This Isn’t Your Dad’s Old Golf Course
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This Isn’t Your Dad’s Old Golf Course

Golf’s popularity is on the rise among younger generations. Inness, a new Hudson Valley resort, responds with a cooler kind of country club.

By Darrell Hartman
Wed, Jul 7, 2021 10:47amGrey Clock 5 min

One summer day in 2016, Taavo Somer was driving around the Hudson Valley in his Dodge pickup, scouting for locations for his next hospitality project: a small hotel with a restaurant, pool and farm shop that could serve as a hangout for both locals and weekenders. In Accord, New York, he passed a rolling swath of rural acreage dotted with drooping willows, with a view of the Shawangunk and Catskill Mountains. It was properly zoned for his purpose. Perfect, that is to say, in just about every way.

Somer’s first instinct was to drive on by, as he had plenty of times before. The reason: The place was a golf course—in other words, hopelessly uncool. “I was carrying some heavy baggage against golf,” Somer admits.

Somer made a name for himself in the early aughts as a hipster prince of New York City nightlife, creator of witty, vintage-y downtown bars and restaurants like Freemans. His forays into hospitality and fashion helped turn a generation of urban men on to taxidermy, barbershops and hand-stitched hunting moccasins.

Even as his tastes evolved, Somer recoiled at the thought of golf. And relocating two hours north of the city, to the pastoral Hudson Valley, didn’t change his mind. Somer’s idea of a typical golf club was a Caddyshack cliché of polished mahogany, coat-of-arms motifs and stiff dress codes—“all things that give me the willies,” he says.

On that day five years ago, Somer decided to visit the Rondout Golf Club, as it was then known. One of the owners treated him to his first-ever ride in a golf cart. A conversation about renovating the restaurant escalated, and Somer and a group of co-investors soon found themselves in possession of the entire property—including the 18-hole golf course, which they planned to raze in order to make way for their high-design country resort. But the local community balked at the idea of destroying the course, prompting Somer and his partners to reimagine it as a nine-hole feature that was somehow in tune with the rest of the project: Inness, a 225-acre hotel, restaurant and semiprivate country club. Much of it has just been unveiled, with a spa slated to open next summer.

The new course, created by golf industry mavericks King-Collins, sits at a remove from the scattered main compound. Of the roughly 200 people Inness is aiming to sign up for club membership, only 30 will have golfing privileges. For some guests, the course will barely register. They will be drawn instead to the resort’s mix of Scandinavian minimalism and Northeast vernacular.

The 12-room farmhouse evokes a multigenerational family home, with panelled walls, a billiards room, screened-in porches and sunset-facing Adirondack chairs. The 28 black cabins have the cool austerity of a modern Swedish or Japanese forest retreat—including, in some cases, woodstoves and outdoor soaking tubs.

A round pool (one of two on the property) complements the naturalistic landscaping of garden designer Miranda Brooks. Coffee, pastries and fresh produce from the resort’s three-acre organic garden are for sale in the greenhouse-inspired shop. It’s just outside the barn-style building that houses the main bar and restaurant, where chef Jordan Heissenberger serves local vegetables, house-smoked meats and wood-fired pizzas. The property’s 65 acres feature hiking trails and a pair of tennis courts.

For golfers, however, the whimsical nine-hole course—which is open to the public—will be the main reason to visit. And while it is true that other resorts similarly split their clientele, and that other courses allow outsiders to share the fairways with dues-paying members, Inness is a stylish anomaly, a near-accidental hybrid that is bound to get people talking about the state of recreational golf today.

Golf had a banner year in 2020. More than 500 million rounds were played in America—the highest total in 14 years, according to the National Golf Foundation. The number of first-timers was up 20 percent from the year before, the largest jump on record. The year-over year surge in participation hasn’t been this high since 1997, when a pro newcomer named Tiger Woods decimated the competition at the Masters.

The Covid-19 pandemic has been largely responsible for this spike, and it is hard to know how long its impact will last. For the moment, though, golf is riding a wave of youthful enthusiasm. Juniors (players ages 6–17) flocked to the sport in 2020, and, according to Beditz, in a recent NGF survey asking people how interested they were in playing golf now, the most affirmative respondents by age group were millennials.

