It’s Optional, Except It’s Not: You’ve Been Voluntold

Come to my meeting. Plan my bachelorette party. Help with this project that’s totally not in your job description.

Please?

We’ve all been there, trying to persuade people to do things they don’t have to do, and probably don’t want to either. Or, we’re staring down a painful request ourselves.

“Inside, you’re questioning, like, how did I get here?” says Matt Brattin, a software company executive based in Fresno, Calif.

Over the years, he has been talked into everything from taking notes at meetings that had nothing to do with his job to donning a giant gnome costume at an employee event in the Texas summer heat. (He was working for Travelocity—whose mascot was a gnome—at the time.)

“Is this a thing I even have an option to say no to?” he wondered.

Definitely. It’s time to learn the delicate art of ‘voluntelling’: persuading people to help, or, if you’re the one always being voluntold, getting out of it.

The power of silence

Scoring the answer you want starts with asking the right questions, says Jonah Berger, an associate professor of marketing at the University of Pennsylvania’s Wharton School.

You want to pose queries that guide the person down a path that inevitably ends at the destination of your choosing. Aren’t you excited about so-and-so’s new baby? (Yes!) Shouldn’t we have a shower for her? (Of course!) Can you help me plan it?

Make sure to pause frequently as you encourage the person toward your conclusion, says Prof. Berger, the author of a book about the magic words we can use to persuade others. A moment of silence is a cue for the other person to shake their head yes or mutter “uh huh.”

“They are implicitly starting to agree with what you’re saying,” he says. “You’ve given them that space.”

Best to also give the person choices. Would he rather be in charge of finding a venue, or coordinating the food? We all want to feel like we have autonomy, Prof. Berger says. Confronted with specific options, we’re more likely to focus on the possibilities we’ve been given, not declining altogether.

Skip the apologies

Don’t be tentative or apologetic with your request, says Bob Bordone, who coaches executives on negotiation. Saying sorry gives the person an easy window to say no.

“I’d be super grateful if you could help us out with this,” Mr. Bordone recommends saying.

Tap in to the other person’s perspective to make the offer one that they want to say yes to. What’s important to them? What do they care about?

When Wassia Kamon, a finance professional in the Atlanta area, noticed the supply-chain team at a former job was putting wrong data into her accounting system, she knew confronting the team’s leader with accusations and demands wouldn’t get her anywhere. The group didn’t report to her, and the executive had years more experience than she did.

Instead, she explained she wanted the departments to work better together, and help the company run more smoothly. After the pair held a group meeting with both departments, the supply-chain workers stopped making mistakes, and Ms. Kamon’s relationship with the executive got more cordial, not less.

“How can we form little alliances?” she asks herself.

Add some peer pressure

You can build additional momentum by winning support from people who are close to the person you’re ultimately trying to convince, says Allison Shapira, the chief executive of Global Public Speaking, a firm that trains managers to communicate persuasively. Think about who the person you need the yes from trusts. Get them on board first.

“Now all she’s doing is joining her colleagues in this, as opposed to standing out,” Ms. Shapira says.

Giving a specific deadline can also help, making the request feel less nebulous and open-ended.

If you suspect the person is going to be resistant, you can briefly acknowledge the road blocks or pressures she’s facing. You know she has another project on her plate, or that staffing is tight. Then quickly pivot back to potential solutions. Ms. Shapira recommends asking questions like, “What would make it easier for your team to attend this meeting?”

Say no with conviction

Sometimes, we’re on the other side, our hand raised for us.

Even when we feel we’ve already been roped into something, we still have the power to decline, says Vanessa Patrick, a marketing professor at University of Houston and author of a coming book about the science of saying no.

Avoid making excuses, she advises. At some point in the future, the excuse won’t be applicable. Instead, tie your no to your identity, using the word “don’t.” I don’t lend money to family members. I don’t volunteer in my kid’s classroom during the workday.

Research from Prof. Patrick and a colleague finds that using “don’t” instead of “can’t” increases the chances the person will respect your no, and adds to your resolve.

Worried about sounding harsh? Buffer the direct language with nonverbal cues, such as smiling, leaning forward, using your body language to communicate warmth, she says.

