Stay With Us, Please? My Quest to Design a Better Guest Room Than the In-Laws
Determined to persuade her married daughters to visit—and lacking her rivals’ in-ground pool—our columnist decided to up her guest-room game. Here, her tips.
Determined to persuade her married daughters to visit—and lacking her rivals’ in-ground pool—our columnist decided to up her guest-room game. Here, her tips.
I SUSPECT that most people’s so-called guest bedrooms are, like mine, giant closets. Once upon a time they were my daughters’ bedrooms. But after my kids grew up, their childhood rooms were almost immediately pressed into service as warehouse space.
My husband’s guitar amps? Store them in a spare room. Amazon packages to be returned? Guest room. These rooms also collect castoffs I’m not emotionally ready to part with, including 10-foot drapery panels with a songbird pattern I made with a sewing machine my husband magnanimously gave me on our 10th anniversary. I think I used the machine once, and if I ever need it, it’s in a corner of the guest room.
This situation is counterproductive for someone like me, hoping to lure home “guests” like my three adult children and their husbands and partners. So I recently resolved to fix the guest-room issue—and immediately realised this was a job for a professional.
“My problem is that now that my children are paired-off they have other options—in-laws with better guest rooms—who they could visit instead,” I said to Grey Joyner, an interior designer in Wilson, N.C. These rival accommodations include an enviable guest suite (I’ve slept there comfortably myself), with extremely high-thread-count sheets, a private bathroom and terrace access to a landscaped garden with an in-ground swimming pool. “Of course, I’m not trying to compete head-to-head against the in-laws,” I hedged.
“Of course you are competing with the in-laws—as you should!” Joyner said. “If you were my client, this is when I would tell you: Every room needs to tell a story.”
“‘High-end hotel’ is a nice story for a room,” I said. “Should I toss everything and start from scratch?”
“No!” Joyner said. “This is not a hotel, it’s your home, and it has to feel personal. I would create a story around things you collect or already have.”
I considered what our story might be. “A thriller about a hoarder with a songbird-drapes fetish?” I asked.
She ignored this.
Obviously, accessories designed to lure each of my daughters would be nice to have, including a luggage rack for the “heavy packer” in the family (Joyner likes the $225 foldable, faux-bamboo versions from One of a Find in Charleston, S.C.); wall-mounted reading sconces for my “low-brow-murder-mystery addict” middle child (my go-to is the bendable-arm gooseneck wall sconces from Etsy sellerDLIGHT); and perhaps a Sonos speaker for the family’s “promising-new-artists scout.”
“Maybe it’s the Southerner in me, but I have a ton of silver pieces,” Joyner said. “I might put a tray on a dresser for jewellery, and one in the bathroom as a soap dish. Guests say, ‘I love that dish,’ and I say, ‘That was my grandmother’s.’ Now it has a story.”
A plan took shape: First, I spent a few days painting a Louis-XVI-style caned bed with three coats of a rich, deep brown colour—Farrow & Ball’s Mahogany—so it would have a strong visual presence to anchor the room. Second, I painted the walls, to cover the pale Benjamin Moore Ballet White with Farrow & Ball Smoked Trout, a hue whose name got a rise out of my husband. “Wow, $150 a gallon for paint?” he said. “Is it made with real trout?”
The colour created a woodsy-tan backdrop against which a castoff pair of cloudy-mirror-top night tables suddenly looked glamorous.
What next? Window coverings, perhaps in a joyous songbird pattern? Or maybe not.
“You need blackout shades or drapes because you want your guests to get a good night’s sleep,” said Kelly Simpson, senior director of design and innovation at Budget Blinds, an Irvine, Calif., company with 900 franchises nationwide. “For your situation, personally I’d do a layered look, blackout shade with drapery panels on the sides. Adding draperies softens a room.”
Stephanie Moffitt, design director of the Mokum collection at James Dunlop Textiles in Australia, concurred, suggesting patterned fabrics on shades and drapes. “You can take more risk with bolder palettes” than in a main bedroom where you have to sleep (and look at the curtains) every night for years, she said.
