5 Interior Design Ideas to Max Out Your Basement Space
Here are the five errors they encounter over and over — and how to avoid them.
Here are the five errors they encounter over and over — and how to avoid them.
EVEN THE MOST casual horror-movie viewers know that basements are where protagonists go to, as TikTok teens would say, “get unalived.” For interior designers, however, the most unnerving part of these spaces isn’t who (or what) might be hiding in wait, it’s often what’s lying in plain sight: their décor.
Too many homeowners treat basements “as a second-class space where old furniture and random junk goes to die,” complained Anelle Gandelman, founder of New York’s A-List Interiors. “A basement is not the place for appeasing your husband with his ugly leather recliner,” echoed West Palm Beach, Fla., designer McCall Dulkys.
Here, architects and designers share five other frequently encountered below-ground blunders and suggest less-frightful alternatives.
New York designer Elizabeth Gill lives in fear of families who ask her to turn their cellars into an all-in-one combination gym, playroom, family room, man cave and mother-in-law suite. “Then, I get the stare and a ‘Can you make all that work?’” she said.
Instead: Prioritize. “Determine the most important use of the space and make that the focus,” said Ms. Gill. Any extra living area can be a bonus in a crowded home, she said, “but you ultimately will end up using a space that is functional and complete—not one cluttered with lots of things that detract from the original design.”
A common feature in basements, dropped ceilings suspend large tiles in a metal grid, thereby leaving room to conceal inset lighting, ducts and other mechanicals. But they shave height off a room, contributing to the dreaded cavelike feeling and threatening to behead your taller friends. Other misguided attempts to hide ductwork also bug design pros. Washington, D.C., designer Melissa Sanabria’s peeve is soffits whose bottoms have been painted to match the ceilings and sides to match the walls, creating a two-toned effect.
Instead: According to New York designer Robin Wilson, 8-inch-deep high-hat lights, which need dropped ceilings, are a fixture of the past. Use new, shallow-profile overhead LED lights. Conceal ductwork and pipes in a dropped bulkhead that appears designed and purposeful around the perimeter of a ceiling, advised Bethesda, Md., designer Tamara Gorodetzky. Where a soffit is unavoidable, “paint walls, ceiling and every side of the soffit the same colour so everything disappears,” Ms. Sanabria said.
Leave the flickering fluorescents to “The Exorcist.” Basements are dark spaces, “and improper lighting creates uneven, shadowy areas,” said New York designer Rozit Arditi.
Instead: Even if you’re going for a moody man cave, “you need good lighting that can be fully illuminated and also dimmed for cozy ambience,” said Charlotte, N.C., designer Layton Campbell. Incorporate a mix of light sources such as floor lamps, table lamps and sconces so you needn’t depend on one overhead fixture, advised Ms. Arditi. Linear, ceiling-tracked LED lights can help lead the way from one space into the next, said Mary Maydan, an architect in Palo Alto, Calif., who installs them with a 90-degree bend as they flow from a hallway into an adjacent family room. “This creates continuity and makes the corridor act as an invitation into the next space.”
Irregular areas of foundations are often covered over or turned into closets. “But especially in basements that are largely open, these odd and unusual shapes offer special moments for decoration,” said William Cullum, senior designer at Jayne Design Studio, in New York City.
Instead: Knocking down walls and rejiggering spaces is expensive, so get creative with what you have and use it as an opportunity to try something you’d never risk on the first floor, Mr. Cullum said. For one Oyster Bay, N.Y., basement (shown above), Mr. Cullum made a banquette that conforms to a polygonal footprint, established by the breakfast room above, and installed curtains on an existing steel beam, creating a special reading nook with a cozy, tented feel. “It’s a small retreat within an expansive space,” he said.
Dark, dank 1970s-style panelling comes across as hopelessly dated and usually represents a “total departure from the rest of the house” said architect Margie Lavender, principal at New York City’s Ike Kligerman Barkley. Old-fashioned panelling is not moisture-resistant and can be a place where mould grows, added Ms. Wilson.
