How this dream home's biggest liability became its greatest asset
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How this dream home’s biggest liability became its greatest asset

The Southern Highlands site was beset with conflicting constraints. Balancing them against each other resulted in a triumphant study in peace and harmony

By Robyn Willis
Wed, Nov 13, 2024 11:12amGrey Clock 4 min

From the Spring issue of Kanebridge Quarterly. Order your copy here.

Architect Richard Cole is accustomed to working with challenging sites but this property in the Southern Highlands of NSW was a stretch, even for him.

With experience designing for everything from exposed oceanfront locations to remote properties in regional areas, his team is familiar with a variety of constraints, including managing extreme weather conditions and meeting requirements for bushfire prevention strategies.

And at first glance, the block in the small locality of Wildes Meadow near the picturesque Fitzroy Falls in the Southern Highlands of NSW seemed quite straightforward. A greenfield site, it offered a flat piece of land with a backdrop of mature eucalypts and a tranquil setting, which was in keeping with the owners’ plans to use the home as a retirement option, as well as a destination for family and friends. The area is also home to some of the most exclusive, architect-designed residences in the state.

On closer inspection, however, the complexities of the site revealed themselves.

“It had a lot of challenges,” Cole says. “To start with, it had power transmission lines across it and any dwelling had to keep clear of them. It was also in a high biodiversity zone. It’s potential koala habitat but we had to get an ecological study and a specific impact statement on the Fitzroy Falls Spiny Crayfish.”

Louvred windows and concrete floors control indoor temperatures while the Spotted Gum ceiling adds warmth to the living area. Image: Simon Wood

As the name would suggest, the Fitzroy Falls Spiny Crayfish is only found in Wildes Meadow Creek area, and maintaining the surrounding habitat is considered critical to its survival. To add further complexity, the site is in a bushfire-prone area, restricting how and where a house could be built.

“The problem with being in a bushfire zone as well as an ecological zone is with bushfire, you create an ‘asset protection zone’, which means clearing trees and flora, which is in direct opposition to the habitat you are trying to protect,” he says.

If that wasn’t difficult enough, the site is also an overland flow area, making it vulnerable to flooding whenever there was substantial rainfall. The constraints lead to some clear design decisions.

“We were looking at building quite close to the forest area but we decided on the middle of the paddock area, well away from the trees to maintain the habitat,” Cole says.

In the event of a bushfire, it’s a requirement that water is available on site, without the need for firefighters to cross the fire zone to access it. In addition to the 110,000L rainwater tank for domestic use, Cole provided a dedicated water tank for the purpose, as well as provisions for a dam.

To deal with the potential for flooding, he turned what could have been a liability into an asset. Substantial drainage channels direct water to a spillway located adjacent to the house to manage excess water — and creating a house with water views. At just 300mm deep, it is technically a water feature.

“The house is cantilevered a little over the water but the water is really built up to the house,” says Cole. “So you can control the maximum level of the dam and there’s no danger it will flood.”

The house has been designed as two pavilions with the owner’s wing looking directly over the water. Image: Simon Wood

The single level home has been designed as two pavilions, with the main bedroom, including ensuite, a study and living area all in one building overlooking the water, and further accommodation for guests in the second building, connected by an outdoor walkway.

Cole says the concept for separating the two pavilions was to provide the owners with the option of closing down the second building when they were the only ones on site without losing any of the amenity they enjoyed.

While the house takes in views of rolling hills to the south west, Cole designed the house around a north east-facing courtyard to permit as much natural light as possible to penetrate living spaces.

The kitchen is flooded with natural light. Image: Simon Wood

An angled roofline to the northern side of the house also allows for highlight windows, openable above the kitchen, further enhancing access to natural light and air flow.

Given it is positioned away from the surrounding tree canopy that would shade the house, it made sense for the roof to be covered in photovoltaic cells to provide solar-powered electricity. The house has further embraced passive solar design principles with a concrete slab for thermal mass, double glazing for the windows and cooling breezes captured as they move across the water in summer. Any additional heating and cooling requirements are managed by reverse cycle air conditioning.