Luring adult children to come home could get expensive. Does it need to?
I turned to psychologist Joshua Coleman’s “Rules of Estrangement: Why Adult Children Cut Ties and How to Heal the Conflict” (Harmony, 2021) for answers. But after skimming the free-on-Amazon excerpt of the book, I still had questions—so I phoned the author.
“I’m actually trying to prevent estrangement with adult children before it happens,” I told him. “The first pages of your book point out that they—and by extension, their spouses—aren’t obligated to spend more time than they want with their parents,” I said. “Can I convey that I respect that through how I decorate a guest room?”
“Probably not—and keep in mind there’s a risk that they don’t want you to update their rooms and will feel displaced by it,” Coleman said.
“But their spouses don’t want to look at their old prom photos,” I said.
“You said you have daughters?” he asked.
Three, I confirmed.
“Daughters tend to be more powerful arbiters of time spent with parents than sons, so I would be more conscious of displeasing them. Husbands will fall in line.”
Really? It was the reactions of the spouses and partners I’d been fearing—all three of my daughters had given a thumbs-up to more-comfortable décor and had in fact unanimously suggested a mattress upgrade (the old one dated to 1985).
“So no expensive furnishings are necessary?” I asked.
He could hear my disappointment. “Look, if you want to justify it to your husband, you can say you talked to a national expert and he said you absolutely need to buy nice furniture,” he said.
That faux bamboo luggage rack will soon be mine.
Rising rates, construction inflation and shrinking investor confidence are pushing Australia deeper into a dangerous housing spiral that monetary policy alone cannot fix.
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Rising rates, construction inflation and shrinking investor confidence are pushing Australia deeper into a dangerous housing spiral that monetary policy alone cannot fix.
The Reserve Bank had little choice but to raise interest rates again this week.
Inflation was already proving stubborn before the latest Middle East instability added further pressure to energy prices and supply chains.
Housing inflation alone has averaged six per cent over the past year, remaining one of the single biggest contributors to CPI.
But while the focus remains on rates, the deeper problem is structural and far more dangerous.
Australia is not building enough homes, and the conditions required to fix that are deteriorating simultaneously.
Construction costs remain elevated. Builders are increasingly unwilling to absorb contract risk. Labour shortages persist.
Capital is becoming more expensive. And as borrowing capacity weakens and sentiment softens, fewer projects are becoming financially viable.
The result is a self-reinforcing cycle.
The RBA raises rates to fight inflation. Higher rates reduce development feasibility. Fewer projects start. Housing supply tightens further. Rents rise. Inflation persists. The RBA raises rates again.
The only long-term solution is supply, yet Australia remains nowhere near the National Housing Accord target of 240,000 new dwellings a year.
Completion continues to lag approvals, meaning many projects approved on paper are simply never making it out of the ground.
That gap matters enormously because housing is not just another sector of the economy.
Around two-thirds of Australian household wealth is tied to property, while the sector underpins millions of jobs and related industries. Weakness here quickly spreads beyond real estate.
We are already seeing signs of stress. Auction clearance rates in Sydney and Melbourne have softened, borrowing capacity has declined, and parts of the market are experiencing price corrections as confidence weakens.
At the same time, policymakers continue to debate tax measures such as changes to negative gearing and capital gains tax discounts, despite fears that such reforms could drive private capital out of the rental market at precisely the moment when supply is most constrained.
This is the paradox at the centre of Australia’s housing crisis.
Demand for property remains extraordinarily high, yet the economic conditions required to actually build new housing are worsening.
The Reserve Bank cannot solve that problem alone.
Monetary policy cannot accelerate planning approvals, reduce construction costs or create more tradies. It can only raise the cost of money until something eventually breaks.
And increasingly, that “something” looks like the development pipeline itself.
Paul Miron is the Co-Founder & Fund Manager of Msquared Capital.
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