How Did My Dogs Become My Decorators?
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How Did My Dogs Become My Decorators?

Dog-food bowls and chew toys always underfoot? Leashes hung like nooses to greet guests at the front door? Columnist Michelle Slatalla wonders if there’s a cure for her problem.

By MICHELLE SLATALLA
Wed, Jan 18, 2023 7:52amGrey Clock 4 min

AT A DINNER recently, my friends were ticking off their home-décor-related New Year’s resolutions. I was feeling pretty smug. After all, I’ve spent years repainting, reupholstering, rearranging and refinancing my house to make it comfortable.

Later that night as I was lying in bed, my little papillon Pigeon gently pawed at me. Then with his adorable, black dog lips he gave me a quick kiss on my nose. This is one of our many, many sick bedtime routines, but I love him so much. So I crawled out from under the covers to help him make his evening bone selection.

Suddenly, I saw my bedroom through a stranger’s eyes—someone who perhaps doesn’t love Meester Smeedge-Smeedge or Larry (my other papillon) as much as I do.

Specifically, in the corner of the room, next to a beautiful forest-green mohair sofa where I sometimes work, was a squalid, dank, metal dog crate which no dog has slept in ever. Inside it was a bigger pile of bones than you’d find in Dr. Lecter’s backyard. It also contained a dozen, greying, chewed-up chew toys, including the disemboweled remnants of a squeaky stuffed squirrel. Splayed on top of the crate—where no dog could ever reach—was, inexplicably, a pet mattress (fleece, unused).

The whole scene looked disgusting.

Then I started to notice other pet-related décor problems in my house. An assortment of water bowls and food bowls had transformed the kitchen into an obstacle course of spilled kibble. A dozen tiny rubber balls created a tripping hazard in the living room. A tangle of leashes hung like nooses in the foyer to welcome guests to our home.

“I can’t pinpoint exactly when this happened, but somehow my dogs have become my decorators,” I complained to Peter Scott, chief executive of the American Pet Products Association in Stamford, Conn.

“Don’t worry, you’re not the only one living like this,” said Mr. Scott, pointing out that 70% of U.S. households own pets, a figure that has been increasing steadily since 1988, when his trade group began surveying pet owners annually.

Over those 35 years, pet owners’ relationships with their animals also have evolved. Nowadays, animals are likely to be treated like full-fledged family members, Mr. Scott said: “It’s the humanization of pets. We’re seeing more young people who may not be ready for a kid, but they are ready to come home after work and take care of a dog or a cat.”

Along with more pets come greater decorating challenges. Last year, in fact, pet owners spent nearly $100 million on toys for dogs and cats, Mr. Scott said.

“That’s a lot of slobbery rubber balls to litter living room floors across America,” I said.

“Yeah, I’m tripping over them everywhere at my house,” admitted Mr. Scott, who it turns out has an adorable mini goldendoodle named Tucker.

What’s the solution? “We’ve started having conversations about whether we should be doing educational programs for architects and designers about how to create seamless, pet-friendly environments that go beyond having a doggie door,” Mr. Scott said.

Actually, many design professionals already are coming up with innovative solutions for clients who have pets.

Dog-washing stations in mudrooms, pullout drawers for food bowls in kitchens and “dog caves” built into nooks under staircases are becoming common, said Laura Sockrider, a designer at Martha O’Hara Interiors in Austin, Texas.

For a client who has two beagles, Ms. Sockrider recently designed a foyer that can be closed off with a waist-high pocket door—“it’s like a disappearing metal dog gate,” she said—to prevent the dogs from rushing the front door when visitors arrive.

“Another thing I like to do in an entryway is accessorise a console table with boxes and bins that have lids,” she said. “Your dog’s super-duper-slobbered ball might not be the first thing you want to see when you come in the front door, so it’s good to have a place to stash toys and leashes.”

Andrew Hill, co-founder and an architectural designer at Studio for Architecture & Collaboration in Toronto, recently designed a built-in dog nook—complete with a peaked roof like a traditional backyard doghouse—to take advantage of an awkward space in an L-shaped kitchen-cabinet unit. “This kind of design is very functional because otherwise that dog’s bed would have been thrown in the corner of the room, and that would have been unfortunate in such a small space,” he said.

“Catification” is always an emerging design trend. “Cat owners also are doing some cool things, like putting in kitchen shelves at heights that create levels for cats to climb,” said Molly Sumridge, an assistant professor of anthrozoology at Carroll College in Helena, Mont. “Having high spaces to hang out in is something cats intrinsically need as a species and it’s also a design that works well for humans—it keeps cats off the counters.”

This reminded me why I am not a cat person.

So, getting back to Pigeon—as I type, he is sleeping next to his bone collection, with one paw pressing against my foot as if a nap overtook him when he was in the process of giving me a nudge.

“He’s so cute, I wish you could see him,” I said to Prof. Maggie O’Haire, an associate dean of veterinary medicine at the University of Arizona. “But it would have been great if I thought of all these clever design ideas when I was remodelling my house a decade ago. Then I could have hidden all physical evidence of him and Larry in my house.”

“But is the mess really a problem? After all, pets themselves are almost a design element in a house,” Prof. O’Haire said. She pointed out that studies show that seeing your pet—or even your pet’s stuff—can improve your mood. “The sight of your dog resting on a chair can change your emotions,” she said.

