested in the front of the property can add 10 times that amount through attracting buyers to explore the home further.”

Even the smallest detail shouldn’t be overlooked.

“Things such as making it easy to find the street number can be a small but important detail,” he says.

Matt Cantwell, creative director of landscape design and architecture firm Secret Gardens, says the front garden and facade is the first hint to buyers of what’s inside.

“Structural details like letterboxes and intercoms can offer clues to the style of the house internally,” he says. “You might have an old semi with a modern letterbox out the front and it will tell you a bit about what you will experience once you get inside.”

Landscaping, or updating exterior structures such as fencing can be a particularly useful tool for vendors looking to refresh their property without doing a major 

renovation, as a way of inviting potential buyers to look closer.

“Definitely with that larger scale planting, the trees and hedges perform a few functions,” Cantwell says. “They are framing the view to the house and making sure your eye doesn’t wander to the house on either side. 

“Providing that scale against the house is a vital part of presenting the architecture to its best. It can also be about obliterating unsightly angles or views.”

As a general rule, Cantwell says it’s often a case of providing balance between providing a sense of openness with carefully placed trees and shrubs, while still maintaining interest, or even creating ‘wow’ factor for buyers.

“Most people like the front of the house to feel a bit open,” he says. “With the front boundary line, it’s the detailing of structures like the fencing, walling and gates that people notice. They are important opportunities to pick up on details of the house.”

General manager international marketing at Brickworks, Brett Ward, says judging by the amount of time most first time homebuilders spend on choosing exterior bricks for their facade, street appeal still figures prominently for many, whether they’re selling or not.

“It’s as popular as it has ever been,” he says. “Building a new home is about creating your individual identity and giving you control over how it will look. Our clients are looking for guidance and advice on making their homes individual and how to mix and match materials on a project to make it look stylish.”

Just as interior finishes go in and out of fashion, it’s the same for facades, says Ward. He says lighter colours continue to prove popular, with harmonising colours added for more depth.

“Clients might use a white or light cream for the front of the house and then a slightly darker cream for the portico to make it pop without too much contrast,” he says. “There’s a lot more terracotta coming through with the architectural projects.”

If in doubt, he says commercial projects can provide inspiration for residential facades. 

“The recently completed Quay Quarters site uses all three of the most popular colours we’re seeing and now that’s translating into residential design,” he says.

For those with older properties, property partner at The Agency, Tracy Tian Belcher, says vendors need to keep in mind who – or what – they are competing with.

“Clients might think because their property is close to the water that people will automatically be interested, but they are competing with much newer properties,” Belcher says. She says others can be reluctant to spend money on the front of a property they are just about to part with. However, she says it’s seldom money wasted.

“We always tell clients to put time and effort into the front garden,” Belcher says. “But it’s very difficult to convince people to spend money before they sell. In my experience though, you spend $1 and you get $2 back – at least.”

With an ongoing trade shortage expected, she says buyers are showing more interest in properties that are move-in ready.

“If you do the hard yards, people will pay for it,” she says. “ And they are going to budget more money than they should be when they make an offer.” 

 

For more stories like this, order a copy of the launch edition of Kanebridge Quarterly here



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Playful 1950s style spotlights details like coloured cabinets, checkerboard and mosaic tile patterns, vintage lighting, and SMEG appliances

By TRACY KALER
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The 1950s spawned society’s view of kitchens as the heart of the home, a hub for gathering, cooking, eating and socializing. Thus, it makes perfect sense that the same decade could inspire today’s luxury kitchens.

“The deliberate playfulness and genius of the era’s designers have enabled the mid-century style to remain a classic design and one that still sparks joy,” said James Yarosh, an interior designer and gallerist in New Jersey.

That playful style spotlights details like coloured cabinets, checkerboard and mosaic tile patterns, vintage lighting, and SMEG appliances—all of which are a conspicuous rejection of the sterile, monochrome kitchens that have defined luxury home design for years. One of the hottest brands to incorporate into retro-style kitchens, SMEG is turning up more these days. But the question is: How do you infuse a colourful refrigerator and other elements from this nostalgic era without creating a kitschy room?

“The key to a modern, fresh look in your kitchen is to reference, not imitate, signature looks of the 1950s,” said New York-based designer Andrew Suvalsky, who often laces retro style throughout the rooms he designs. He said using the period as inspiration will steer you away from imagining a garish space.

“When it comes to incorporating that retro-esque look, it’s a fine dance between looking beautiful and looking kitschy,” added Lisa Gilmore, a designer in Tampa, Florida. Gilmore suggested balancing contemporary pieces with vintage touches. That balance forges a functional yet attractive design that’s easy to live with while evoking a homey atmosphere––and ultimately, a room everyone wants to be in.

Colour Reigns Supreme

Suvalsky said one way to avoid a kitschy appearance is to mingle woods and colours, such as lacquered base cabinets and walnut wall cabinets, as he did in his Montclair, New Jersey, kitchen.

“Mixing colours into your kitchen is most effective when it’s done by colour-blocking––using a single colour across large areas of a space––in this case, zones of cabinetry,” he explained. He tends to lean toward “Easter egg colours,” such as baby chick yellow and pale tangerine. These soft pastels can suggest a starting point for the design while lending that retro vibe. But other hues can spark a vintage feel as well.