According to Joe Beditz, president and CEO of the National Golf Foundation, America has more golf courses than Starbucks cafes, and 75 percent of those courses are public. Beditz likens the evolution of the sport to church, and its minority of traditional private clubs to cathedrals. “There’s always going to be St. Patrick’s,” he says, “but there are [also] new ways that church is being delivered in our culture.”

Somer enlisted Leigh Salem and Jou-Yie Chou of Post Company, a New York firm, to help with the design and architecture at Inness. The three men, non-golfers all, noticed their attitudes toward the sport change as they began discussing the project with friends and colleagues. “We got comfortable with it as we got more educated. And we realized a lot of our peer set actually golfs, which was news to us,” Chou says.

They warmed to descriptions of Scottish links where hikers and picnicking families make themselves at home, where the courses feel almost like public parks and where dogs join their owners on the fairways. An image of a different kind of golf course emerged, Somer recalls, even if he struggled to articulate it: “How it can be not this, like an organic apple that has russeting, it’s not a perfectly spray-painted red or green apple.” The team tracked down a course designer who spoke their language: Rob Collins, creator of Sweetens Cove Golf Club, a norm-busting nine-hole course in Tennessee that has bested PGA Tour hosts on must-play lists despite opening with a porta-potty for a locker room. Since then it has developed a cult following that includes Peyton Manning and Andy Roddick, both of whom are now investors. When Sweetens’s Thursday-to-Sunday bookings during the seven prime months of 2021 went on sale, they took all of 31 minutes to sell out.

Real estate developer Lee Pollock, one of the only Inness partners who golf, asked Collins if he could re-create the “wit and variety” of Sweetens Cove at Inness. He expects golfers attempting to solve his 70-acre puzzle to be alternately rewarded and flummoxed. “It’s a kick in the nuts one time around and a bowl of cherries the next time,” Collins says. Notably, it’s also the first King-Collins course to open since Sweetens Cove.

The most striking feature is the pair of double greens, each of them nearly an acre in size. “That’s fabulously different,” Beditz notes. So, too, is the fact that players can make freestyle decisions like playing the seventh hole from the second tee, assuming course traffic is light enough for this to be tried safely. The vegetation is allowed to do its own thing, too, with acres of naturalized terrain turning brown and crispy as the season wears on. The mowing plan is intentionally simple: Greens are cut one way, the drought-tolerant fairway grass another, and the rest is left to go naturally shaggy, as so many of us did during lockdown.

The multibrand outfitter—don’t call it a pro shop—is stocked with input from Adsum, a young sportswear label with a boutique in Williamsburg. It carries hiking, cycling and cross-country skiing gear, in addition to golf and tennis equipment. There will be no caddies. The course rules essentially amount to: Don’t be a jerk, and keep it moving. The word fun comes up repeatedly in discussions with all involved.“We’re not reinventing golf,” says Inness consultant Michael Williams, founder of ACL Golf and a longtime friend of Somer’s. “It’s an alignment of our values, our aesthetics [with the game].”

“Architectural school was about dropping preconceived notions,” Somer says. He’s abandoned some of the ones he had about golf, even if he still has never teed off in his life. Somer does like to walk, he points out, and it is either a genuine insight or a sign of his naivete that he considers this a meaningful way to connect with 21st-century golfers. “Being in nature is the unifying thing. It’s really about that.”

Reprinted by permission of WSJ. Magazine. Copyright 2021 Dow Jones & Company. Inc. All Rights Reserved Worldwide. Original date of publication: July 5, 2021



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Lost for decades, an acoustic guitar John Lennon used at the height of the Beatles’ fame is going up for auction after being found in the attic of a home in the British countryside.

The 1965 Framus Hootenanny is arguably one of the most historically important guitars in the history of the Beatles, and was used on some of the group’s classic songs and played by Lennon in the movie Help! , released the same year.

