A Designer’s Montauk Home With 180-Degree Views of Block Island Sound

Designer Esha Soni, whose sculptural purses and accessories are sold at stores like New York’s Bergdorf Goodman, bought and renovated this four-bedroom, four-bathroom house in Montauk, New York, 10 years ago.

The hilltop home enjoys “breathtaking views and spectacular sunsets,” according to Zachary Tunick of Douglas Elliman, one of the listing agents.

Its location overlooking Block Island Sound “also means you get 180-degree views,” he said. “And you hardly need air conditioning because the ocean breezes are so spectacular.”

The home’s location “on a quiet cul-de-sac ensures there is absolutely no road noise or drive-by traffic,” Tunick said. “But there are trendy restaurants and terrific seasonal shops within walking distance.”

With a designer’s touch from Soni, the home is “beautifully renovated,” Tunick said. “It can be taken to the next level, but it’s already very livable.”

Open-plan living, dining and kitchen spaces anchor the home’s main level, with water views from walls of windows. There is a wood-burning brick fireplace in the living room.

The kitchen, with a granite-topped island at its center, features Wolf appliances. The primary suite includes two closets, a foyer, a large bathroom and walkouts to the home’s broad wooden terrace. The main floor includes a second bedroom, office, pantry and mudroom.

The lower level—“which is not subterranean, because of the topography,” Tunick said—includes two more bedrooms, a bathroom, a living room and storage space.

“I love my house because the view of the water and the sunset, the wide-open space, and the lush, old trees create a deep sense of calm,” Soni told Mansion Global in an e-mail. “In the evenings, the white walls and floors reflect the colors of the sunset in a simple, beautiful way.”

Before launching her eponymous handbag line in 2022, Mumbai-born Soni designed accessories for labels including Ghurka, Michael Kors Collection, Ralph Lauren and Proenza Schouler. “

The bags feel like they could easily double as home decor,” enthused fashion blog WhoWhatWear in August.

Furniture is available by separate negotiation.

Stats

With four bedrooms and four bathrooms, this 3,400-square-foot house occupies a 0.88-acre lot.

Amenities

The large wooden deck, about 15 feet deep by 80 feet wide, features a mechanical canopy.

Talking Points

The 3,400-square-foot house “could easily get expanded to 6,000 square feet,” Tunick said. While there is no pool, the property is permitted for one; because of the home’s large legal setback, a new owner could also add a garage, Tunick said.

Neighborhood Notes

Montauk is on the eastern tip of Long Island’s South Shore, overlooking the Atlantic Ocean and the Block Island Sound.

While Montauk has a reputation for nightlife—the village is home to more than 50 bars—“there is a community within the community of very successful, sophisticated parents with kids in the incredible schools here,” Tunick said. “These are people at the top of their fields, but down-to-earth. Montauk is about a laid-back lifestyle.”

Celebrity residents have included Julianne Moore, Robert De Niro and Bad Company drummer Simon Kirke. A-listers like Taylor Swift and Leonardo DiCaprio have also reportedly hung out at local hotspots like The Surf Lodge.

Private airports nearby include East Hampton Airport, about 20 miles west, and Francis S. Gabreski Airport in Westhampton Beach, about 40 miles west. Midtown Manhattan is about 117 miles west.

Agents: Zachary Tunick, Nicole Tunick, Douglas Elliman

For Jack Freeman, a compelling interior should not look as though it was completed in a single shopping trip.

The founder and designer behind FREEMAN & CO prefers rooms that develop through art, travel, commissioned furniture and objects collected over time. It is an approach that treats the home less as a decorative project and more as an evolving portrait of its owner.

“I am a true believer in collecting versus decorating,” Freeman says.

That distinction underpins the international practice he has built across private residences, hotels, property developments, yachts and private aviation. Its projects stretch from Point Piper, Vaucluse, Circular Quay and Toorak to Mayfair, Bel Air and the Caribbean.

Although the locations and architecture vary considerably, the work is connected by a restrained design language. Natural stone, warm timbers and sculptural furniture establish the foundation, while art, bespoke lighting and individual objects give each interior its identity.

The objective is not to overwhelm a room with obvious symbols of expense. It is to create an environment that feels calm, layered and particular to the people living within it.

“The greatest luxury isn’t about excess,” Freeman says. “It’s about creating an oasis where you come home and feel immediately grounded — effortlessly chic and deeply personal.”

Collecting instead of decorating

Decorating can imply the completion of a room: selecting the required furniture, filling the available walls and producing a coherent finished image.

Collecting is less conclusive.