A mid-century-inspired kitchen by Blythe Interiors.
Natalia Robert

“Shades of green and blue are a timeless base foundation that work for a 1950s vintage look,” said designer Jennifer Verruto of Blythe Interiors in San Diego. But wood isn’t off the table for her, either. “To embrace the character of a mid-century home, we like a Kodiak stain to enhance the gorgeous walnut grain,” she said. “This mid-tone wood is perfect for contrasting other lighter finishes in the kitchen for a Mid-Century Modern feel.”

Since colour is subjective, a kitchen lined with white cabinetry can assume a retro aesthetic through accoutrements and other materials, emanating that ’50s vibe.

“The fun of retro designs is that you can embrace colour and create something that feels individual to the house and its homeowner, reflecting their tastes and personality,” Yaosh said. He recommended wallpaper as an option to transform a kitchen but suggested marrying the pattern with the bones of the house. “Wallpaper can create a mid-century or retro look with colours and hand-blocked craftsmanship,” he said. “Mauny wallpapers at Zuber are a particular favourite of mine.”

Suvalsky suggested Scalamandre wallpapers, for their 1950s patterns, and grass cloth, a textile that was often used during that decade. He also likes House of Hackney, a brand that “does a great job reinventing vintage prints in luscious colours,” he noted. “Many of their colourways invert the typical relationship between light and dark, with botanical prints in dark jewel tones set over light, more playful colours.”

Materials Matter

Beyond wall covering, flooring, countertops and backsplashes can all contribute to the 1950s theme. Manufactured laminate countertops, specifically Formica, were all the rage during the decade. But today’s high-end kitchens call for more luxurious materials and finishes.

“That’s a situation where going the quartz route is appropriate,” Gilmore said. “There are quartzes that are a through-body colour and simple if someone is doing colorued cabinetry. A simplified white without veining will go a long way.” She also recommended Pompei quartz Sunny Pearl, which has a speckled appearance.

A kitchen designed by James Yarosh that incorporates pops of yellow.
Patricia Burke

But for those who welcome vibrant colour schemes, countertops can make a bold statement in a vintage kitchen. Gilmore said solid surface materials from the era were often a colour, and quartz can replicate the look.

“Some brands have coloured quartz, like red,” she said. But keeping countertops neutral allows you to get creative with the backsplash. “I‘d pull in a terrazzo backsplash or a bold colour like a subway tile in a beautiful shade of green or blush,” Gilmore said. “Make the backsplash a piece of art.”

Suvalsky also leans toward bright and daring––such as checkerboards––for the backsplash. But depending on the kitchen’s design, he’ll go quieter with a double white herringbone [tile] pattern. “Either version works, but it must complement other choices, bold or simple, in the design,” he explained.

Neutral countertops with a bold backsplash, designed by Lisa Gilmore.
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Likewise, his flooring choice almost always draws attention. “My tendency is more toward very bold, such as a heavily veined marble or a pattern with highly contrasting tones,” he noted. Yarosh suggested slate and terrazzo as flooring, as these materials can make an excellent backdrop for layering.

Forge a Statement With Vintage Appliances 

As consequential as a kitchen’s foundation is, so are the appliances and accoutrements. While stainless steel complements contemporary kitchens, homeowners can push the design envelope with companies like SMEG when making appliance selections for a retro-style kitchen. Although Suvalsky has yet to specify a SMEG fridge, he is looking forward to the project when he can.

“I think they work best when the selected colour is referenced in other parts of the kitchen, which helps to integrate these otherwise ‘look at me’ pieces into the broader design,” he noted. “They are like sculptures unto themselves.”

“For our mid-century-inspired projects, we’ve opted for Big Chill and the GE Cafe Series to bring a vintage look,” Verruto added. Similar to SMEG, Big Chill and GE offer a vintage vibe in a wide selection of colours and finishes, alongside 21st-century performance.

Can’t commit to a full-size appliance? Sometimes, a splash is enough. Gilmore tends to dust her retro kitchens with a coloured kettle or toaster since her clients are likelier to add a tinge with a countertop appliance or two. “Mint green accessories make it pop, and if in five years they are over it, it’s not a commitment,” she said. “It’s a great way to infuse fun and colour without taking a major risk.”

Deck out the Breakfast Nook

Kitchen dining areas present the opportunity to introduce retro lighting, furniture, and accessories to complete the look. Flea markets and antique markets are excellent places to hunt for accompaniments.

“Dome pendants and Sputnik chandeliers are iconic styles that will infuse vintage charm into your kitchen while also easily complementing a variety of other styles,” Verruto said.

A retro breakfast nook desinged by Andrew Suvalsky.
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Suspend a vintage light fixture over the classic Saarinen table, and you can’t go wrong.

“Saarinen Tulip Tables are almost always guaranteed to deliver a home run in nearly any interior, especially a 1950s-themed kitchen,” Suvalsky said. “The simplicity of its form, especially in white, makes it nearly impossible to clash with.”

To really channel the vibe of this era, Verruto suggested local vintage stores and brands such as Drexel Heritage and Lexington. Dressing the windows counts, too. “Cafe curtains in a chintz pattern will make for a fabulous finishing touch,” she said.

Meanwhile, Yarosh delights in selecting tabletop items, including novelty stemware and other trappings ubiquitous in the 1950s. “Mid-century kitchens also need to have pedestal cake plates and maybe a cloche to keep a cake,” he mused. “I love the opportunity to curate these details down to the correct fork and serving pieces.”

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