Why People Are Buying $8,000 Lifelike Baby Dolls
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Why People Are Buying $8,000 Lifelike Baby Dolls

Highly realistic baby dolls have become a global phenomenon, with collectors shelling out for luxury baby gear and doting on their ‘reborns’ as if they were human children.

By Rory Satran
Thu, Jul 24, 2025 10:59amGrey Clock 6 min

Kelli Maple tenderly sets her bundle of joy, Naomi, into a Nuna car seat and drives her to the mall.

When they arrive, Maple, 23, places little Naomi, dressed in a onesie and hair bow, into a high-end stroller (complete with a portable sound machine, stuffed animal and a pacifier). Giggling, Maple and Naomi shop for tiny clothes.

Most passersby would mistake them for a typical mother and daughter.

But Naomi is not real.

She’s a lifelike “reborn doll.” These collectable baby dolls, which can run up to $10,000 apiece, have been around since the early 2000s, but in recent years they’ve exploded into a global phenomenon.

Collectors, who consider themselves parents, shell out for luxury baby gear and dote on their reborns as if they were human children.

In Brazil, they’ve become a lightning rod in recent months, with politicians introducing bills to try and ban the popular dolls from public places.

The reborn doll world is hidden in plain sight in the United States.

It’s a cottage industry, with amateur crafters hand-moulding and painting dolls in their basements. The process, especially for the more verisimilitudinous silicone dolls, is labour-intensive, including painting delicate pale-blue veins onto their soft peachy skin and hand-rooting individual goat or alpaca hairs into their scalps and eyebrows. The result is uncanny.

When I told a dollmaker that I’ve never seen someone carrying a reborn in New York, she smiled knowingly and said, “You have.”

Detractors find the dolls creepy, and some owners say they are taunted by families and online bullies.

What these critics misunderstand, collectors say, is the therapeutic potential of the dolls.

Women who have lost babies or experienced miscarriages are comforted by reborns. The dolls can also soothe women with post-traumatic stress disorder, Alzheimer’s, dementia and autism.

Britney Spears, who said she had a miscarriage, has been seen carrying a doll. Some women are fanatic collectors, amassing dozens if not hundreds of dolls and posting online videos of diaper changes and trips to the park. Children and teens play with them. Hollywood snaps them up as stunt babies.

At the Dolls of the World fair this June, around 1,500 participants—and their dolls—came together in a convention centre in Greensboro, N.C., where vendors sold accessories such as perfumes meant to make the dolls smell like real babies.

“People think it’s insane because it’s a doll,” said Hannah Hammond, 21, a teacher in Hampton, Va., who collects reborns. “But it’s just like any other hobby.” When we met, she offered to let me hold her prized silicone doll, Evie, then winced at my technique: “You have to support her head.”

Babies Who Never Cry

Maple is one of the stars of the reborn doll world, with over 2 million subscribers to her YouTube channel and selling her dolls for thousands of dollars.

At the Dolls of the World expo, she was mobbed by fans for selfies and autographs.

She had spent months in the room she calls her “nursery,” putting the finishing touches on babies to sell at her booth at the fair. “There are heads and limbs everywhere—it can be a little scary,” she said.

Awareness of the dolls is at an all-time high. “It’s just getting bigger and stronger,” said Dave Stack, the founder of Reborns.com, one of the largest marketplaces for handmade dolls. He charges $30 a month for makers to sell their dolls on the site, and has around 600 paying members.

Many of those makers were at the fair in North Carolina, one of a handful of American events where enthusiasts and dealers can buy and sell dolls, and take classes in the art of dollmaking. At evening events, women trade gifts like pacifiers and doll outfits, and awards are bestowed to the top artisans.

The doll fair was one of three conferences taking place at the same sprawling Sheraton complex. Over the course of one sweltering summer weekend, the doll people rubbed elbows with the brawny participants in the World Ninja League championships and the conspiracy theorists of the Cosmic Summit.

“We all thought they were real babies until we did not hear any crying,” marvelled Cosmic Summit attendee Ocean Norris while taking a smoke break. Her friend Angela Simmons of Pinehurst, N.C., said she was “shocked” to see the babies being handled like real babies.

“Unfortunately, we get a lot of hate in the doll community,” said Sally McMahon of Massapequa Park, N.Y., who dressed in a fairy outfit and showed off her rabbit-human hybrid doll.

