Stay With Us, Please? My Quest to Design a Better Guest Room Than the In-Laws
Determined to persuade her married daughters to visit—and lacking her rivals’ in-ground pool—our columnist decided to up her guest-room game. Here, her tips.
Determined to persuade her married daughters to visit—and lacking her rivals’ in-ground pool—our columnist decided to up her guest-room game. Here, her tips.
I SUSPECT that most people’s so-called guest bedrooms are, like mine, giant closets. Once upon a time they were my daughters’ bedrooms. But after my kids grew up, their childhood rooms were almost immediately pressed into service as warehouse space.
My husband’s guitar amps? Store them in a spare room. Amazon packages to be returned? Guest room. These rooms also collect castoffs I’m not emotionally ready to part with, including 10-foot drapery panels with a songbird pattern I made with a sewing machine my husband magnanimously gave me on our 10th anniversary. I think I used the machine once, and if I ever need it, it’s in a corner of the guest room.
This situation is counterproductive for someone like me, hoping to lure home “guests” like my three adult children and their husbands and partners. So I recently resolved to fix the guest-room issue—and immediately realised this was a job for a professional.
“My problem is that now that my children are paired-off they have other options—in-laws with better guest rooms—who they could visit instead,” I said to Grey Joyner, an interior designer in Wilson, N.C. These rival accommodations include an enviable guest suite (I’ve slept there comfortably myself), with extremely high-thread-count sheets, a private bathroom and terrace access to a landscaped garden with an in-ground swimming pool. “Of course, I’m not trying to compete head-to-head against the in-laws,” I hedged.
“Of course you are competing with the in-laws—as you should!” Joyner said. “If you were my client, this is when I would tell you: Every room needs to tell a story.”
“‘High-end hotel’ is a nice story for a room,” I said. “Should I toss everything and start from scratch?”
“No!” Joyner said. “This is not a hotel, it’s your home, and it has to feel personal. I would create a story around things you collect or already have.”
I considered what our story might be. “A thriller about a hoarder with a songbird-drapes fetish?” I asked.
She ignored this.
Obviously, accessories designed to lure each of my daughters would be nice to have, including a luggage rack for the “heavy packer” in the family (Joyner likes the $225 foldable, faux-bamboo versions from One of a Find in Charleston, S.C.); wall-mounted reading sconces for my “low-brow-murder-mystery addict” middle child (my go-to is the bendable-arm gooseneck wall sconces from Etsy sellerDLIGHT); and perhaps a Sonos speaker for the family’s “promising-new-artists scout.”
“Maybe it’s the Southerner in me, but I have a ton of silver pieces,” Joyner said. “I might put a tray on a dresser for jewellery, and one in the bathroom as a soap dish. Guests say, ‘I love that dish,’ and I say, ‘That was my grandmother’s.’ Now it has a story.”
A plan took shape: First, I spent a few days painting a Louis-XVI-style caned bed with three coats of a rich, deep brown colour—Farrow & Ball’s Mahogany—so it would have a strong visual presence to anchor the room. Second, I painted the walls, to cover the pale Benjamin Moore Ballet White with Farrow & Ball Smoked Trout, a hue whose name got a rise out of my husband. “Wow, $150 a gallon for paint?” he said. “Is it made with real trout?”
The colour created a woodsy-tan backdrop against which a castoff pair of cloudy-mirror-top night tables suddenly looked glamorous.
What next? Window coverings, perhaps in a joyous songbird pattern? Or maybe not.
“You need blackout shades or drapes because you want your guests to get a good night’s sleep,” said Kelly Simpson, senior director of design and innovation at Budget Blinds, an Irvine, Calif., company with 900 franchises nationwide. “For your situation, personally I’d do a layered look, blackout shade with drapery panels on the sides. Adding draperies softens a room.”
Stephanie Moffitt, design director of the Mokum collection at James Dunlop Textiles in Australia, concurred, suggesting patterned fabrics on shades and drapes. “You can take more risk with bolder palettes” than in a main bedroom where you have to sleep (and look at the curtains) every night for years, she said.
Luring adult children to come home could get expensive. Does it need to?
I turned to psychologist Joshua Coleman’s “Rules of Estrangement: Why Adult Children Cut Ties and How to Heal the Conflict” (Harmony, 2021) for answers. But after skimming the free-on-Amazon excerpt of the book, I still had questions—so I phoned the author.
“I’m actually trying to prevent estrangement with adult children before it happens,” I told him. “The first pages of your book point out that they—and by extension, their spouses—aren’t obligated to spend more time than they want with their parents,” I said. “Can I convey that I respect that through how I decorate a guest room?”
“Probably not—and keep in mind there’s a risk that they don’t want you to update their rooms and will feel displaced by it,” Coleman said.
“But their spouses don’t want to look at their old prom photos,” I said.
“You said you have daughters?” he asked.
Three, I confirmed.