Instead: Ms. Wilson uses thin brick cladding or dry wall back with cement instead of paper—typically used in bathroom renovations—to prevent mould growth. Stick with light colours to maximize limited light, advised Ms. Lavender, and consider an accent wall of high-gloss tile, in cream or robin’s egg blue, to add texture and reflect light.
Strange basement décor
“I got totally freaked out when I walked into a basement that housed an antique doll collection. Cue the scary horror music.” —Layton Campbell, designer, Charlotte, N.C.
“A full barbecue grill with a chimney at one end and a wood-burning fireplace on the opposite side. I can understand a man cave, but to have two fire-generating things in a basement could mean that your house burns down.” —Robin Wilson, designer, New York
“I was asked to help a client display his collection of medieval torture tools.” —Tracy Morris, designer, McLean, Va.
“Every wall was covered with PEZ candy dispensers. It was quite the collection.” —Sterling McDavid, designer, New York, N.Y.
“A toilet in the basement without any sort of enclosure.” —Luke Olson, senior associate, GTM Architects, Bethesda, Md.
“A potential client had a hot tub in the basement. It was odd and immediately felt like some weird castle dungeon with the smell of chlorine and mould.” —Miriam Verga, designer, Mimi & Hill Interiors, Westfield, N.J.
Reprinted by permission of The Wall Street Journal, Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: October 5
This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.
Ever wondered what it takes to create a car like the Maserati? Meet the German designer taking on an Italian icon.
Klaus Busse would like you to close your eyes and imagine yourself behind the wheel of a Maserati. Picture the GranTurismo, which launched in Australia in 2024. Where do you see yourself? Chances are, Busse suggests, it’s not during the school pick-up or commuting to the office.
“You’re probably on a wonderful road in Tuscany, or Highway 1, or you’re going to a red carpet event,” says Busse, who holds the enviable title of Head of Design at Maserati, the iconic Italian car manufacturer. “Basically, it’s about emotion.”
At the luxury end of the market, the GranTurismo Coupe—priced between $375,000 and $450,000—is designed to transform the driving experience into something extraordinary. For Busse and his team, these “sculptures on wheels” are not just status symbols or exhilarating machines but expressions of pure joy. Their mission is to encapsulate that feeling and translate it into their cars.
“I really feel the responsibility to create emotion,” he says. “We have a wonderful word in Italy: allegria, which is best translated as ‘joyful.’ Our job as a brand is to lift you into this area of joy, perfectly positioned just short of ecstasy. It’s that tingling sensation you feel in your body when you drive the car.”
Even as 60 percent of the world’s population now lives in urban areas, Maserati’s design ethos captures the essence of “everyday exceptional.” Whether navigating city streets or open roads, a Maserati turns heads without being ostentatious or aggressive. “I’ve driven these cars all over the world, and no matter where I go, people smile at me and give a thumbs-up,” says Busse.
Since joining Maserati in 2015, Busse has reimagined and redefined the brand, steering his team through the reinvention of classic models and the transition to electric vehicles. Iconic designs like the Fiat 500, which entered the EV market in 2020, serve as a testament to Maserati’s ability to blend tradition with innovation.
Unlike other luxury car brands, Maserati embraces radical change with new designs every 10 to 15 years. Busse loves connecting with fans who follow the brand closely. He explains that each Maserati model reflects a specific era, from the elegant 35GT of the 1950s to the wedge-shaped designs of the 1970s and the bold aesthetics of the 1980s.
“I often ask fans, ‘What is Maserati for you?’ because their responses tell me so much about how they connect with the brand,” he shares.
Inspired by legendary Italian designer Giorgetto Giugiaro, Busse balances tradition with modernity in his designs. As Giugiaro once told him, “We always do the best in the moment.” This philosophy resonates deeply with Busse, who believes in honouring the past while embracing future possibilities.
Through advances in technology, techniques, and societal trends, Busse ensures Maserati remains at the forefront of automotive design. For him, the creative process is more than just a job—it’s a way to create joy, connection, and timeless elegance.
This stylish family home combines a classic palette and finishes with a flexible floorplan
Just 55 minutes from Sydney, make this your creative getaway located in the majestic Hawkesbury region.