This is part of a subset known as “fantasy dolls”—creatures such as chimp-human hybrids, blue-skinned lizard elves, and tiny-horned satyrs. “They say, ‘Oh my God, these crazy doll people.”

For the doll lovers, from small children to senior citizens in wheelchairs, the fair is a rare safe space for them to revel in their hobby.

Many of them budget the entire year to be able to pay cash for four-figure dolls and accessories (“I plan on spending a kidney, a lung and part of my liver,” joked attendee Mel Harrison on Facebook).

They clamoured around the reborn world’s niche celebrity doll artists, like Maple and the British duo Samantha Gregory and Nikki Johnston, asking for autographs and selfies. All around the hotel, groups clustered, with women and children passing babies around.

While reborn lovers find them comforting, the outside world often perceives them as terrifying. The Apple TV+ show “Servant,” which ran from 2019 to 2023, dramatised the spooky nature of reborn dolls.

Maggie Barnes, 12, from Clayton, N.C., showed me her new doll: Fang, a miniature werewolf. Barnes said she liked coming to the fair because “People are not judgmental at all.” Her mother, also a doll fan, purchased the $1,000 doll for her as a gift.

Although the best-known use for reborn dolls is as a comfort following infant loss and miscarriage, plenty of kids, as well as mothers and grandmothers of real children, collect the dolls. Keith and Dia Harris, 63 and 51 of Suwanee, Ga., have five children and seven grandchildren, and attended the fair with a baby reborn and a 6-year-old reborn.

Keith, hoisting the bigger doll around in a carrier, was one of the many supportive husbands at the fair. At their home, the Harrises have a nursery for their reborns with bunkbeds, which their grandkids share with the dolls when they visit.

Another grandmother, Holly Church, came to the fair to purchase a $3,200 green-skinned fantasy doll to add to her collection. Her husband was building a “she shed” in their backyard in Texas to house the dolls. She said that her eldest son didn’t understand her passion. “I say, ‘You don’t have to get it. You just have to respect it.’”

Church’s friend Mia Martone, a spiritual advisor in East Meadow, N.Y., purchased a $6,000 silicone reborn named Lucy at the fair. While she has grandchildren who visit, she said, “Sometimes I just want one that doesn’t cry.”

Reborns can help people heal from trauma. Katherine Hansell of St. Charles, Mo., cares for Crystal, her adopted adult daughter who experienced horrific childhood abuse. They use a reborn baby named Crystal to model love and care. “We say that this Crystal was never hurt,” said Hansell.

A Labour of Love

Making dolls can be an emotional job.

Dorothy Blue, a reborn dollmaker who works out of a basement studio in Dardenne Prairie, Mo., said that working with women who’d gone through infant loss and wanted a replica could be fraught. Sometimes, their vision of what the doll should look like could be hard to capture. “To be blunt, a deceased baby looks like a deceased baby,” said Blue.

Well-made silicone dolls can easily sell for over $5,000, because the labour that goes into them is significant. Most dollmakers start with a basic kit from one of the online retailers such as Bountiful Baby.

Then they personalise it through a painstaking process of tweaking and painting, often in dialogue with the client, who may have photos of what they want the doll to look like. Vinyl kits usually start around $100 and silicone kits run about $200. With products including paint, finishing powder, glass eyes and hair, the supplies for one doll can easily run over $500.

America has a long tradition of resourceful women cobbling together careers from home. Like selling Mary Kay beauty products or Tupperware, dollmaking can be a way to make money without a fancy education, or even consistent childcare.

Few people have gotten rich from the doll world, because it’s such a splintered, handmade process. But Nevin and Denise Pratt of Bountiful Baby in Salt Lake City are titans in the reborn community.

In 2000, Denise’s doll making spurred the duo to begin making moulds, which grew into a significant doll supply company. At its height in 2019, the company says its revenue was over $5 million. It’s 40% less today, which they attribute to a volatile economy and Chinese-made knockoff dolls and parts sold on sites like Amazon and Alibaba.

This year, Maple only sold three of her handmade dolls, compared to five at the last fair. “Sales have been down all year because of the economy.”

But for Maple and others in the reborn doll industry, it’s much more than a business. “I’ve gone through lots of different emotional things throughout my life and the dolls have definitely helped with mental health a lot,” she said.

Johnston, the British dollmaker, compared reborn dolls to Marmite, the divisive yeasty spread: “You either love them or you hate them.”