Indoors, spaces celebrate the materials Cole is known for, with a Spotted Gum-lined ceiling and timber veneers in the kitchen, offset against blonde bricks from Bowral Bricks, a concrete slab floor and Endicott crazy paving from Eco Outdoor. The choice of natural finishes allows the building to feel at home in its environment without compromising on comfort — or style.

The house was constructed during COVID with the work undertaken by the owner’s brother based on detailed documentation provided by Cole’s team.

The outcome is a generous residence for extended family on a site that is both safe and inviting. Best of all, it’s a haven of respite — for humans and wildlife alike.



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An architectural jewel of Victoria’s Goulburn Valley, the Noorilim Estate stands as one of Australia’s most extraordinary Italianate mansions.

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Legend has it that opera icon Dame Nellie Melba performed in the minstrels’ gallery and current-day hitmaker Tones and I filmed a music video at Noorilim estate. The high profile property has even been the breeding ground for multiple Melbourne Cup winners including 1910 champion, Comedy King, who was laid to rest within the grounds.

In 1998, prominent art dealer and entrepreneur behind Menzies International, the late Rod Menzies and his wife Carolyn, bought Noorilim for $3.325 million and set about restoring the Italianate mansion to its former glory.

Today, the 65ha property in the heart of the Goulburn Valley is on the market for only the third time in the past 50 years via Sean Cussell of Christie’s International Real Estate with a price guide of $15m.

During the Menzies’ ownership, the glamorous country estate was a venue for weddings, concerts, and private events, welcoming a long list of international guests. Chart-topping artist Tones and I filmed the video for her song Bad Child at the estate, and the period property has played its part in numerous films and television series. Singer and actor Ted Hamilton, known for roles in Division 4, Homicide, The Love Boat, M*A*S*H and Hawaii Five-O, was also a regular performer at the address.

Given its stately grandeur, Noorilim was even a successful auction centre for fine art with works by Brett Whiteley, Sidney Nolan and Jeffrey Smart sold under the hammer at the property.

Built in 1879 by celebrated architect James Gall for parliamentarian William Winter-Irving, Noorilim is a prime example of post-Gold Rush prosperity in Victoria. At the time of its construction in the mid to late-1800s, Australia had been labelled one of the richest nations on earth and Melbourne’s monied elite were spilling out of the city looking to build country estates to rival those in Great Britain. The nouveau riche began commissioning lavish ornamental houses shadowing the Gothic, Italianate and Queen Anne designs of Europe.

Noorilim’s facade is a striking example of this “boom style” architecture featuring an asymmetrical tower, ornate balustrades and grand arched loggias that frame sweeping views of the estate’s manicured grounds.

Inside, the vast 1022sq m residence has 5m ceilings and lavish period features, including 15 fireplaces, seven staircases, and intricate Corinthian columns.

At the heart of the mansion its grand hall has Minton tiles imported from England and laid by Italian artisans who were shipped out specifically for the job. There is a turret lookout, a billiard room, 10 bedrooms, four bathrooms, an office and grand formal rooms such as a lounge, library and dining room all with expansive windows showcasing views of the gardens and vineyard.

Noorilim’s name is derived from the Indigenous Yorta Yorta language and means “place of many reeds” reflecting the estate’s connection to its natural surroundings. Complementing Gall’s vision, renowned landscape designer William Guilfoyle — who worked on Melbourne’s Royal Botanic Gardens — crafted Noorilim’s standout gardens.

The grounds are home to echidnas, kangaroos and koalas, more than 300 mature trees including ancient Moreton Bay figs, a rose garden with a central fountain, an ornamental lake, a boathouse, and even a private beach on the banks of Goulburn River. There is also an extensive wine cellar, numerous outbuildings and barns, as well as a heritage-listed water tower. The working vineyard produces Chardonnay, Shiraz, Cabernet, and Merlot grape varieties.

 

 

Noorilim, near Nagambie, is 150kms north east of Melbourne at 205 Wahring Murchison East Rd, Wahring. The property is listed with Sean Cussell from Christie’s International Real

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11 ACRES ROAD, KELLYVILLE, NSW

This stylish family home combines a classic palette and finishes with a flexible floorplan

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