If you’re still tempted to go along with the demand, buy yourself some time by saying it’s your policy to take 24 hours to consider requests. Remind yourself of the opportunity cost. What will you miss out on if you begrudgingly agree to do this?

After all, convincing others to say yes is a valuable skill. But so is saying no when the moment calls for it.

The idea of wallpaper elicits so much apprehension in homeowners, New York designer Francis Toumbakaris purposely uses the term “wallcovering” when speaking to clients about it. Yet decorating websites and media accounts teem with instances of the stuff. “It transforms a room and gives it personality,” said Casey Keasler, founder of design studio Casework, in Portland, Ore.

So what keeps folks from hanging the gorgeous material, and how do homeowners get over these wallpaper willies? Here, some case studies of conversions.

Hangup: It’s too pricey.

Budget concerns can hamstring homeowners. Home-services company Angi estimates that wallpaper can cost as much as $12 a square foot for labor and materials, while painting tops out at $6. “If the wall surface needs work beforehand, prices go up,” said Bethany Adams, an interior designer in Louisville, Ky. And Keasler notes that paper can cost as much as $400 a roll.

Antidote: Baby steps

New York designer Tara McCauley says homeowners can get more hang for their buck by using paper strategically. In an apartment in Brooklyn whose homeowners sweated the bottom line, she coated only the hallway with a dark-blue pattern inspired by Portuguese tiles. “It added so much impact,” McCauley said of the modest use. The designer adds that another way to save money is by hanging what she calls the gateway drug to wallpaper: patternless grass cloth. With no need to align a motif, the material goes up quickly and costs less to install, she says, “but it adds visual depth in a way plain paint never could.”

Hangup: I’ll get sick of it

A fear of commitment stops many would-be wall paperers, who worry about having a change of heart later. Erik Perez, a design publicist with his own firm in Los Angeles, campaigned hard for what he thought was the perfect old-Hollywood look for his and his husband’s dining room—a maximalist, leafy green wallpaper made famous by the mid-20th-century decoration of the Beverly Hills Hotel. His husband, Paul Hardoin, a voice-over actor, resisted. “Is it going to go out of style? Will I tire of it? Will it affect resale value?” he worried.

Erik Perez, right, and his husband, Paul Hardoin, in their Los Angeles dining room, clad in CW Stockwell’s Martinique paper. Photo: Julie Goldstone for WSJ

Antidote: Low-use spaces

Infrequently used rooms can carry a bold choice long-term. Of the Brooklyn hallway she wrapped in blue, McCauley noted, “It’s a pass-through, so you don’t get overwhelmed by a bold pattern.” Ditto powder and dining rooms, like that of Perez, who said, “We only used that room when we were entertaining and it was too cold to be outside.”

It took three years, but Hardoin caved when the banana-leaf pattern became available in blue. “I thought it looked cool,” Hardoin said. He took the leap, knowing his sister Annette Moran (a wallpaper enthusiast) would be their DIY installer. “Now it’s the happiest room in the house,” he said.

Hangup: It’s dated

When Sarah and Nate Simon bought a historic home in Louisville, Ky., the walls sported oppressively dark patterns, including big, repeating medallions set in a grid. Sarah recalls thinking, “ ‘Not this! What’s the opposite of this?’ In my mind that would be paint.” Even for folks who haven’t pulled down awful examples, “the word ‘wallpaper’ can take them back to flowery patterns of the ’50s and ’60s that feel very dated,” said Toumbakaris.

Antidote: Modernity

“Wallpaper does not mean what it used to. It can be meandering, abstract, ombre or sisal,” said Simon’s interior designer, Bethany Adams. She suggested a sophisticated Chinoiserie that New York designer Miles Redd, in a collaboration with Schumacher, updated with an aqua colorway. Adams explains that like most Chinoiseries, this pattern doesn’t repeat for more than 8 feet. “You get a peripatetic design that keeps the eye engaged,” she said. “It’s looser.” Said Simon of her dining room today, “It’s a complete transformation, like art on my walls.”

Stereotypes of fusty florals and pitiless patterns fall away when designers present homeowners with contemporary picks. Still, sometimes the conversion takes time. One of Keasler’s clients, gun-shy after removing old paper, came back a year later, ready. “We chose a clean classic style that was graphic and minimal for a modern edge in the bathroom,” said the designer.