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A long-standing cultural cruise and a new expedition-style offering will soon operate side by side in French Polynesia.

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A TALE OF TWO VOYAGES IN FRENCH POLYNESIA

A long-standing cultural cruise and a new expedition-style offering will soon operate side by side in French Polynesia.

By Jeni O'Dowd
Tue, Jan 13, 2026 3 min

From late 2026 and into 2027, PONANT Explorations Group will base two ships in French Polynesia, offering travellers a choice between a culturally immersive classic and a far more exploratory deep-Pacific experience.

The move builds on more than 25 years of operating in the region with the iconic m/s Paul Gauguin, while introducing the expedition-focused Le Jacques Cartier to venture into lesser-known waters.

Together, the two vessels will cover all five Polynesian archipelagos — the Society, Tuamotu, Austral, Gambier and Marquesas Islands — as well as the remote Pitcairn Islands.

THE PAUL GAUGUIN: CULTURAL IMMERSION, POLYNESIAN STYLE

Long regarded as the benchmark for cruising in French Polynesia, m/s Paul Gauguin will remain based year-round in the region.

Renovated in 2025, the ship continues to focus on relaxed, culturally rich journeys with extended port stays designed to allow guests to experience daily life across the islands.

A defining feature of the onboard experience is the presence of the Gauguins and Gauguines — Polynesian hosts who share local traditions through music, dance and hands-on workshops, including weaving and craft demonstrations.

The atmosphere is deliberately intimate and internationally minded, catering to travellers seeking depth rather than distance.

Across the 2026–27 seasons, the ship will operate 66 departures, primarily across the Society Islands, Tuamotu and Marquesas, with select voyages extending to Fiji, Tonga and the Cook Islands.

 

LE JACQUES CARTIER: EXPLORATION AT THE EDGE

Le Jacques Cartier introduces a more adventurous dimension to PONANT’s Polynesian offering, with itineraries focused on the least visited corners of the South Pacific.

The ship will debut three new “Discovery” itineraries, each 14 nights in length, which can also be combined into a single, extended 42-night voyage — the most comprehensive Polynesian itinerary currently available.

In total, the combined journey spans six archipelagos, 23 islands and the Pitcairn Islands, a British Overseas Territory rarely included on cruise itineraries.

Unlike the Paul Gauguin’s cultural focus, Le Jacques Cartier centres on exploration.

Each day includes one guided activity led by local experts, with excursions conducted via tenders, local boats and zodiacs. Scuba diving is available on board, supported by a resident instructor.

Across the 2026–27 period, the ship will operate nine departures, offering a deliberately limited and low-impact presence in some of the Pacific’s most isolated communities.

THREE NEW DISCOVERY ITINERARIES

The new itineraries aboard Le Jacques Cartier include:

Secret Polynesia: Unexplored Tuamotu, the Gambier Islands and the Austral Islands
From Confidential French Polynesia to Pitcairn Island
Polynesian Bliss: Marquesas and Tuamotu

Each voyage departs from Papeete, with prices starting from $15,840 per person.

SCOUTING THE PACIFIC’S MOST REMOTE COMMUNITIES

In preparation for the new itineraries, PONANT Explorations Group undertook extensive scouting across the Austral and Tuamotu Islands to develop activities in collaboration with local communities.

José Sarica, the group’s R&D Expedition Experience Director, worked directly with residents to design experiences including welcome ceremonies, cultural workshops and visits to marae, the region’s sacred open-air temples.

Six new ports of call have been confirmed as part of this process, spanning both the Tuamotu and Austral archipelagos.

SIX NEW PORTS OF CALL CONFIRMED

New stopovers include:

– Mataiva, known for its rare mosaic lagoon
– Hikueru, home to one of the largest lagoons in the Tuamotus
– Makemo, noted for its red-footed boobies and frigatebirds
– Raivavae, famed for its crystal-clear lagoon pools
– Tubuai, rich in marae and spiritual heritage
– Rurutu, known for limestone caves and seasonal humpback whale sightings

A DUAL EXPERIENCE, ONE DESTINATION

By pairing its long-established cultural voyages with expedition-led exploration, PONANT Explorations Group is positioning French Polynesia not as a single experience, but as two distinct journeys — one grounded in tradition and comfort, the other pushing into the furthest reaches of the Pacific.

For travellers seeking either immersion or discovery, the South Pacific is about to feel both familiar and entirely new.

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