The top interior design mistakes to avoid this year
A top Sydney designer walks through the common mistakes homeowners make – and how to fix them
4 min
The days of white-on-white walls are fast disappearing, as we seek comfort and relaxation at home through a warm palette of colour and texture. But how to navigate the myriad options? Starting with where we get it wrong, Julia Green of Greenhouse Interiors sets the new rules for decorating through colour, calm and a little playfulness thrown in.
Using hero colours in isolation
Julia: A common mistake I see people make is not cohesively implementing their chosen hero colour throughout the space. Look at ways to unify hero colours so they aren’t standing alone without company, instead ensuring these hues are weaved through decorative objects and furniture. The most successful designs I have seen have managed to weave colour cohesively through their home like a well-made tapestry. The more subtle the tie-in is, the better!
Using only neutral colours
Homeowners often select a neutral shade on their walls and stick to white for their ceilings and trims. The downside of this is that contrast trims on walls and ceilings can draw your eye from top to bottom, rather than allowing the eye to wander seamlessly. Instead, consider painting walls, trims and even ceilings in a single colour, to make the space feel more cohesive. That being said, contrasting pops of colour add balance which is equally important to the look and feel of any space. So, to avoid that floating feeling, ensure your room has an element of grounding through the addition of accent shades from your colour scheme through soft furnishings, textures, florals or artwork as an alternative to doors, ceilings or trims.
Incorporating colour all at once
Another mistake people make is rushing to add colour throughout their home. Don’t feel pressured to do it all at once, start small and make measured, staggered choices. For a recent makeover I worked on in the Bellarine Peninsula, the walls were painted first in a neutral, greyed off pink shade – Dulux Lilac Light, from the 2024 Dulux Colour Forecast Journey palette – before any other choices were made. The clients lived with that for a few weeks to see how the light interacted with the colour throughout the day, before we approached the rest of the space and introduced bolder pops of colour from the palette to add layering and interest.
Forgetting about mood
Colours evoke different moods, so it’s important to consider the look and feel you want to create in the space before landing on your hero colour. For example, I always opt for a calmer palette for the bedroom, as it is a place of rest. A living room on the other hand is where you spend much of your waking hours, so it’s good to liven it up! Pale pink is known for its calming effect – it’s gentle, easy to live with and can add warmth to a space, compared to an austere white shade. It’s also extremely versatile. The emotion it evokes can change completely depending on how it’s styled, which is why it’s a shade I like not only for living areas but also bedrooms.
Selecting the wrong colour
Most homeowners are apprehensive of colour or they have concerns that colour may make their home feel too bold, which is why choosing the right colour is such a critical step in the design process. Incorporating colour is such an amazing opportunity to inject your own personality and story into the home, so I encourage it wherever possible. My biggest tip is to start with a neutral shade, to create a safe base that easily allows for the introduction of other colour and styling changes over time. If you’re new to using colour in your home, start small and make measured choices. Try living with colour, even if it’s a referenced cushion or decor object. The best thing about the 2024 Dulux Colour Forecast palettes is that all of the hard work is done for you. Their carefully considered palettes are designed to take the brain strain out of companion colours that work well, so when all else fails, look to the experts who have done the hard work for you – it’s foolproof.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
All three vehicles will form part of a broader charitable initiative benefiting Big Brothers Big Sisters of America, the American Red Cross and Starlight Children’s Foundation
Randy Boyagoda’s new novel, “Lords of Serendipity,” delivers a biting satire of cheating, politics and dysfunction across modern universities.
5 min
Administrative cowardice. Rampant cheating. The soaking and scamming of undergrads and grad students. Performative wokeism. Intensifying competition for international tuition dollars from an expansive China.
These are either the latest dire headlines about American higher ed or the myriad subplots of “Lords of Serendipity,” an ambitious new novel by Randy Boyagoda. Unlike most campus fiction, its scope extends well beyond the cloister of the liberal arts classroom to whammy the entire university system, from its financial model to its function within a globalized economy. Along the way, it skewers its lightning-rod targets with a precision too sharp to be considered entirely fictional.
That its author is not only well-versed in satire, having written four other novels in the genre, but is also a professor of English at the University of Toronto and an experienced college administrator, further blurs the lines between comic fiction and brutal fact. It’s the kind of no-holds-barred book only a consummate insider would know to write—but only one who is also conveniently outside the American university system could get away with writing.
“This is someone who’s got the inside dope on what can go on at universities, especially with international students, and what kind of con games are going on,” said Margaret Atwood, a friend and fellow Torontonian.
The novel, like Boyagoda himself, is often very funny—even as the dilemmas its characters face read as tragedy. Its cast includes the bickering members of a Sri Lankan hotel cleaner’s family, insecure American freshmen, dead-end third-tier college professors and their highflying Ivy League counterparts and dispirited university functionaries. An old-fashioned Dickensian tale, it sweeps across continents and campuses, from a classic liberal-arts college to a stand-in for Harvard University to an urban technical school to the dilapidated buildings of a state-run university in Sri Lanka.
