The Three-Row 2025 Infiniti QX80 Makes a Sky-High Debut in New York
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The Three-Row 2025 Infiniti QX80 Makes a Sky-High Debut in New York

By Jim Motavalli
Tue, Apr 2, 2024 9:10amGrey Clock 3 min

The 2025 Infiniti QX80, which will go on sale towards the end of summer, made a high-flying global debut in Manhattan last month.

The huge, three-row SUV was cut up into pieces then transported via elevator to the 100th floor observation deck of the Edge at Hudson Yards. The Infiniti, the first car to be so ensconced, was revealed 1,100 feet up amid flashing colour lights in partnership with iHeartMedia in a live stream as night descended on New York City. Later, five-time Grammy winner singer/pianist Jon Batiste entertained a group that included executives and dealers.

Luxury three-row SUVs have turned into an important segment, including electric entries such as the seven-passenger Kia EV9 and Cadillacs Escalade IQ and Vistiq (coming as a 2026 model). The QX80 isn’t electric; it’s powered by a 3.5-litre twin-turbo V6-rated engine with 450 horsepower and 516 pound-feet of torque. That’s up 50 horsepower and 103 pound-feet from the current QX80. The nine-speed automatic transmission is shifted with piano key buttons.

Prices start at US$82,450 for the Pure rear-wheel drive version, and soar to US$110,595 for the Autograph all-wheel drive (with four iterations in between). At the launch, Craig Keeys, group vice president of Infiniti Americas, described the QX80 as “our new flagship, pushing the envelope from ordinary to extraordinary.” Keeys didn’t mention the twin-turbo V6 power, and the other speakers skipped over it too—the QX80 is all about luxurious refinements and tech innovations.

Prices for the large, luxury three-row SUV start at US$82,450.
Infiniti

For instance, heated and cooled seats for the first two rows are available, as is massaging in the second row. Upscale Autograph buyers get rear climate controls via touchscreen. Much mentioned at the launch was the segment-first availability of biometric cooling, which monitors second-row passengers body temperatures and automatically adjusts the climate controls and air flow to that section. So, if mom picks up an overheated soccer player, he or she will be cooled down while other passengers and the driver stay steady.

And then there’s the top of the line 1,200-watt, 44-speaker Klipsch premiere audio system with a 24-channel amplifier and, among other things, titanium tweeters and speakers in the roof. Other carmakers have big stereos, too, but this one has something called Individual Audio, which directs phone calls and navigation to the front headrest speakers without interrupting the cabin’s music. Or the driver can listen to sounds directed only at him or her, without waking up sleeping passengers.

The interior on the QX80 is decidedly upscale, with leather, wood, suede, and metal elements. There are two 14.3-inch displays. The driver’s screen has three separate views, and there is a nine-inch touchscreen below the infotainment display with climate functions and a haptic element to let users feel when their fingers are on the correct virtual button. A colour head-up display is available. When drivers approach their QX80, its flush door handles open up to welcome them.

The interior features leather, wood, suede, and metal elements.
Infiniti

At the top of the line is the Autograph grade, which gets a two-tone roof, dark chrome trim, and unique 22-inch Turbine wheels. Inside, it benefits from semi-aniline leather with hand stitching and open-pore ash wood trim with aluminium accents.

As it sat under the coloured lights on the vertigo-inducing observation deck, with a cold wind blowing, it was possible only to get a quick first impression of the QX80. It’s big, the type of SUV that only American automakers built until the Asian brands realised it’s a highly lucrative market. And recent experience suggests that buyers want their three-row SUVs with the top infotainment and luxury appointments. Hence the Autograph version might do quite well.

Batiste, with a drummer and alto sax player, played four songs, mixing up jazz, funk, New Orleans percussion interludes, and soul. He was kinetic, barely staying at the piano for half a song. One number combined John Coltrane and the Beatles before it turned to some jazz-rock. The children’s song “If You’re Happy and You Know It” became a bravura version of  “When the Saints go Marching In.” In a brief interview, Batiste was asked about seeing the QX80 on that windswept platform. “It proves it’s durable,” Batiste says.



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ITALY’S FINE WINES GAIN GROUND AS VALUE PLAY FOR COLLECTORS

Italian wines are emerging as a serious contender for Australian collectors, offering depth, rarity and value as French benchmarks continue to climb.

By Jeni O'Dowd
Tue, May 5, 2026 2 min

Italian fine wines are gaining momentum among Australian collectors and drinkers, with new data from showing a surge in interest driven by value, versatility and a new generation of producers.

Long dominated by France, the premium wine conversation is beginning to shift, with Italy increasingly positioned as a compelling alternative for both drinking and collecting.

According to Langtons, the category is benefiting from a combination of factors, including its breadth of styles, strong food affinity and more accessible price points compared to traditional European benchmarks.

“Italy has always offered fine wine fans an incredible range of wines with finesse, nuance, expression of terroir, ageability, rarity, and heritage,” said Langtons General Manager Tamara Grischy.

“There’s no doubt the Italian wine category is gaining momentum in 2026… While the French have long dominated the fine wine space in Australia, we’re seeing Italy become a strong contender as the go-to for both drinking and collecting.”

The shift is being reinforced by changing consumer preferences, with Langtons reporting increased demand for indigenous Italian varieties and lighter, food-first styles such as Nerello Mascalese from Etna and modern Chianti Classico.

This aligns with the broader rise of Mediterranean-style dining in Australia, where wines are expected to complement a wider range of dishes rather than dominate them.

Langtons buyer Zach Nelson said the category’s versatility is central to its appeal.

“Italian wines often have a distinct, savoury edge making them an ideal pairing for a variety of cuisines,” he said.

The move towards Italian wines also comes as prices for traditional French regions continue to climb, particularly in Burgundy, prompting collectors to look elsewhere for value without compromising on quality.

Italy’s key regions, including Piedmont and Etna, are increasingly seen as offering that balance, with premium wines available at comparatively accessible price points.

Nelson said value is now a defining factor for buyers in 2026.

“Value is the key driver for Australian fine wine consumers… Italian wines are offering exactly that at an impressive array of price points to suit any budget,” he said.

The category is also proving attractive for newer collectors, offering what Langtons describes as “accessible prestige” and a more open entry point compared to the exclusivity often associated with Bordeaux.

Wines such as Brunello di Montalcino and Nebbiolo-based expressions are increasingly being positioned as entry points into cellar-worthy collections, combining ageability with relative affordability.

At the same time, a new generation of Italian producers is reshaping the category, moving away from heavier, oak-driven styles towards wines that emphasise site expression and vibrancy.

“There’s definitely a ‘new guard’ of Italian winemaking… stripping away the makeup… to let the raw, vibrating energy of the site speak,” Nelson said.

Langtons is also expanding its offering in the category, including exclusive access to wines from family-owned producer Boroli, alongside a broader selection spanning Piedmont, Veneto, Sicily and Tuscany.

The company will showcase the category further at its upcoming Italian Collection Masterclass and Tasting in Sydney, featuring more than 50 wines from 23 producers across four key regions.

For collectors and drinkers alike, the message is clear: Italy may have been overlooked, but it is no longer under the radar.

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