The Super-Rare Lamborghini He Found at the End of an Oregon Dirt Road
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The Super-Rare Lamborghini He Found at the End of an Oregon Dirt Road

Jeff Meier’s 1969 Miura S was preserved in original condition on a rural ranch and is a model some call ‘the most beautiful car of all time’

By A.J. BAIME
Mon, Feb 20, 2023 8:34amGrey Clock 3 min

Jeff Meier, a 62-year-old automotive consultant living in Los Angeles, on his 1969 Lamborghini Miura S, as told to A.J. Baime.

In 2000, I was visiting relatives in Oregon. My aunt told me about this guy who owned an old orange Lamborghini. I asked, “What model?” She said, “How would I know?” I was curious. My sister knew everyone in this little town, and she was able to find him. He lived on an 800-acre ranch. There was this long dirt road, and a shack that looked deserted. I knocked on the door and this hunched-over man came out.

He asked, “Hey, son, how can I help you?” I said, “I’m visiting from out of town. I’m a car guy. I heard you’re a car guy.” He said, “Come on in.”

His name was Earl, and he started telling stories. I asked about a photo of this orange Lamborghini on his refrigerator. He led me to his garage, pulled a tarp away, and there was this Miura. I could not believe my eyes. This is an incredibly rare vehicle. It has been called the father of all supercars, and the most beautiful car of all time. It is also the car that put Lamborghini on the map.

As the story goes, back in the 1960s, Ferruccio Lamborghini was just a couple years in business as a car manufacturer in Italy. He had made his money building tractors. He had young guys working for him and they wanted to go racing. They designed this chassis and engine, and through a series of events, this car went into production with a body built by the coachbuilder Bertone. [A coachbuilder is a designer and builder of car bodies.]

When the Miura debuted in 1966, it was as if a spaceship had landed. It was the most outrageous and extravagant thing—a mid-engine, transverse-mounted V-12 race car with a streetcar body. It was the fastest car in the world. All kinds of celebrities bought Miuras—Miles Davis, Twiggy the model. [Lamborghini ended up building 763 Miuras between 1966 and 1972, according to the company’s website.]

I have been involved in cars my entire life. When I was growing up, my father owned an auto repair shop. When I was 20, I got a dream job caretaking a collection of vintage cars. The job paid $5 an hour, but I would have done it for free. I have been involved with vintage autos ever since. When I discovered Earl’s Miura, I knew it was one of the finest unrestored original examples I had ever seen. It was amazing because existing cars typically had rust problems, or they’d been in accidents, or they’ve had engine fires. This car had none of that. And it was an S version, with more horsepower and nuanced styling.

I asked Earl how he had gotten it. He had been an engineer who purchased this car as a retirement gift to himself from a Chicago dealership in 1970. He had driven it out to Oregon. From the time he bought the car to when I first saw it, he was the only person who had driven it. The car had 16,000 miles on it, and it still had its original set of tires. It was a true needle-in-a-haystack scenario.

Earl refused to sell me the car, but I kept in touch. When he died in 2005, I was notified by the estate, and I was able to acquire the Miura at market price. In a 10-year period, I took the car from being a “barn find” to a first-in-class winner at the Pebble Beach Concours d’Elegance [widely regarded as the most prestigious vintage car show in the world] in California.

What is it like to drive this car? The Miura sits so low to the ground that when you look out your window you are looking at the wheels of the cars around you. The high-revving engine is right behind you. The music from this 12-cylinder, the mechanical sounds of the transmission, it is all hard to describe. It is just magical.



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The personal wardrobe of the late fashion designer Vivienne Westwood, who is credited for introducing punk to fashion and further developing the style, is headed to auction in June.

Christie’s will hold the live sale in London on June 25, while some of the pieces will be available in an online auction from June 14-28, according to a news release from the auction house on Monday.

Andreas Kronthaler, Westwood’s husband and the creative director for her eponymous fashion company, selected the clothing, jewellery, and accessories for the sale, and the auction will benefit charitable organisations The Vivienne Foundation, Amnesty International, and Médecins Sans Frontières.

The more than 200 lots span four decades of Westwood’s fashion, dating to Autumn/Winter 1983-84, which was one of Westwood’s earliest collections. Titled “Witches,” the collection was inspired by witchcraft as well as Keith Haring’s “graphic code of magic symbols,” and the earliest piece being offered from it is a two-piece ensemble made of navy blue serge, according to the release.

“Vivienne Westwood’s sense of activism, art and style is embedded in each and every piece that she created,” said Adrian Hume-Sayer, the head of sale and director of Private & Iconic Collections at Christie’s.

A corset gown of taupe silk taffeta from “Dressed to Scale,” Autumn/Winter 1998-99, will also be included in the sale. The collection “referenced the fashions that were documented by the 18th century satirist James Gillray and were intended to attract as well as provoke thought and debate,” according to Christie’s.

Additionally, a dress with a blue and white striped blouse and a printed propaganda modesty panel and apron is a part of the wardrobe collection. The dress was a part of “Propaganda,” Autumn/Winter 2005-06, Westwood’s “most overtly political show” at the time. It referenced both her punk era and Aldous Huxley’s essay “Propaganda in a Democratic Society,” according to Christie’s.

The wardrobe collection will be publicly exhibited at Christie’s London from June 14-24.

“The pre-sale exhibition and auctions at Christie’s will celebrate her extraordinary vision with a selection of looks that mark significant moments not only in her career, but also in her personal life,” Hume-Sayer said. “This will be a unique opportunity for audiences to encounter both the public and the private world of the great Dame Vivienne Westwood and to raise funds for the causes in which she so ardently believed.”

Westwood died in December 2022 in London at the age of 81.

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