For one week each August, California’s Monterey Peninsula becomes the global capital of the collector car. Historic machinery, new hypercars, design concepts, private tours and major auctions draw manufacturers, collectors and advisers into a market that operates somewhere between culture, sport and finance.
The 2026 programme is now under way. The Peninsula Motoring Series runs from 10–12 August with participation restricted to 30 vintage, sports and luxury cars. The format emphasises driving and hospitality rather than static display, reflecting a broader collector preference for events that allow significant cars to be used.
RM Sotheby’s Monterey auction follows from 13–15 August. Early headline consignments include the Ray and Bonnie Kinney Collection, with a Duesenberg Model J Tourster, a Figoni et Falaschi-bodied Talbot-Lago and a unique Rollston-bodied Stutz DV-32 Convertible Victoria. Their value lies not simply in age, but in coachwork, provenance, rarity and condition.
The Monterey Motorsports Festival on 15 August broadens the audience with a mix of contemporary and historic cars, entertainment and hospitality. The week ultimately builds towards the Pebble Beach Concours d’Elegance, where restoration standards and documented history are judged at the highest level.

Manufacturers also use Monterey to reveal new limited editions, concepts and coachbuilt cars. Buyers should distinguish an official production announcement from a design study or privately commissioned one-off. Allocation, homologation and Australian import eligibility can turn an exciting global debut into a vehicle unavailable locally.
Auction buyers need discipline. Register early, inspect the car personally or through a specialist, read the catalogue’s qualifications, verify matching numbers and ownership history, and budget for buyer’s premium, tax, transport, insurance, storage and Australian compliance. A winning bid is only the beginning of the transaction.
Currency risk matters for Australians. A change in the dollar between bidding and settlement can materially alter the landed cost. Import approval and asbestos-related checks for older cars should be understood before bidding, not after.
Monterey also offers useful market intelligence to people who never raise a paddle. Which periods attract crowds, which once-fashionable categories stall, and how buyers respond to originality versus restoration all reveal shifts in taste.
The cars provide the spectacle, but Monterey’s real function is price discovery and reputation-building. It is where manufacturers test the appetite for future products and collectors decide which pieces of automotive history deserve the next generation of attention.
Buyer checklist
– Confirm bidder registration and deposit requirements.
– Commission independent inspection and provenance research.
– Read all catalogue disclaimers and condition reports.
– Add buyer’s premium, tax, freight, insurance and compliance to the hammer price.
– Obtain Australian import advice before bidding.
– Model exchange-rate movement through settlement.
– Never assume a concours award guarantees mechanical fitness.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Luxury-car collaborations can feel little more than a logo exercise. Porsche’s latest project takes a more committed route, translating three of Pixar’s most recognisable characters into individual, road-going 911s.
Created through Porsche’s Sonderwunsch customisation program for the premiere of Toy Story 5, the trio draws on Woody, Buzz Lightyear and Jessie. Each is a genuine one-off rather than a limited colour package, with its character expressed through paint, materials and bespoke detailing.

The exercise is deliberately playful, but it also demonstrates the depth of Porsche’s factory personalisation capabilities. Sonderwunsch—German for “special wishes”—allows clients and the marque to create highly individual vehicles using the resources and standards of the manufacturer itself.
Woody’s car is expected to lean into the character’s western palette; Buzz offers the obvious opportunity for white, green and purple; and Jessie brings a bolder cowgirl identity. The success of the designs rests on suggestion rather than costume: the cars still need to look like coherent Porsches when separated from the film premiere.

All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation. Porsche has said the cars will be sold, although the precise auction mechanism, timing and beneficiary allocation should be confirmed before publication.
For collectors, provenance is unusually strong. Each car combines one-of-one factory status, the cultural reach of Disney and Pixar, and an association with a major film release. That may give the trio appeal extending beyond conventional Porsche circles.

The project is also a reminder that the highest end of automotive customisation is increasingly about narrative. Performance specifications remain important, but for collectors who already have access to rare machinery, the story of why a car exists can be the feature that cannot be duplicated.
Fact box
– Cars: Three one-off Porsche 911s
– Inspiration: Woody, Buzz Lightyear and Jessie from Toy Story 5
– Creator: Porsche Sonderwunsch
– Purpose: Charitable sale initiative
– Beneficiaries: Big Brothers Big Sisters of America, American Red Cross and Starlight Children’s Foundation
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