Why street appeal still matters to buyers in an online market
With the spring season in full swing and clearance rates stalling, street appeal is more relevant than ever
With the spring season in full swing and clearance rates stalling, street appeal is more relevant than ever
W e’ve all done it. A quiet night in front of the TV spent scrolling property in dream locations has replaced peering into the shop windows of real estate agents while visiting your favourite holiday destination.
For dedicated property hunters, the next step is a drive by the ‘open for inspection’ to check out what the property had to offer. But in an increasingly virtual market where online purchases have become more common among interstate and overseas buyers, it’s worth questioning whether street appeal is becoming less important.
Not so, says John McGrath, managing director and CEO of McGrath Real Estate.
“Kerbside or street appeal is still alive and well,” McGrath says. “First impressions are most important, whether it be in the real or virtual world. People are time poor and often don’t have the time available to sort through multiple images so they will exclude properties based on the hero image – which is often the facade.”
Presenting the front of your property to its best advantage, even if you have to spend a few thousand dollars, will be money well spent to draw in more potential buyers, either in the virtual world or in real life. And more buyers means more competition on auction day. Putting out the welcome mat is essential.
“All timber work should be sparkling, and planting and greenery should give instant appeal,” McGrath says. “It goes without saying that any defects such as leaking downspouts or squeaky gates should also be fixed for the eventual inspections that should be generated from online buyers.
“I’ve found that a few thousand dollars invested in the front of the property can add 10 times that amount through attracting buyers to explore the home further.”
Even the smallest detail shouldn’t be overlooked.
“Things such as making it easy to find the street number can be a small but important detail,” he says.
Matt Cantwell, creative director of landscape design and architecture firm Secret Gardens, says the front garden and facade is the first hint to buyers of what’s inside.
“Structural details like letterboxes and intercoms can offer clues to the style of the house internally,” he says. “You might have an old semi with a modern letterbox out the front and it will tell you a bit about what you will experience once you get inside.”
Landscaping, or updating exterior structures such as fencing can be a particularly useful tool for vendors looking to refresh their property without doing a major
renovation, as a way of inviting potential buyers to look closer.
“Definitely with that larger scale planting, the trees and hedges perform a few functions,” Cantwell says. “They are framing the view to the house and making sure your eye doesn’t wander to the house on either side.
“Providing that scale against the house is a vital part of presenting the architecture to its best. It can also be about obliterating unsightly angles or views.”
As a general rule, Cantwell says it’s often a case of providing balance between providing a sense of openness with carefully placed trees and shrubs, while still maintaining interest, or even creating ‘wow’ factor for buyers.
“Most people like the front of the house to feel a bit open,” he says. “With the front boundary line, it’s the detailing of structures like the fencing, walling and gates that people notice. They are important opportunities to pick up on details of the house.”
General manager international marketing at Brickworks, Brett Ward, says judging by the amount of time most first time homebuilders spend on choosing exterior bricks for their facade, street appeal still figures prominently for many, whether they’re selling or not.
“It’s as popular as it has ever been,” he says. “Building a new home is about creating your individual identity and giving you control over how it will look. Our clients are looking for guidance and advice on making their homes individual and how to mix and match materials on a project to make it look stylish.”
Just as interior finishes go in and out of fashion, it’s the same for facades, says Ward. He says lighter colours continue to prove popular, with harmonising colours added for more depth.
“Clients might use a white or light cream for the front of the house and then a slightly darker cream for the portico to make it pop without too much contrast,” he says. “There’s a lot more terracotta coming through with the architectural projects.”
If in doubt, he says commercial projects can provide inspiration for residential facades.
“The recently completed Quay Quarters site uses all three of the most popular colours we’re seeing and now that’s translating into residential design,” he says.
For those with older properties, property partner at The Agency, Tracy Tian Belcher, says vendors need to keep in mind who – or what – they are competing with.
“Clients might think because their property is close to the water that people will automatically be interested, but they are competing with much newer properties,” Belcher says. She says others can be reluctant to spend money on the front of a property they are just about to part with. However, she says it’s seldom money wasted.
“We always tell clients to put time and effort into the front garden,” Belcher says. “But it’s very difficult to convince people to spend money before they sell. In my experience though, you spend $1 and you get $2 back – at least.”
With an ongoing trade shortage expected, she says buyers are showing more interest in properties that are move-in ready.
“If you do the hard yards, people will pay for it,” she says. “ And they are going to budget more money than they should be when they make an offer.”
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This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.
Ever wondered what it takes to create a car like the Maserati? Meet the German designer taking on an Italian icon.
Klaus Busse would like you to close your eyes and imagine yourself behind the wheel of a Maserati. Picture the GranTurismo, which launched in Australia in 2024. Where do you see yourself? Chances are, Busse suggests, it’s not during the school pick-up or commuting to the office.
“You’re probably on a wonderful road in Tuscany, or Highway 1, or you’re going to a red carpet event,” says Busse, who holds the enviable title of Head of Design at Maserati, the iconic Italian car manufacturer. “Basically, it’s about emotion.”
At the luxury end of the market, the GranTurismo Coupe—priced between $375,000 and $450,000—is designed to transform the driving experience into something extraordinary. For Busse and his team, these “sculptures on wheels” are not just status symbols or exhilarating machines but expressions of pure joy. Their mission is to encapsulate that feeling and translate it into their cars.
“I really feel the responsibility to create emotion,” he says. “We have a wonderful word in Italy: allegria, which is best translated as ‘joyful.’ Our job as a brand is to lift you into this area of joy, perfectly positioned just short of ecstasy. It’s that tingling sensation you feel in your body when you drive the car.”
Even as 60 percent of the world’s population now lives in urban areas, Maserati’s design ethos captures the essence of “everyday exceptional.” Whether navigating city streets or open roads, a Maserati turns heads without being ostentatious or aggressive. “I’ve driven these cars all over the world, and no matter where I go, people smile at me and give a thumbs-up,” says Busse.
Since joining Maserati in 2015, Busse has reimagined and redefined the brand, steering his team through the reinvention of classic models and the transition to electric vehicles. Iconic designs like the Fiat 500, which entered the EV market in 2020, serve as a testament to Maserati’s ability to blend tradition with innovation.
Unlike other luxury car brands, Maserati embraces radical change with new designs every 10 to 15 years. Busse loves connecting with fans who follow the brand closely. He explains that each Maserati model reflects a specific era, from the elegant 35GT of the 1950s to the wedge-shaped designs of the 1970s and the bold aesthetics of the 1980s.
“I often ask fans, ‘What is Maserati for you?’ because their responses tell me so much about how they connect with the brand,” he shares.
Inspired by legendary Italian designer Giorgetto Giugiaro, Busse balances tradition with modernity in his designs. As Giugiaro once told him, “We always do the best in the moment.” This philosophy resonates deeply with Busse, who believes in honouring the past while embracing future possibilities.
Through advances in technology, techniques, and societal trends, Busse ensures Maserati remains at the forefront of automotive design. For him, the creative process is more than just a job—it’s a way to create joy, connection, and timeless elegance.
This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.