“I’m a joyful person,” Boyagoda said in an interview, though he prefers to see his outlook on academia as “hopeful” rather than optimistic. He smiles and laughs frequently. He bikes everywhere. He derives energy from his students and from his four daughters, ages 14 to 20. They help him and his American wife, Anna, also an educator, care for Boyagoda’s father, an immigrant from Sri Lanka who has dementia and lives with the family.
The germ of the novel came to Boyagoda during the pandemic, when he was serving as a vice-dean. An urban legend was circulating about a statistics grad student selling passing grades to international students. The cheating scheme itself may well have been apocryphal, but it felt tantalizingly plausible.
“As a novelist, it stayed with me,” Boyagoda said. “Who would sell grades for a stats course? Why would someone buy grades? What’s motivating them? Why wouldn’t the university be doing something about it?” What he didn’t want to do, he explained, was write “another novel about a creative writing professor and his drama with students.”
In addition to writing novels—the first of which was a finalist for Canada’s prestigious Giller Prize; he’s written eight books in total—Boyagoda teaches literature full-time. For his students next semester, kids raised in a purportedly “post-literature era,” he’s assigning three 700-page novels, he noted mischievously, books by George Eliot, Ralph Ellison and Kiran Desai.
On RateMyProfessors, students remark on Boyagoda’s heavy assignments, tough grading and distaste for cellphones, but also hail his “comedy.” When alerted to these reviews, Boyagoda laughed. “Guilty as charged,” he said.
“Randy’s one of those people in academia who is very well educated but doesn’t have an ounce of superiority about him,” said John Irving, who frequently guest lectures in Boyagoda’s classroom. “It’s amazing to see how willing students are to talk in his classrooms, how little afraid they feel of being mocked or put down—he gets complete candor out of them.”
Negotiating competing interests seems to come naturally to him. Like many college campuses, after the Oct. 7 Hamas attack on Israel, the University of Toronto was embroiled in protests, encampments and discord; part of the school’s response was to convene a working group on civil discourse. Boyagoda was put in charge, serving for two years. It’s the kind of thankless task many professors would flee from, but Boyagoda relished the prospect and thinks the group, which is ongoing, made progress.
He has since pivoted to another formidable academic concern: the waning prestige of the humanities. In July, Boyagoda became the director of the Jackman Humanities Institute and special advisor on the humanities to the dean of arts and science. This fall, he is starting a series of gatherings he calls the Dead Book Club. (Dead writers feature heavily among his favorites: St. Augustine, Dante, William Faulkner, Evelyn Waugh, Saul Bellow.)
“The goal is to encourage students to read for its own sake and have conversation for its own sake,” Boyagoda said. “The importance of the humanities will be revealed to those who participate.”
“Lords of Serendipity,” which publishes next week, reflects Boyagoda’s commitment to the pursuit of knowledge: “I’m supposed to say I learn more from my students than they do from me, but no,” Boyagoda said. “I enjoy sharing my excitement and joy about literature and ideas. There are these moments when you are teaching and you can see someone’s face change because they didn’t know something and then they did. That moment when you’re actually watch someone enlarge themselves is deeply satisfying.”
In literary circles, Boyagoda is often referred to as a Catholic novelist, a description he embraces. “A novelist willing to give shape and voice to contemporary religious experience is needed,” Boyagoda said. “I understand myself as a Catholic novelist, provided that I’m not only a Catholic novelist, I’m also a South Asian novelist and I’m a Canadian novelist. I don’t want to be captive to one label.”
His characters, he said, are subjected to what he calls “Graham Greene character situations.”
“They are trying to do good in a fallen world and realize the most they can do is less harm than someone else would do in that same role,” he explained. “They have to accept they are complicit in something that provides some good thing to others. It’s a very Graham Greene way of thinking about sacrifice.”
The campus green they inhabit is a febrile zone in which lofty ideals and cynicism regularly collide. It’s a place where a traditional holiday college celebration is now an occasion for political protest. Kids freely police one another inside and out of the classroom with social media their constant, ready weapon of choice. International students, knowing their family’s financial futures hinge on their degrees, operate in terror of failure and deportation.
Early readers of the book include Gary Shteyngart and Junot Diaz, both of whom have taught at universities and written comic novels. They each contacted Boyagoda midway through to say, in essence, “You nailed it.”
As biting as “Lords of Serendipity” can be, Boyagoda’s faith in higher education remains undaunted.
“It’s absurd that we live in societies that make the decision to take people between the ages of 18 and 22, when they are most physically capable of contributing to our nations and communities, and tell them, ‘Go away for four years, and read and learn and have conversations,’” he said. “I want students to be aware of what an incredible privilege that is.”
Corrections & Amplifications
Randy Boyagoda is a special advisor on the humanities to the dean of arts and science at the University of Toronto. An earlier version of this article incorrectly said he is a special adviser to the dean of humanities. (Corrected on Sept. 2)
Paine Schwartz joins BERO as a new investor as the year-old company seeks to triple sales.
For Central Element, the start of work at Pearl represents another step in the company’s growing eastern suburbs pipeline.
