How to Stylishly Bring More Sunlight Into Your Home
Design pros are turning to a chic alternative to the roof-puncturing skylight: the interior window. Here’s what you need to know.
Design pros are turning to a chic alternative to the roof-puncturing skylight: the interior window. Here’s what you need to know.
THE OPEN floor plan lost considerable appeal once the din of WFH video calls began echoing through it. As Americans have grown more interested in walls, but no less interested in airiness, a new-old solution has emerged: interior windows. These apertures let light jump from room to room while creating a soothing sense of separation.
When renovating her historic 1902 home in Grand Rapids, Mich., interior designer Jean Stoffer found 100-year-old storm windows there. As part of a new wall pierced by a wide doorway, they proved a handy way to introduce a distinct but not too darkening division between her grand living room and kitchen-seating area. She then painted the windows’ wood sashes black, in keeping with the home’s exterior windows. “The style of an interior window should be the same as or complementary to the home’s exterior windows,” Ms. Stoffer advised.
Other designers stress the importance of visually quiet portals. Max Worrell, an architect in Brooklyn, recommends windows with slight frames that “go away as much as possible.” In a South Carolina home, interior designer Barbara Westbrook also wanted an interior window to disappear. Atlanta architecture firm Historical Concepts installed nearly floor-to-ceiling glazing between a living room and a reading room (which has windows overlooking the outdoors), making the reading room “look like a porch,” she said. She matched the trim work around the interior windows to the colour of the reading room’s walls so that “your eye does not stop at the window but looks through the window.”
Vintage windows have advantages. Designers in search of handsome frames have more leeway when they needn’t factor in heat retention and element resistance. Retrouvius, a salvage company and design studio in London, often repurposes exterior windows no longer up to code, to add “an instant historical reference” in older buildings, said co-founder Adam Hills.
Wedging even a small transom window above a door frame can brighten darker spaces like laundry and powder rooms. Assuming the doorway is a standard 80 inches tall, you need a ceiling height of at least 9.5 feet, said Stephanie Sabbe of Sabbe Interior Design, in Nashville, Tenn. Any lower, and your transom will look squished.
Costs for an interior window vary greatly. On one end of the spectrum, explained Ms. Stoffer, is a simple wooden-sash window with minimal millwork set into a non-load-bearing partition wall that’s, say, 6 feet wide in a room with an 8-foot ceiling. A skilled carpenter can turn such a project around for roughly $1,500. Ditto for a standard transom.
Meanwhile, if you’re planning to install a custom steel window with complicated moldings into a bigger existing wall with mechanicals in it, you’ll need an engineer and other tradespeople. Cost: in the tens of thousands of dollars.
If all this glass seems like an overshare waiting to happen, know that light and modesty can coexist. To brighten a windowless bathroom in a Brooklyn home, Mr. Worrell cut an aperture in the wall between bed and bath, then filled it with a translucent but not transparent glass. “In the bath, you get daylight from the bedroom’s windows, while in the bedroom, you see only a shadowy figure,” he explained. The result is less edgy than it sounds, he said. “There’s a bit of play with voyeurism, but it’s discreet.”
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Odd Culture Group brings a new kind of after-dark energy to the CBD, where daiquiris, disco and design collide beneath the city streets.
Odd Culture Group brings a new kind of after-dark energy to the CBD, where daiquiris, disco and design collide beneath the city streets.
Sydney’s nightlife has long flirted with reinvention, but its latest arrival suggests something more deliberate is taking shape beneath the surface.
Razz Room, the new underground bar and disco from Odd Culture Group, has opened in the CBD, marking the group’s first step into the city centre.
Tucked below street level on York Street, the venue blends cocktail culture with a shifting, late-night rhythm that moves from after-work drinks to full dancefloor immersion.
The space itself is designed to evolve over the course of an evening. An upper bar offers a more intimate setting, suited to early drinks and conversation, while a sunken dancefloor anchors the venue’s later hours, with a rotating program of DJs and live performances.
“Razz Room will really change shape throughout a single evening,” says Odd Culture Group CEO Rebecca Lines.
“Earlier, it’s geared towards post-work drinks with a happy hour, substantial food offering, and music at a level where you can still talk.”
As the night progresses, that tone shifts.
“As the evening progresses at Razz Room, you can expect the music to get a little louder and the focus will shift to live performance with recurring residencies and DJs that flow from disco to house, funk, and jazz,” Rebecca says.
The concept draws heavily on New York’s underground club scene before disco became mainstream, referencing venues such as The Mudd Club and Paradise Garage. But the intention is not nostalgia.
“The space told us what it wanted to be,” Lines explains. “Disco started as a counter culture… Razz Room is no nostalgia project, it’s a reimagining of the next era of the discotheque.”
Design, too, plays its part in shaping the experience. The upper level is warm and textural, with timber finishes and burnt-orange tones, while the sunken floor shifts into a more theatrical mood, combining Art Deco references with a raw, industrial edge.
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