Similarly, the sight of a dog crate “is like seeing a crib for a baby—it can bring back memories of when you first brought home that pet,” Prof. O’Haire said.

“Oh, yes, he was eight weeks old, and so little and fluffy, with huge ears,” I said, making a note to email her a photo after we got off the phone.

“On the other hand, people like to have some sense of order in their homes,” she said, steering me back on topic. The idea was to take back control. “So maybe you could get a basket for the toys,” she said.

“And bones,” I reminded her.

At that, Pigeon (whose English isn’t perfect), jumped up and brought me one of his squeaky balls.

“Sorry, got to go,” I said, and hung up.



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Rediscovered John Lennon Guitar Heads to Auction, Expected to Set Records
By Eric Grossman
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Lost for decades, an acoustic guitar John Lennon used at the height of the Beatles’ fame is going up for auction after being found in the attic of a home in the British countryside.

The 1965 Framus Hootenanny is arguably one of the most historically important guitars in the history of the Beatles, and was used on some of the group’s classic songs and played by Lennon in the movie Help! , released the same year.

The 12-string acoustic guitar will headline Julien’s Auctions Music Icons event on May 29 and 30 at the Hard Rock Cafe in New York, the auction house announced Tuesday morning in London.

Darren Julien, the firm’s co-founder and executive director, expects the Framus to exceed its presale estimate of between US$600,000 and US$800,000 and says it could set a new record for the highest-selling Beatles guitar, a record his auction house set nearly a decade ago.

The guitar was found earlier this year.
Rupert Hitchcox/Julien’s auctions

“Julien’s sold a John Lennon [Gibson J-160E] guitar in 2015 for US$2.4 million, and because this, historically speaking, is a more significant guitar, our expectation is that this guitar—played by John Lennon and George Harrison on the Help! album and other recordings—will be in the top five most expensive guitars ever sold at auction,” Julien says. “It’s likely the last chance for someone to buy and personally own an iconic John Lennon/George Harrison guitar.”

While equating its discovery to that of a “lost Rembrandt or Picasso,” Julien believes this is the greatest find of a Beatles guitar since Paul McCartney ’s lost 1961 Höfner bass, which was returned to him in February after it had been stolen in 1972.

The rediscovered Framus was famously seen in the 1965 film Help! , and was used in recording sessions for classics such as “You’ve Got To Hide Your Love Away,” “It’s Only Love” and “I’ve Just Seen A Face.” It was also played by George Harrison on the rhythm track for “Norwegian Wood” on the 1966 album Rubber Soul .

According to the auction house, by the late-1960s the guitar was in the possession of Gordon Waller of the British pop duo Peter & Gordon, who later gave it to their road managers. The instrument was recently discovered in an attic in rural Britain  where it sat forgotten and unplayed for more than 50 years. After finding the guitar in the midst of a move, the homeowners contacted Julien’s.

Along with co-founder Martin Nolan, Julien traveled to the U.K. and immediately recognised that it was the storied Help! guitar. While on the premises, they also discovered the original guitar case in the trash and rescued it. It’s an Australian-made Maton case that can be seen in photos taken of The Beatles in 1965  The sale of the guitar is accompanied by the case and a copy of the book The Beatles: Photographs From The Set of Help by Emilo Lari.

In addition to Lennon’s acoustic Gibson J-160E—which fetched three times its presale estimate—Julien’s has broken multiple Beatles records, including Ringo Starr’s Ludwig drum kit (which sold for US$2.2 million), the drumhead played on the Ed Sullivan Show (US$2.2 million), and a personal copy of the White Album , (US$790,000), all of which sold in 2015.

Julien’s also holds the record for the world’s most expensive guitar ever sold at auction: Kurt Cobain’s MTV Unplugged 1959 Martin D-18E acoustic electric guitar, which sold in 2020 for US$6 million.

More than 1,000 pieces of music memorabilia will also be part of the auction, including items used by the likes of AC/DC, Nirvana, Guns N’ Roses, Judas Priest, Heart, Queen, and Tupac Shakur.

Sartorial highlights include custom dresses worn by Tina Turner (Versace) and Amy Winehouse (Fendi), both of which are expected to sell for between US$4,000 and $6,000, and Michael Jackson’s stage-worn “Billie Jean” jacket from 1984’s Victory Tour (presale estimate: US$80,000 to $100,000).

Bidders will have the chance to buy items benefitting a pair of U.K. charities. Several collectibles from The Who and other British musicians will be sold to benefit the Teenage Cancer Trust, and an assortment of memorabilia—ranging from a Stella McCartney dress worn by Helen Mirren and an Armani jacket stage-worn by Phil Collins to artwork created and signed by Pierce Brosnan—will be offered to help fund the King’s Trust.

Rounding out the two-day auction is Randy Bachman’s collection of more than 200 museum-quality guitars. Known for his role in The Guess Who and Bachman-Turner Overdrive, the Canadian rock star used the instruments on hits such as “These Eyes,” “Takin’ Care of Business,” “You Ain’t Seen Nothin’ Yet,” and “American Woman.”

The public can view the Help! guitar and other auction highlights at Hard Rock Cafes in London (April 23-29) and New York City (May 22-28).

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