“Daughters tend to be more powerful arbiters of time spent with parents than sons, so I would be more conscious of displeasing them. Husbands will fall in line.”
Really? It was the reactions of the spouses and partners I’d been fearing—all three of my daughters had given a thumbs-up to more-comfortable décor and had in fact unanimously suggested a mattress upgrade (the old one dated to 1985).
“So no expensive furnishings are necessary?” I asked.
He could hear my disappointment. “Look, if you want to justify it to your husband, you can say you talked to a national expert and he said you absolutely need to buy nice furniture,” he said.
That faux bamboo luggage rack will soon be mine.
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Australia’s wealthy class is expanding fast, and Knight Frank says that a surge in billionaires is reshaping the nation’s luxury property market.
Australia’s luxury property market is being quietly reshaped by one of the most significant wealth expansions in the world.
According to Knight Frank’s latest Wealth Report, the country’s billionaire population is set to grow by 77 per cent over the next five years, rising from 48 to 85 individuals.
That surge sits within a broader wave of wealth creation. Ultra-high-net-worth individuals, those with more than US$30 million, are forecast to increase by nearly 60 per cent to over 26,000 Australians by 2031.
Globally, the pace is accelerating. The report reveals that 89 new ultra-wealthy individuals are created every day, a figure that underscores a structural shift in capital formation rather than a cyclical upswing.
For luxury property markets, this is not just a headline number. It is a demand driver.
Australia’s wealth story is increasingly underpinned by diversification across resources, finance, technology and services, creating a depth of private capital that is both mobile and strategic.
And mobility is key. The ultra-wealthy are no longer tied to a single market. Instead, they are operating across multiple global hubs, maintaining footholds in cities like London, New York and Singapore, while using Australia as a stable base.
In this environment, real estate becomes less about shelter and more about positioning. Trophy assets remain desirable, but capital is increasingly being deployed across the full risk spectrum, from long-term holds to value-add opportunities. For Australia, the implications are clear. As wealth expands, so too does the expectation of product, and the locations that can attract it.
The billionaire effect
While property remains central to wealth preservation, the latest data shows that capital is increasingly spreading across luxury asset classes, albeit with a more disciplined approach.
Knight Frank’s Luxury Investment Index recorded a modest 0.4 per cent decline in 2025, signalling a stabilisation phase after several years of correction.
But beneath that headline number is a more telling shift. Collectors are moving away from speculative buying and toward assets defined by rarity, provenance and cultural significance.
Impressionist art led the market, rising 13.6 per cent, buoyed by landmark sales including a US$236 million Klimt painting. Watches also performed strongly, up 5.1 per cent, driven by continued demand for brands like Patek Philippe and Rolex.
At the same time, more volatile categories have corrected. Whisky values fell 10.9 per cent, while parts of the fine wine market have softened following pandemic-era highs.
Perhaps the most notable trend is behavioural. Younger investors are entering the market through fractional ownership platforms, gaining exposure to high-value assets that were once out of reach.
For property, the parallels are clear. The same focus on scarcity, narrative and long-term value is increasingly shaping buying decisions at the top end of the residential market.
Global wealth
The growth in billionaires is not just increasing demand, it is changing where that demand is directed.
In Australia, Brisbane has emerged as one of a handful of global cities experiencing rapid change in its luxury positioning. The city’s transformation is being driven by infrastructure investment and the 2032 Olympics, with top-end apartment prices rising from around US$6 million to more than US$10 million in just 12 months.
Luxury price growth has remained steady, with Brisbane rising 2.1 per cent in 2025, while the Gold Coast recorded 2.8 per cent.
At the same time, buying power is tightening. US$1 million now buys 5 per cent less in Brisbane than it did five years ago, reflecting the upward pressure on prime markets.
The trend is not confined to capital cities. Regional lifestyle markets are also capturing attention. Geelong’s waterfront has been identified as one of the world’s hottest luxury residential markets, driven by a combination of coastal amenity, infrastructure and relative value.
In these markets, pricing is no longer the sole driver. Lifestyle, accessibility and long-term growth are increasingly shaping buyer decisions, particularly among globally mobile wealth.
Alternative luxury assets
Beyond residential property, high-net-worth individuals are continuing to diversify into alternative assets that combine lifestyle and investment potential.
One of the most compelling examples is vineyard investment. Knight Frank’s Global Vineyard Index highlights the Barossa Valley as one of the best-value wine regions globally, where US$1 million can secure more than 18 hectares of land.
Despite a 10 per cent decline in land values over the past year, the broader outlook remains positive, particularly as the global wine industry shifts toward premiumisation.
This “trading up” trend is seeing consumers favour higher-quality, provenance-driven wines over mass-market products, reinforcing the long-term appeal of established regions like the Barossa and Eden Valleys.
For investors, the appeal lies in the intersection of lifestyle and capital preservation. Vineyard assets offer not only production potential, but also a narrative — something increasingly valued in a market where experience and authenticity carry weight.
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