The 12-string acoustic guitar will headline Julien’s Auctions Music Icons event on May 29 and 30 at the Hard Rock Cafe in New York, the auction house announced Tuesday morning in London.

Darren Julien, the firm’s co-founder and executive director, expects the Framus to exceed its presale estimate of between US$600,000 and US$800,000 and says it could set a new record for the highest-selling Beatles guitar, a record his auction house set nearly a decade ago.

The guitar was found earlier this year.
Rupert Hitchcox/Julien’s auctions

“Julien’s sold a John Lennon [Gibson J-160E] guitar in 2015 for US$2.4 million, and because this, historically speaking, is a more significant guitar, our expectation is that this guitar—played by John Lennon and George Harrison on the Help! album and other recordings—will be in the top five most expensive guitars ever sold at auction,” Julien says. “It’s likely the last chance for someone to buy and personally own an iconic John Lennon/George Harrison guitar.”

While equating its discovery to that of a “lost Rembrandt or Picasso,” Julien believes this is the greatest find of a Beatles guitar since Paul McCartney ’s lost 1961 Höfner bass, which was returned to him in February after it had been stolen in 1972.

The rediscovered Framus was famously seen in the 1965 film Help! , and was used in recording sessions for classics such as “You’ve Got To Hide Your Love Away,” “It’s Only Love” and “I’ve Just Seen A Face.” It was also played by George Harrison on the rhythm track for “Norwegian Wood” on the 1966 album Rubber Soul .

According to the auction house, by the late-1960s the guitar was in the possession of Gordon Waller of the British pop duo Peter & Gordon, who later gave it to their road managers. The instrument was recently discovered in an attic in rural Britain  where it sat forgotten and unplayed for more than 50 years. After finding the guitar in the midst of a move, the homeowners contacted Julien’s.

Along with co-founder Martin Nolan, Julien traveled to the U.K. and immediately recognised that it was the storied Help! guitar. While on the premises, they also discovered the original guitar case in the trash and rescued it. It’s an Australian-made Maton case that can be seen in photos taken of The Beatles in 1965  The sale of the guitar is accompanied by the case and a copy of the book The Beatles: Photographs From The Set of Help by Emilo Lari.

In addition to Lennon’s acoustic Gibson J-160E—which fetched three times its presale estimate—Julien’s has broken multiple Beatles records, including Ringo Starr’s Ludwig drum kit (which sold for US$2.2 million), the drumhead played on the Ed Sullivan Show (US$2.2 million), and a personal copy of the White Album , (US$790,000), all of which sold in 2015.

Julien’s also holds the record for the world’s most expensive guitar ever sold at auction: Kurt Cobain’s MTV Unplugged 1959 Martin D-18E acoustic electric guitar, which sold in 2020 for US$6 million.

More than 1,000 pieces of music memorabilia will also be part of the auction, including items used by the likes of AC/DC, Nirvana, Guns N’ Roses, Judas Priest, Heart, Queen, and Tupac Shakur.

Sartorial highlights include custom dresses worn by Tina Turner (Versace) and Amy Winehouse (Fendi), both of which are expected to sell for between US$4,000 and $6,000, and Michael Jackson’s stage-worn “Billie Jean” jacket from 1984’s Victory Tour (presale estimate: US$80,000 to $100,000).

Bidders will have the chance to buy items benefitting a pair of U.K. charities. Several collectibles from The Who and other British musicians will be sold to benefit the Teenage Cancer Trust, and an assortment of memorabilia—ranging from a Stella McCartney dress worn by Helen Mirren and an Armani jacket stage-worn by Phil Collins to artwork created and signed by Pierce Brosnan—will be offered to help fund the King’s Trust.

Rounding out the two-day auction is Randy Bachman’s collection of more than 200 museum-quality guitars. Known for his role in The Guess Who and Bachman-Turner Overdrive, the Canadian rock star used the instruments on hits such as “These Eyes,” “Takin’ Care of Business,” “You Ain’t Seen Nothin’ Yet,” and “American Woman.”

The public can view the Help! guitar and other auction highlights at Hard Rock Cafes in London (April 23-29) and New York City (May 22-28).

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