‘Still: A Michael J. Fox Movie’ Review: A Star’s Dignity

This is probably less a critique than a thank-you note to director Davis Guggenheim and to the subject of “Still: A Michael J. Fox Movie,” a marriage of exhilaration and sadness and, despite the title, the most moving thing on television. Mr. Fox was one of Hollywood’s biggest stars when he was diagnosed in 1991 with Parkinson’s disease, which finally forced his full retirement in 2021. His sense of humour remains a wonder. Something most viewers will only have to wonder, fortunately, is whether they would maintain the same dignity under the same set of circumstances.

The title, “Still,” describes something the actor never seemed to be, as evidenced by the voluminous collection of film clips Mr. Guggenheim uses to structure much of the film—Mr. Fox was always running, from “Teen Wolf,” to “The Secret of My Success,” to “Bright Lights, Big City,” to the blockbuster “Back to the Future” franchise and in and out of “Family Ties,” the sitcom that established his comedy credentials and wide appeal. Much of the background action, as well as Mr. Fox’s early biography, is covered through dramatic re-creations and otherwise unconnected film scenes knitted into a coherent narrative. The research must have been strenuous; the editing, too. The pace is nonstop, the humour abundant, the devotion of Mr. Fox’s wife, actress Tracy Pollan, is made plain, and there’s no small amount of nostalgia in store for people who know and love the Fox filmography. But the heart and soul of the film are the face-to-face interviews, which are far less delicate than one might expect. And all the deeper for it.

Seven interviews were conducted over the span of a year, and at one point Mr. Fox and his director (an Oscar winner for “An Inconvenient Truth”) are getting back together after some time, the subject recounting how he basically had, in the interim, fallen and broken his face. Mr. Guggenheim reacts with alarm; his subject is almost blasé. “Gravity is real,” he says, laughing. “Even if you’re only falling from my height.” During a walk along Fifth Avenue with an aide, Mr. Fox is recognised by a fan and when he turns to say hello back, he topples to the sidewalk. “You knocked me off my feet,” he tells the passerby. Everyone smiles, but it breaks your heart.

“I can see in your eyes that you’ve got a great one-liner,” Mr. Guggenheim says to the actor at a point in their exchanges, “and then it has a problem getting to your mouth.” Mr. Fox doesn’t disagree; he doesn’t have to, and often lets a nonresponse compensate when a response would be thwarted by his ailment. As Mr. Guggenheim says, the predictable storyline in a Michael J. Fox movie now would be about a huge star getting a debilitating disease and being crushed by it. “Yeah,” Mr. Fox says, “that’s boring.” Nothing in “Still” is the least bit boring.

Nor is it preachy, or weepy, or looking for pity for its subject, who isn’t looking for any either. He does recall feeling at some point, post-diagnosis, that he was somehow reaping cosmic payback for the enormous if less-than-overnight success he had enjoyed after several seemingly immovable objections fell and he was cast in “Family Ties.” (His tales of Hollywood poverty are close to harrowing although, as he might say, he got over it.) If there’s a flaw in “Still,” it might be Mr. Fox’s reluctance to discuss his physical agony or the psychic struggle that comes with Parkinson’s. (“The worst thing is to be confined,” he says, answering one of Mr. Guggenheim’s very direct questions. “To have no way out.”) You come close, Mr. Guggenheim says about Mr. Fox discussing his pain, “and then you dart away.” But that is a principal reason his subject, and film, are so involving and watchable and rich.

As Paris makes its final preparations for the Olympic games, its residents are busy with their own—packing their suitcases, confirming their reservations, and getting out of town.

Worried about the hordes of crowds and overall chaos the Olympics could bring, Parisians are fleeing the city in droves and inundating resort cities around the country. Hotels and holiday rentals in some of France’s most popular vacation destinations—from the French Riviera in the south to the beaches of Normandy in the north—say they are expecting massive crowds this year in advance of the Olympics. The games will run from July 26-Aug. 1.

“It’s already a major holiday season for us, and beyond that, we have the Olympics,” says Stéphane Personeni, general manager of the Lily of the Valley hotel in Saint Tropez. “People began booking early this year.”

Personeni’s hotel typically has no issues filling its rooms each summer—by May of each year, the luxury hotel typically finds itself completely booked out for the months of July and August. But this year, the 53-room hotel began filling up for summer reservations in February.