A collected interior has room to change as its owners travel, discover artists, inherit pieces or reassess how they use their home. Its character comes from the relationship between objects rather than adherence to a single brand or season.

That does not mean placing unrelated pieces together without discipline. The designer must understand scale, proportion, material and provenance well enough to create a dialogue between them.

A contemporary artwork might sit beside a historic piece of furniture. A precisely detailed new interior may be interrupted by an irregular object made by hand. Smooth stone can be balanced by timber, textiles or a patinated metal surface that becomes richer with age.

The tension between those elements is part of the appeal.

For Freeman, art is not an accessory to be added once the furniture plan is complete. It forms part of the architecture and atmosphere of the room from the beginning.

Lighting is considered in the same way. Beyond its practical purpose, a bespoke fitting can operate as a suspended sculpture, changing both the room’s composition and the way its materials are experienced after dark.

A design perspective shaped by travel

International travel plays a significant role in Freeman’s creative process.

Design fairs such as PAD Paris and Salone del Mobile in Milan provide opportunities to encounter emerging designers, established galleries, new materials and collectible furniture away from the filter of social media.

More spontaneous discoveries can prove equally important.

“Sometimes it’s the simple things,” Freeman says. “That piece found on a shopping trip with a client in Paris, stumbling across an artisan’s workshop, or a special memory that forms the narrative of the story.”

Objects selected during travel bring more than visual interest into a home. They carry an association with a place, maker or experience, giving the client a connection that cannot be reproduced by ordering an entire interior from a catalogue.

Freeman’s influences are international, but his projects are not conceived as replicas of Parisian, Milanese or Californian style. Each commission responds to its architecture, setting, natural light and the daily lives of its occupants.

A waterfront Sydney residence demands a different treatment from a Mayfair townhouse. A Caribbean estate shaped by brutalist architecture and reflecting pools calls for another response again.

The designer’s role is to absorb those references without allowing them to overwhelm the individual qualities of the property.

Designing the complete experience

FREEMAN & CO extends beyond conventional interior decoration.

The practice’s stated services include interior design and architecture, project management, property acquisition, development advice, concept design, documentation, furniture and lighting design, procurement and art curation.

That breadth allows the team to become involved before a room’s dimensions and finishes are fixed.

Early participation can be important at the top end of the residential market, where architecture, landscape, interiors, technology and art must operate as one environment. Decisions about ceiling heights, wall dimensions, sightlines and lighting can directly affect where art is installed or how custom furniture is proportioned.

The practice can then carry those decisions through to procurement and final installation, maintaining the design narrative as a project moves between architects, builders, specialist craftspeople, dealers and suppliers.

Its residential portfolio includes a South Coast retreat conceived as an escape from urban life, a Caribbean estate with reflecting pools, an East Coast-inspired Palm Beach residence and a Mayfair townhouse organised around an expressive drawing room.

The studio also says it has worked on highly tailored Sydney residences with values exceeding $100 million, although the private nature of such commissions means individual addresses and clients are not always disclosed.

A home that can keep changing

The risk in creating a perfectly resolved interior is that it can become too static — a composition that looks exceptional in photographs but leaves little room for life.

Freeman sees the home as something that should evolve with its owners.

“I love the evolution of design,” he says. “We are talking about people’s lives, and as they evolve, so too should their private sanctuaries.”

That evolution might involve adding art, reupholstering a significant piece, adapting rooms as a family changes or making space for objects gathered through future travels.

The original design needs to be strong enough to accommodate those layers.

This may be the clearest expression of Freeman’s approach to luxury. It is not simply access to rare stone, collectible furniture or commissioned craftsmanship. It is the creation of a personal environment whose meaning deepens rather than diminishes with time.

Fact box

Designer: Jack Freeman

Role: Founder and managing director

Practice: FREEMAN & CO

Base: Australia, with international projects

Project locations named by the practice: Point Piper, Vaucluse, Circular Quay, Toorak, Palm Beach, the NSW South Coast, Mayfair, Bel Air and the Caribbean

Sectors: Private residences, hotels, residential developments, private aviation and superyachts

Services: Interior design and architecture, property development, project management, property acquisition, documentation, furniture and lighting design, FF&E procurement, interior dressing and art curation

Design philosophy: Collected, personal interiors shaped by art, craftsmanship, travel and enduring materials

Website: free-man.co

A Designer’s Montauk Home With 180-Degree Views of Block Island Sound

Esha Soni, who designs luxury handbags and jewelry, bought and renovated the four-bedroom hilltop house a decade ago.

Jack Freeman believes the most compelling interiors are not decorated, but collected. The FREEMAN & CO founder creates layered, personal spaces shaped by art, travel and craftsmanship.