The Classic Noguchi Lamp as You’ve Never Seen It | Kanebridge News
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The Classic Noguchi Lamp as You’ve Never Seen It

For decades, minimalists have snapped up the Japanese-American artist’s off-white paper lanterns. These lesser-known versions feature decorative dabs of colour.

By ALLISON DUNCAN
Mon, Mar 13, 2023 8:00amGrey Clock 2 min

WE ARE WELL acquainted with Isamu Noguchi’s iconic Akari light sculptures. The lovely little frameworks of bamboo covered with off-white washi paper (whose design dates to 1951) are the sort of thing uncompromising incense fans own. But who knew that 25 of the more than 170 Akari iterations currently in production are screen printed with flourishes of color or pattern. Not so minimalist, after all.

The decorative printed additions range from pure abstractions (alternating bands of black and white) to simplified pictures (knocked-out bow ties) to Japanese design motifs. “The appeal of the coloured versions is they have more cultural specificity than the unadorned ones but [still] achieve the timeless, placeless universality of Noguchi’s best work,” said Dakin Hart, senior curator at the Noguchi Museum in Long Island City, N.Y.

The Akari “sun” pattern on the 1AY model

Though seemingly art for art’s sake, the decorations have practical dimensions, too. The Akari “sun” pattern (shown above on the 1AY model), for example, leaves an ovoid shape unprinted, creating an analog way to dim the light: Turn the unprinted “sun” toward the wall to modulate the brightness; turn it outward, and the light increases.

In 1951, the artist first visited Gifu, Japan, the global hub of the traditional paper lantern industry, and was inspired to create a translucent, collapsible light sculpture. The result: the Akari, which translates to “light” and “glow” in English. Soon, the artisanal fixtures were among the most beloved (and accessible) modern lamps.

The Akari 9AD

In the U.S., the coloured and embellished Akari are available only through the Noguchi Museum (and strictly sold in tabletop versions), which makes them harder to get your hands on. But, given the basic models’ ubiquity, that scarcity makes them feel particularly un-routine. The screen-printed Akari—more playful than their monastic siblings—appeal to interior designers like Victoria Sass. The Twin Cities, Minn., pro said she also finds the coloured iterations more painterly, “like a piece of art” in contrast with the “more sculptural” unadorned version.

For a spot of color in his Düsseldorf living room, German design influencer Christoph Knopf layered an Akari 9AD “Blue Shovel” in among other midcentury modern pieces and Japanese-inspired décor. As he notes on Instagram, the lantern, lit at night, “is the star of the interior.”

The Wall Street Journal is not compensated by retailers listed in its articles as outlets for products. Listed retailers frequently are not the sole retail outlets.



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Le bassin aux nymphéas, or water lily pond, painted around 1917 to 1919, is a monumental canvas extending more than six-and-a-half feet wide and more than three-feet tall, that has been in the same anonymous private collection since 1972. According to Christie’s, the painting has never been seen publicly.

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