“We told our regular guests that everything—hotels, apartments, villas—are going to be hard to find this summer,” Personeni says. His neighbours around Saint Tropez say they’re similarly booked up.

As of March, the online marketplace Gens de Confiance (“Trusted People”), saw a 50% increase in reservations from Parisians seeking vacation rentals outside the capital during the Olympics.

Already, August is a popular vacation time for the French. With a minimum of five weeks of vacation mandated by law, many decide to take the entire month off, renting out villas in beachside destinations for longer periods.

But beyond the typical August travel, the Olympics are having a real impact, says Bertille Marchal, a spokesperson for Gens de Confiance.

“We’ve seen nearly three times more reservations for the dates of the Olympics than the following two weeks,” Marchal says. “The increase is definitely linked to the Olympic Games.”

Worried about the hordes of crowds and overall chaos the Olympics could bring, Parisians are fleeing the city in droves and inundating resort cities around the country.
Getty Images

According to the site, the most sought-out vacation destinations are Morbihan and Loire-Atlantique, a seaside region in the northwest; le Var, a coastal area within the southeast of France along the Côte d’Azur; and the island of Corsica in the Mediterranean.

Meanwhile, the Olympics haven’t necessarily been a boon to foreign tourism in the country. Many tourists who might have otherwise come to France are avoiding it this year in favour of other European capitals. In Paris, demand for stays at high-end hotels has collapsed, with bookings down 50% in July compared to last year, according to UMIH Prestige, which represents hotels charging at least €800 ($865) a night for rooms.

Earlier this year, high-end restaurants and concierges said the Olympics might even be an opportunity to score a hard-get-seat at the city’s fine dining.

In the Occitanie region in southwest France, the overall number of reservations this summer hasn’t changed much from last year, says Vincent Gare, president of the regional tourism committee there.

“But looking further at the numbers, we do see an increase in the clientele coming from the Paris region,” Gare told Le Figaro, noting that the increase in reservations has fallen directly on the dates of the Olympic games.

Michel Barré, a retiree living in Paris’s Le Marais neighbourhood, is one of those opting for the beach rather than the opening ceremony. In January, he booked a stay in Normandy for two weeks.

“Even though it’s a major European capital, Paris is still a small city—it’s a massive effort to host all of these events,” Barré says. “The Olympics are going to be a mess.”

More than anything, he just wants some calm after an event-filled summer in Paris, which just before the Olympics experienced the drama of a snap election called by Macron.

“It’s been a hectic summer here,” he says.

Hotels and holiday rentals in some of France’s most popular vacation destinations say they are expecting massive crowds this year in advance of the Olympics.
AFP via Getty Images

Parisians—Barré included—feel that the city, by over-catering to its tourists, is driving out many residents.

Parts of the Seine—usually one of the most popular summertime hangout spots —have been closed off for weeks as the city installs bleachers and Olympics signage. In certain neighbourhoods, residents will need to scan a QR code with police to access their own apartments. And from the Olympics to Sept. 8, Paris is nearly doubling the price of transit tickets from €2.15 to €4 per ride.

The city’s clear willingness to capitalise on its tourists has motivated some residents to do the same. In March, the number of active Airbnb listings in Paris reached an all-time high as hosts rushed to list their apartments. Listings grew 40% from the same time last year, according to the company.

With their regular clients taking off, Parisian restaurants and merchants are complaining that business is down.

“Are there any Parisians left in Paris?” Alaine Fontaine, president of the restaurant industry association, told the radio station Franceinfo on Sunday. “For the last three weeks, there haven’t been any here.”

Still, for all the talk of those leaving, there are plenty who have decided to stick around.

Jay Swanson, an American expat and YouTuber, can’t imagine leaving during the Olympics—he secured his tickets to see ping pong and volleyball last year. He’s also less concerned about the crowds and road closures than others, having just put together a series of videos explaining how to navigate Paris during the games.

“It’s been 100 years since the Games came to Paris; when else will we get a chance to host the world like this?” Swanson says. “So many Parisians are leaving and tourism is down, so not only will it be quiet but the only people left will be here for a party.”

‘Still: A Michael J. Fox Movie’ Review: A Star’s Dignity

Weaving together film clips, dramatic re-creations and interviews with the actor, this affecting documentary on Apple TV+ explores his life with Parkinson’s disease.