A Warehouse Inspired Penthouse Like No Other
At 921sqm, it’s less like an apartment and more like a house.
2 min
The beauty of a warehouse-style conversion is found in its immense sense of space. This unique offering at 1/6 Tilbrook Street, Teneriffe on the Brisbane River offers vacuous amounts of loft and light across three levels.
The interplay of glass and architectural voids – combined with the 921sqm floorplan – sees this residence feel exceptionally large. With 6-bedrooms, 5-bathrooms and 4-car garage with direct access, the penthouse functions more like a rooftop home than an apartment.
The main living space sees soaring ceiling heights in which the kitchen – fitted with granite benchtops, Gaggenau appliances and a butler’s pantry – combines with the outdoor dining and living room. A vintage Indian motorbike has been bolted into the wall and comes with purchase.
Outdoors, the balcony provides plenty of space to entertain, with a built-in barbecue, refrigeration and kitchenette, while a glass shutter offers protection from the elements.
It’s also on this floor that you’ll find the master suite, which is complete by its own walk-in robe and ensuite.
Upstairs sees the remaining bedrooms, two of which are replete with ensuites. Also here, is the theatre room and a separate large bathroom.
Further, the top level sees more room for entertaining. Here a living space is complete with a powder room, two balconies, a bar and kitchenette, while a gas fireplace forms the centrepiece of the room.
Each floor is accessible via an internal lift, with the residence is also privy to a gym, cellar, guest suite and is controlled by a CBUS-like system that automates, blinds, shutters, the skylight, speakers – found throughout the house – aircon and Boffi fans.
One of only nine residences in the build, the address gives rare access to the restaurants, cafes and Gasworks precinct and is only a short walk to the river.
The listing is with Place’s Heath Williams (+61 403 976 115). Price guide $6m.
Consumers are going to gravitate toward applications powered by the buzzy new technology, analyst Michael Wolf predicts
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
A new AI-driven account by leading landscape architect Jon Hazelwood pushes the boundaries on the role of ‘complex nature’ in the future of our cities
2 min
Drifts of ground cover plants and wildflowers along the steps of the Sydney Opera House, traffic obscured by meadow-like planting and kangaroos pausing on city streets.
This is the way our cities could be, as imagined by landscape architect Jon Hazelwood, principal at multi-disciplinary architectural firm Hassell. He has been exploring the possibilities of rewilding urban spaces using AI for his Instagram account, Naturopolis_ai with visually arresting outcomes.
“It took me a few weeks to get interesting results,” he said. “I really like the ephemeral nature of the images — you will never see it again and none of those plants are real.
“The AI engine makes an approximation of a grevillea.”
Hazelwood chose some of the most iconic locations in Australia, including the Sydney Opera House and the Harbour Bridge, as well as international cities such as Paris and London, to demonstrate the impact of untamed green spaces on streetscapes, plazas and public space.
He said he hopes to provoke a conversation about the artificial separation between our cities and the broader environment, exploring ways to break down the barriers and promote biodiversity.
“A lot of the planning (for public spaces) is very limited,” Hazelwood said. “There are 110,000 species of plants in Australia and we probably use about 12 in our (public) planting schemes.
“Often it’s for practical reasons because they’re tough and drought tolerant — but it’s not the whole story.”
Hazelwood pointed to the work of UK landscape architect Prof Nigel Dunnett, who has championed wild garden design in urban spaces. He has drawn interest in recent years for his work transforming the brutalist apartment block at the Barbican in London into a meadow-like environment with diverse plantings of grasses and perennials.
Hazelwood said it is this kind of ‘complex nature’ that is required for cities to thrive into the future, but it can be hard to convince planners and developers of the benefits.
“We have been doing a lot of work on how we get complex nature because complexity of species drives biodiversity,” he said.
“But when we try to propose the space the questions are: how are we going to maintain it? Where is the lawn?
“A lot of our work is demonstrating you can get those things and still provide a complex environment.”
At the moment, Hassell together with the University of Melbourne is trialling options at the Hills Showground Metro Station in Sydney, where the remaining ground level planting has been replaced with more than 100 different species of plants and flowers to encourage diversity without the need for regular maintenance. But more needs to be done, Hazelwood said.
“It needs bottom-up change,” he said. ““There is work being done at government level around nature positive cities, but equally there needs to be changes in the range of plants that nurseries grow, and in the way our city landscapes are maintained and managed.”
And there’s no AI option for that.
Consumers are going to gravitate toward applications powered by the buzzy new technology, analyst Michael Wolf predicts
Chris Dixon, a partner who led the charge, says he has a ‘very long-term horizon’
